Observations On The River Wye And Several Parts Of South Wales Relative Chiefly To Picturesque Beauty Made In The Summer Of The Year Of 1770 By William Gilpin
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Observations on the western parts of England, etc. (Republished.)
Author | : William GILPIN (Prebendary of Salisbury.) |
Publisher | : |
Total Pages | : 434 |
Release | : 1808 |
Genre | : |
ISBN | : |
The Imprint of the Picturesque on Nineteenth-Century British Fiction
Author | : Alexander M. Ross |
Publisher | : Wilfrid Laurier Univ. Press |
Total Pages | : 220 |
Release | : 2006-01-01 |
Genre | : Literary Criticism |
ISBN | : 0889206260 |
"Despite the negative criticism directed at its sentiment, its heartlessness, its superficiality, the picturesque remained in both art and fiction of Victorian England a mode of seeing that even the greatest of the artists and novelists relied upon from time to time so that their viewers and readers could rejoice in the instant recognition of place and character distinctly limned and sometimes subtly enough to elicit sympathy" (Preface). After briefly tracing the development of the theory of the picturesque in the eighteenth-century writings of William Gilpin, Sir Uvedale Price, and Richard Payne Knight and examining how nineteenth-century novelists accommodated aesthetic theory to the practice of fiction, Ross focuses on the use of the picturesque in the works of Sir Walter Scott, Charlotte Bronte, Charles Dickens, George Eliot, and Thomas Hardy. The persistence of the picturesque through novels ranging from Waverley to Jude the Obscure and in writers like Dickens and Eliot, who had little respect for its conventions, attests to its strength and attraction in nineteenth-century literature.
Perceptions of Retailing in Early Modern England
Author | : Nancy Cox |
Publisher | : Routledge |
Total Pages | : 234 |
Release | : 2017-05-15 |
Genre | : History |
ISBN | : 1351912224 |
Whilst there has been much recent scholarly work on retailing during the early modern period, less is known about how people at the time perceived retailing, both as onlookers, artists and commentators, and as participants. Centred on the general theme of perceptions, the authors address this gap in our knowledge by looking at a different aspect of consumption. They focus on two ancillary themes: the first is location and how contemporaries perceived the settlements in which there were shops; the other is distance. Pictures, prints, novels, diaries and promotional literature of the tradespeople themselves provide much of the evidence. Many of these sources are not new to historians, but they have not been scrutinized and analysed with the questions in mind that are posed here. The methodology to be employed has been developed by Nancy Cox over the last decade, and is used successfully in her book The Complete Tradesman and in the compilation of the forthcoming Dictionary of Traded Goods and Commodities 1550-1800. This book will find a ready market with scholars concerned with British social and economic history in the early modern period. Although it is first and foremost a book written by historians for historians, it nevertheless borrows concepts and approaches from various disciplines concerned with theories of consumption, material culture and representational art.
Robert Bloomfield
Author | : Simon White |
Publisher | : Bucknell University Press |
Total Pages | : 324 |
Release | : 2006 |
Genre | : Literary Criticism |
ISBN | : 9780838756294 |
This collection includes essays that consider how Bloomfield's poetry contributes to an understanding of the predominant issues, forms, and themes of literary Romanticism.
Routledge Library Editions: Art and Culture in the Nineteenth Century
Author | : Various |
Publisher | : Routledge |
Total Pages | : 4338 |
Release | : 2021-03-29 |
Genre | : History |
ISBN | : 0429761805 |
This set of 11 volumes, originally published between 1946 and 2001, amalgamates a wide breadth of research on Art and Culture in the Nineteenth Century, including studies on photography, theatre, opera, and music. This collection of books from some of the leading scholars in the field provides a comprehensive overview of the subject how it has evolved over time, and will be of particular interest to students of art and cultural history.
Space and Place in Children’s Literature, 1789 to the Present
Author | : Maria Sachiko Cecire |
Publisher | : Routledge |
Total Pages | : 267 |
Release | : 2016-03-09 |
Genre | : Literary Criticism |
ISBN | : 131705203X |
Focusing on questions of space and locale in children’s literature, this collection explores how metaphorical and physical space can create landscapes of power, knowledge, and identity in texts from the early nineteenth century to the present. The collection is comprised of four sections that take up the space between children and adults, the representation of 'real world' places, fantasy travel and locales, and the physical space of the children’s book-as-object. In their essays, the contributors analyze works from a range of sources and traditions by authors such as Sylvia Plath, Maria Edgeworth, Gloria Anzaldúa, Jenny Robson, C.S. Lewis, Elizabeth Knox, and Claude Ponti. While maintaining a focus on how location and spatiality aid in defining the child’s relationship to the world, the essays also address themes of borders, displacement, diaspora, exile, fantasy, gender, history, home-leaving and homecoming, hybridity, mapping, and metatextuality. With an epilogue by Philip Pullman in which he discusses his own relationship to image and locale, this collection is also a valuable resource for understanding the work of this celebrated author of children’s literature.
Wordsworth's Vagrant Muse
Author | : Gary Lee Harrison |
Publisher | : Wayne State University Press |
Total Pages | : 250 |
Release | : 1994 |
Genre | : Literary Collections |
ISBN | : 9780814324813 |
William Wordsworth's poems are inhabited by beggars, vagrants, peddlers, and paupers. This book analyzes how a few key poems from Wordsworth's early years constitute a direct engagement with and intervention into the politics of poverty and reform that swept the social, political, and cultural landscape in England during the 1790s. In Wordsworth's Vagrant Muse, Gary Harrison argues that although Wordsworth's poetry is implicated in an ideology that idealizes rustic poverty, it nonetheless invests the image of the rural poor with a certain, if ambiguously realized, power. The early poems challenge the complacency of middle-class readers by constructing a mirror in which they confront the possibility of their own impoverishment (both economic and moral), and by investing the marginal poor with a sense of dignity and morality otherwise denied them.