Ode to the Passions

Ode to the Passions
Author: Alice Mary Smith
Publisher: A-R Editions, Inc.
Total Pages: 325
Release: 2019-01-01
Genre: Music
ISBN: 198720333X

Alice Mary Smith (1839–84) was one of the few women composers in the early to mid-Victorian era to write in larger-scale genres. Moreover, she was able to have nearly all her works publicly performed. By 1878 Smith had turned her attention to works for chorus and orchestra: Ode to the Passions was the second of four choral pieces published before her untimely death. The work closely follows the text of William Collins’s The Passions: An Ode for Music of 1746 and is in nine movements (some of which are linked), preceded by an orchestral introduction. Composed expressly for the Three Choir Festival held in 1882 in Hereford, it received wide acclaim and was subsequently performed in Bradford, in London (twice), and even reached Australia. Smith deliberately eschewed the harmonic language of the continental composers, and, no doubt because of this, her works fell out of popularity shortly after her death.

Ode to the Passions

Ode to the Passions
Author: Frederic Hymen Cowen
Publisher: Palala Press
Total Pages: 82
Release: 2015-09-19
Genre:
ISBN: 9781343172234

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Prophet

The Prophet
Author: Kahlil Gibran
Publisher: Diamond Pocket Books Pvt Ltd
Total Pages: 128
Release: 2020-08-20
Genre: Fiction
ISBN: 9390287820

A book of poetic essays written in English, Kahlil Gibran's The Prophet is full of religious inspirations. With the twelve illustrations drawn by the author himself, the book took more than eleven years to be formulated and perfected and is Gibran's best-known work. It represents the height of his literary career as he came to be noted as ‘the Bard of Washington Street.’ Captivating and vivified with feeling, The Prophet has been translated into forty languages throughout the world, and is considered the most widely read book of the twentieth century. Its first edition of 1300 copies sold out within a month.

1730-1784

1730-1784
Author: Charles Wells Moulton
Publisher:
Total Pages: 812
Release: 1910
Genre: American literature
ISBN:

Ramshackle Ode

Ramshackle Ode
Author: Keith Leonard
Publisher: HarperCollins
Total Pages: 115
Release: 2016-04-05
Genre: Poetry
ISBN: 0544649680

A sparkling debut collection from a Pushcart Prize-nominated poet that makes an ecstatic argument for living Containing joy and suffering side by side, Ramshackle Ode offers elegies and odes as necessary partners to bring out the greatest power in each. By turns celebratory, meditative, tender, and rebellious, these poems reimagine the divisions and intersections of life and death, the human and the natural world, the brutal and the beautiful. Time and again, they choose hope. From an award-winning young poet in the tradition of Marie Howe, Walt Whitman, Gerald Stern, and contemporary American bard Maurice Manning, Ramshackle Ode presents a new voice singing toward transcendence, offering the sense that, though this world is fragile, human existence is a wonderfully stubborn miracle of chance.

The Low Passions: Poems

The Low Passions: Poems
Author: Anders Carlson-Wee
Publisher: W. W. Norton & Company
Total Pages: 98
Release: 2019-03-12
Genre: Poetry
ISBN: 0393652394

In a “trenchantly observed and moving debut” (John James, Kenyon Review), Anders Carlson-Wee mines nourishment and holiness from the darkest of our human origins. Explosive and incantatory, The Low Passions traces the fringes of the American experiment through the eyes of a young drifter. Pathologically frugal, reckless, and vulnerable, the narrator of these viscerally compelling poems hops freight trains, hitchhikes, dumpster dives, and sleeps in the homes of total strangers, scavenging forgotten and hardscrabble places for tangible forms of faith.

1730-1784

1730-1784
Author: Charles Wells Moulton
Publisher:
Total Pages: 808
Release: 1959
Genre: American literature
ISBN:

Ode to the West Wind and Other Poems

Ode to the West Wind and Other Poems
Author: Percy Bysshe Shelley
Publisher: Courier Corporation
Total Pages: 130
Release: 2012-03-27
Genre: Poetry
ISBN: 0486114147

Treasury of 37 well-known and representative poems by great Romantic poet includes "Ode to the West Wind," "To a Skylark," "Adonais," "Ozymandias," "Hymn to Intellectual Beauty," many more. Lists of titles and first lines.

Criticism, Performance, and the Passions in the Eighteenth Century

Criticism, Performance, and the Passions in the Eighteenth Century
Author: James Harriman-Smith
Publisher: Cambridge University Press
Total Pages: 249
Release: 2021-03-18
Genre: Drama
ISBN: 1108875629

Great art is about emotion. In the eighteenth century, and especially for the English stage, critics developed a sensitivity to both the passions of a performance and what they called the transitions between those passions. It was these pivotal transitions, scripted by authors and executed by actors, that could make King Lear beautiful, Hamlet terrifying, Archer hilarious and Zara electrifying. James Harriman-Smith recovers a lost way of appreciating theatre as a set of transitions that produce simultaneously iconic and dynamic spectacles; fascinating moments when anything seems possible. Offering fresh readings and interpretations of Shakespearean and eighteenth-century tragedy, historical acting theory and early character criticism, this volume demonstrates how a concern with transition binds drama to everything, from lyric poetry and Newtonian science, to fine art and sceptical enquiry into the nature of the self.