Occidentalism Images Of The West
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| Author | : James G. Carrier |
| Publisher | : Clarendon Press |
| Total Pages | : 286 |
| Release | : 1995-04-13 |
| Genre | : |
| ISBN | : 0191590843 |
This is an investigation of Western cultural identity. It shows how people's images of themselves and others reflect the power that different groups in a society have to shape these images. The contributors describe these images in Western academic writing, popular Western culture, and societies outside the West, in this counterpart to Edward Said's Orientalism. - ;Occidentalism is an investigation of images of Western cultural identity. Edward Said's Orientalism revolutionized Western understanding of non-Western cultures by showing how Western projected images shaped the Occidental of the Orient, but those who follow Said have not until now reflected that understanding back onto Western societies. Occidentalism shows how images of the West shape people's conceptions of themselves and others, and how these images are in turn shaped by members of Western and non-Western societies alike. The contributors describe and explicate these images in a variety of areas, from Western academic writing to popular Western culture, from societies within and outside the West, to show how power and conflict shape such conceptions. -
| Author | : Ian Buruma |
| Publisher | : Penguin |
| Total Pages | : 177 |
| Release | : 2005-03-29 |
| Genre | : Political Science |
| ISBN | : 1101099410 |
Twenty-five years ago, Edward Said's Orientalism spawned a generation of scholarship on the denigrating and dangerous mirage of "the East" in the Western colonial mind. But "the West" is the more dangerous mirage of our own time, Ian Buruma and Avishai Margalit argue, and the idea of "the West" in the minds of its self-proclaimed enemies remains largely unexamined and woefully misunderstood. Occidentalism is their groundbreaking investigation of the demonizing fantasies and stereotypes about the Western world that fuel such hatred in the hearts of others. We generally understand "radical Islam" as a purely Islamic phenomenon, but Buruma and Margalit show that while the Islamic part of radical Islam certainly is, the radical part owes a primary debt of inheritance to the West. Whatever else they are, al Qaeda and its ilk are revolutionary anti-Western political movements, and Buruma and Margalit show us that the bogeyman of the West who stalks their thinking is the same one who has haunted the thoughts of many other revolutionary groups, going back to the early nineteenth century. In this genealogy of the components of the anti-Western worldview, the same oppositions appear again and again: the heroic revolutionary versus the timid, soft bourgeois; the rootless, deracinated cosmopolitan living in the Western city, cut off from the roots of a spiritually healthy society; the sterile Western mind, all reason and no soul; the machine society, controlled from the center by a cabal of insiders—often Jews—pulling the hidden levers of power versus an organically knit-together one, a society of "blood and soil." The anti-Western virus has found a ready host in the Islamic world for a number of legitimate reasons, they argue, but in no way does that make it an exclusively Islamic matter. A work of extraordinary range and erudition, Occidentalism will permanently enlarge our collective frame of vision
| Author | : Ehsan Bakhshandeh |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 245 |
| Release | : 2016-09-29 |
| Genre | : History |
| ISBN | : 0857725483 |
Negative portrayals of the West in Iran are often centred around the CIA-engineered coup of 1953, which overthrew Prime Minister Mohammad Mosaddeq, or the hostage-taking crisis in 1979 following the attack on the US embassy in Tehran. Looking past these iconic events, Ehsan Bakhshandeh explores the deeper anti-imperialistic and anti-hegemonic roots of the hostility to Westernism that is evident in the Iranian press. Distinguishing between negative and outright hostile perceptions of the West - which also encompasses Britain, France and Germany - the book traces how the West is represented as the `Occident' in the country's media. From the Qajar period and the Tobacco protests of the late nineteenth century to the ill-fated Anglo-Persian Treaty of 1919, through to the 1953 coup and 1979 hostage crisis, Bakshandeh highlights the various points in history when misinterpretations and conflicts led to a demonisation of the `other' in the Iranian media. The major recent source of contention between the West and Iran has of course been the nuclear issue and the resultant regime of sanctions. By examining how this and other issues have been represented by the Iranian press, Bakshandeh offers a crucial and often-overlooked aspect of the key relationship between Iran and the West.
| Author | : Edward W. Said |
| Publisher | : Vintage |
| Total Pages | : 434 |
| Release | : 2014-10-01 |
| Genre | : Social Science |
| ISBN | : 0804153868 |
A groundbreaking critique of the West's historical, cultural, and political perceptions of the East that is—three decades after its first publication—one of the most important books written about our divided world. "Intellectual history on a high order ... and very exciting." —The New York Times In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding.
| Author | : Mika Natif |
| Publisher | : BRILL |
| Total Pages | : 332 |
| Release | : 2018-08-13 |
| Genre | : History |
| ISBN | : 900437499X |
In Mughal Occidentalism, Mika Natif elucidates the meaningful and complex ways in which Mughal artists engaged with European art and techniques from the 1580s-1630s. Using visual and textual sources, this book argues that artists repurposed Christian and Renaissance visual idioms to embody themes from classical Persian literature and represent Mughal policy, ideology and dynastic history. A reevaluation of illustrated manuscripts and album paintings incorporating landscape scenery, portraiture, and European objects demonstrates that the appropriation of European elements was highly motivated by Mughal concerns. This book aims to establish a better understanding of cross-cultural exchange from the Mughal perspective by emphasizing the agency of local artists active in the workshops of Emperors Akbar and Jahangir.
| Author | : Xiaomei Chen |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 292 |
| Release | : 2002 |
| Genre | : History |
| ISBN | : 9780847698752 |
This revised and expanded edition of the first comprehensive study of Occidentalism in post-Mao China includes a new preface, foreword, and chapter on Chinese diaspora writings in the Chinese language. Xiaomei Chen offers an insightful account of the unremittingly favorable depiction of Western culture and its negative characterization of Chinese culture in post-Mao China since 1978. She examines the cultural and political interrelationship between the East and West from a vantage point more complex than that accommodated by most current theories of Western imperialism and colonialism. Going beyond Edward Said's construction in Orientalism of cross-cultural appropriations as a defining facet of Western imperialism, Chen argues that the appropriation of Western discourse--what she calls "Occidentalism"--can actually have a politically and ideologically liberating effect on contemporary non-Western culture. She maintains that simplistic allegations of Orientalism frequently found in current critical discourses seriously underestimate the complexities of intercultural and multicultural relationships. Using China as the focus of her analysis, Chen examines a variety of cultural media, from Shakespearean drama, to modernist poetry, to contemporary Chinese television and popular fiction. She thus places sinology in the general context of Western theoretical discourses, such as Eurocentrism, postcolonialism, nationalism, modernism, feminism, and literary hermeneutics, showing that it has a vital role to play in the study of Orient and Occident and their now unavoidable symbiotic relationship. Occidentalism presents a new model of comparative literary and cultural studies that reenvisions cross-cultural appropriation. It will be indispensable to future discussions of Orientalism, Occidentalism, and postcolonialism, as well as subaltern studies, Asian studies, comparative literature, cultural studies, and non-Western drama.
| Author | : Laetitia Nanquette |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 264 |
| Release | : 2017-02-28 |
| Genre | : Literary Criticism |
| ISBN | : 1786731207 |
This book highlights the role of cultural representations and perceptions, such as when Iran is represented in the French media as a rogue state obsessed with its nuclear programme, and when France is portrayed in the Iranian media as a decadent and imperialist country. Here, Laetitia Nanquette examines the functions, processes, and mechanisms of stereotyping and imagining the "other" that have pervaded the literary traditions of France and Iran when writing about each other. She furthermore analyzes Franco-Iranian relations by exploring the literary traditions of this relationship, the ways in which these have affected individual authors, and how they reflect socio-political realities. With themes that feed into popular debates about the nature of Orientalism and Occidentalism, and how the two interact, this book will be vital for researchers of Middle Eastern literature and its relationship with writings from the West, as well as those working on the cultures of the Middle East.
| Author | : Couze Venn |
| Publisher | : SAGE |
| Total Pages | : 268 |
| Release | : 2000 |
| Genre | : Social Science |
| ISBN | : 9780761954125 |
This important book critically addresses the `becoming West' of Europe and investigates the `becoming Modern' of the world. Drawing on the work of Derrida, Foucault, Levinas, Lyotard, Merleau-Ponty and Ricoeur, the book proposes that the question of postmodernity is inseparable from that of postcoloniality. The argument fully conveys the sense that modernity is in crisis. It maps out a new genealogy of the birth of the modern and suggests a new way of grounding the idea of an emancipation of being. Postcolonialism has emerged as a central topic in contemporary social science and cultural studies. This book informs readers as to the central strands of the debate and introduces a host of new ideas which will be a rich fund f
| Author | : Rachael Hutchinson |
| Publisher | : State University of New York Press |
| Total Pages | : 306 |
| Release | : 2011-11-01 |
| Genre | : Literary Criticism |
| ISBN | : 1438439083 |
Nagai Kafū (1879–1959) spent more time abroad than any other writer of his generation, firing the Japanese imagination with his visions of America and France. Applying the theoretical framework of Occidentalism to Japanese literature, Rachael Hutchinson explores Kafū's construction of the Western Other, an integral part of his critique of Meiji civilization. Through contrast with the Western Other, Kafū was able to solve the dilemma that so plagued Japanese intellectuals—how to modernize and yet retain an authentic Japanese identity in the modern world. Kafū's flexible positioning of imagined spaces like the "West" and the "Orient" ultimately led him to a definition of the Japanese Self. Hutchinson analyzes the wide range of Kafū's work, particularly those novels and stories reflecting Kafū's time in the West and the return to Japan, most unknown to Western readers and a number unavailable in English, along with his better-known depictions of Edo's demimonde. Kafū's place in Japan's intellectual history and his influence on other writers are also discussed.
| Author | : Robbert A. F. L. Woltering |
| Publisher | : |
| Total Pages | : 208 |
| Release | : 2011 |
| Genre | : |
| ISBN | : 9780755609246 |
"While the Western perception of the 'the Orient' has become a well-worn topic in the field of Asian and Middle Eastern studies, the way in which the Arab world has come to perceive the West has been largely neglected. "Occidentalisms in the Arab World" not only presents a comprehensive overview and pointed commentary on recent works in the emerging field of Occidentalist studies, but also provides new insight on the interplay between ideology and image in the formulation of 'the West'. Robbert Woltering provides an in-depth look at the ways in which multiple representations - occidentalisms - of the West have developed in Egypt since the end of the Cold War. Through the rigorous analysis of political speeches, popular literature and recurrent images, Woltering examines the ideological foundations that continue to shape the image of the Occident in the twenty-first century. "Occidentalisms in the Arab World" provides an unparalleled and original commentary in an emerging field at the intersection of Middle East Studies, Political Science, and Media Studies."--Bloomsbury publishing.
