Octet In F Major
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Chamber Music
Author | : Lucy Miller Murray |
Publisher | : Rowman & Littlefield |
Total Pages | : 463 |
Release | : 2015-04-09 |
Genre | : Music |
ISBN | : 1442243430 |
In Chamber Music: An Extensive Guide for Listeners,Lucy Miller Murray transforms her decades of program notes for some of the world’s most distinguished artists and presenters into the go-to guide for the chamber music novice and enthusiast. Offering practical information on the broad array of chamber music works from the Classical, Romantic, and Modern periods—and an artful selection from the Baroque period of Johann Sebastian Bach’s works—Chamber Music: An Extensive Guide for Listeners is both the perfect reference resource and chamber music primer for listeners. Covering over 500 works, Murray surveys in clear and simple language the historical and musical impact of some 130 composers—20 of them living. Notably, Chamber Music includes the complete string quartets of Beethoven, Bartok, and Shostakovich, as well as 35 piano trios of Haydn. It also provides critical information and assessments of works by composers not nearly so well known, both past and present. Entries appear in alphabetical order by composer, and, in every instance, give a brief introduction to the composer’s life and work. Of particular interest are the brief spotlight contributions, from well-known figures in the chamber music world, who focus on the performance experience or offer special knowledge of the works. This work is an ideal introduction and reference for students and scholars, new listeners, and enthusiasts of the chamber music tradition in Western music. Special contributors include: ·Charles Abramovic ·James Bonn ·Michael Brown ·Eugene Drucker ·James Dunham ·Daniel Epstein ·Ralph Evans ·Jeremy Gill ·Jake Heggie ·Paul Katz ·Bert Lucarelli ·Stuart Malina ·Robert Martin ·Peter Orth ·Jann Pasler ·Susan Salm ·David Shifrin ·Peter Sirotin/Ya-Ting Chang ·Arnold Steinhardt ·Kenneth Woods ·David Yang Phillip Ying
Notes on Schubert
Author | : Conrad Wilson |
Publisher | : Wm. B. Eerdmans Publishing |
Total Pages | : 146 |
Release | : 2005 |
Genre | : Literary Criticism |
ISBN | : 9780802829283 |
This modern exploration of Schubert's complex personality and inner conflicts takes a look at the notion that Schubert was moving into a new phase when he died and wonders if his sexual orientation would have any bearing on perceptions of the man and his music.
Schubert's Beethoven Project
Author | : John M. Gingerich |
Publisher | : Cambridge University Press |
Total Pages | : 446 |
Release | : 2014-05-22 |
Genre | : Music |
ISBN | : 1139952080 |
Why couldn't Schubert get his 'great' C-Major Symphony performed? Why was he the first composer to consistently write four movements for his piano sonatas? Since neither Schubert's nor Beethoven's piano sonatas were ever performed in public, who did hear them? Addressing these questions and many others, John M. Gingerich provides a new understanding of Schubert's career and his relationship to Beethoven. Placing the genres of string quartet, symphony, and piano sonata within the cultural context of the 1820s, the book examines how Schubert was building on Beethoven's legacy. Gingerich brings new understandings of how Schubert tried to shape his career to bear on new hermeneutic readings of the works from 1824 to 1828 that share musical and extra-musical pre-occupations, centering on the 'Death and the Maiden' Quartet and the Cello Quintet, as well as on analyses of the A-minor Quartet, the Octet, and of the 'great' C-Major Symphony.
Chamber Music
Author | : James M. Keller |
Publisher | : Oxford University Press |
Total Pages | : 517 |
Release | : 2011 |
Genre | : Music |
ISBN | : 019020639X |
Chamber Music: A Listener's Guide brings together acclaimed program annotator James Keller's essays on the essential chamber-music repertoire. Written to be meaningful to non-professional music-lovers while also providing enrichment for chamber-music professionals, these notes offer generous historical background for 193 works by 56 composers from the 18th century to the present.
Keyboard Skills for Music Educators: Score Reading
Author | : Shellie Gregorich |
Publisher | : Routledge |
Total Pages | : 337 |
Release | : 2012-05-22 |
Genre | : Art |
ISBN | : 1136666192 |
Keyboard Skills for Music Educators: Score Reading is the first textbook equip future educators with the ability to play from an open score at the keyboard. Score reading can be a daunting prospect for even the most accomplished pianist, but it is a skill required of all choral and instrumental music instructors. Although most music education curricula include requirements to achieve a certain level of proficiency in open score reading, standard textbooks contain very little material devoted to developing this skill. This textbook provides a gradual and graded approach, progressing from two-part reading to four or more parts in a variety of clefs. Each chapter focuses on one grouping of voices and provides many musical examples from a broad sampling of choral and instrumental repertoire ranging from Renaissance to contemporary works.
Schubert: The Illustrated Lives of the Great Composers
Author | : Peggy Woodford |
Publisher | : Omnibus Press |
Total Pages | : 245 |
Release | : 2011-08-01 |
Genre | : Music |
ISBN | : 0857124951 |
Schubert died at the age of thirty-one, in obscurity, his genius unrecognised except by a few friends. Today he is acknowledged as one of the greatest composers of all times. His nine symphonies include what is probably the most famous of all symphonies - The Unfinished- and his chamber music, the best loved of all quintets - The Trout. Perhaps his most impressive accomplishment was the composition of over six hundred exquisite songs, including the Schöne Mullerin and Winterreise song cycles, which never cease to delight audiences. In this new biography, the author traces the life and times of Schubert, the development of his music and the political and social climate of Vienne in the years following the Congress of 1814. Documentation of the period, Schubert's own letters and the recollections of his friends help bring Schubert's time alive. The text is completed with a number of facsimile reproductions of Schubert's manuscripts and published editions.
Bending the Rules of Music Theory
Author | : Timothy Cutler |
Publisher | : Routledge |
Total Pages | : 314 |
Release | : 2019-02-04 |
Genre | : Music |
ISBN | : 1351069152 |
For students learning the principles of music theory, it can often seem as though the tradition of tonal harmony is governed by immutable rules that define which chords, tones, and intervals can be used where. Yet even within the classical canon, there are innumerable examples of composers diverging from these foundational "rules." Drawing on examples from composers including J.S. Bach, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, and more, Bending the Rules of Music Theory seeks to take readers beyond the basics of music theory and help them to understand the inherent flexibility in the system of tonal music. Chapters explore the use of different rule-breaking elements in practice and why they work, introducing students to a more nuanced understanding of music theory.
Schubert's Mature Instrumental Music
Author | : David Beach |
Publisher | : Boydell & Brewer |
Total Pages | : 223 |
Release | : 2017 |
Genre | : Instrumental music |
ISBN | : 1580465927 |
Probing analyses, from the renowned music theorist, of Schubert's great, yet still little-studied piano-solo, chamber, and symphonic masterpieces.
Wolfgang Rihm, a Chiffre
Author | : Yves Knockaert |
Publisher | : Leuven University Press |
Total Pages | : 341 |
Release | : 2017-11-21 |
Genre | : Music |
ISBN | : 9462701237 |
The elusive and ungraspable in Rihms’s music Wolfgang Rihm ( b. Karlsruhe, 1952) is the most performed living German composer. With his personal, expressive, and versatile music, he became the most prominent representative of his generation. His individual approach to music was established in the 1980s and he continues to explore and enlarge his original concepts today. His 1980s work is at the core of this book, more specifically his instrumental music: the Chiffre cycle and the string quartets. Thinking about Rihm includes reflecting on his interest in philosophy, his relation to fine arts, his awareness of principles found in nature, and his references to important composers from the past. His music is embedded in the past and the actuality in modernism and postmodernism. Notwithstanding Rihm’s generosity in essays and introductions to his works, many aspects of the ‘inner sound’ of his music stay an elusive, ungraspable ‘chiffre’: a challenge for the analyst. With Foreword by Richard McGregor (Professor Emeritus, University of Cumbria)