What is Obscenity?
Author | : Rokudenashiko |
Publisher | : |
Total Pages | : 0 |
Release | : 2016 |
Genre | : Artists |
ISBN | : 9781927668313 |
Rokudenashiko's mission is to demystify female genitalia, a mission that has led to a vulva-shaped kayak and her arrest.
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Author | : Rokudenashiko |
Publisher | : |
Total Pages | : 0 |
Release | : 2016 |
Genre | : Artists |
ISBN | : 9781927668313 |
Rokudenashiko's mission is to demystify female genitalia, a mission that has led to a vulva-shaped kayak and her arrest.
Author | : Christopher Hilliard |
Publisher | : Princeton University Press |
Total Pages | : 336 |
Release | : 2023-09-26 |
Genre | : History |
ISBN | : 0691226105 |
A comprehensive history of censorship in modern Britain For Victorian lawmakers and judges, the question of whether a book should be allowed to circulate freely depended on whether it was sold to readers whose mental and moral capacities were in doubt, by which they meant the increasingly literate and enfranchised working classes. The law stayed this way even as society evolved. In 1960, in the obscenity trial over D. H. Lawrence's Lady Chatterley's Lover, the prosecutor asked the jury, "Is it a book that you would even wish your wife or your servants to read?" Christopher Hilliard traces the history of British censorship from the Victorians to Margaret Thatcher, exposing the tensions between obscenity law and a changing British society. Hilliard goes behind the scenes of major obscenity trials and uncovers the routines of everyday censorship, shedding new light on the British reception of literary modernism and popular entertainments such as the cinema and American-style pulp fiction and comic books. He reveals the thinking of lawyers and the police, authors and publishers, and politicians and ordinary citizens as they wrestled with questions of freedom and morality. He describes how supporters and opponents of censorship alike tried to remake the law as they reckoned with changes in sexuality and culture that began in the 1960s. Based on extensive archival research, this incisive and multifaceted book reveals how the issue of censorship challenged British society to confront issues ranging from mass literacy and democratization to feminism, gay rights, and multiculturalism.
Author | : Joan DeJean |
Publisher | : University of Chicago Press |
Total Pages | : 224 |
Release | : 2002-06-02 |
Genre | : Education |
ISBN | : 9780226141404 |
The concept of obscenity is an ancient one. But as Joan DeJean suggests, its modern form, the same version that today's politicians decry and savvy artists exploit, was invented in seventeenth-century France. The Reinvention of Obscenity casts a fresh light on the mythical link between sexual impropriety and things French. Exploring the complicity between censorship, print culture, and obscenity, DeJean argues that mass market printing and the first modern censorial machinery came into being at the very moment that obscenity was being reinvented—that is, transformed from a minor literary phenomenon into a threat to society. DeJean's principal case in this study is the career of Moliére, who cannily exploited the new link between indecency and female genitalia to found his career as a print author; the enormous scandal which followed his play L'école des femmes made him the first modern writer to have his sex life dissected in the press. Keenly alert to parallels with the currency of obscenity in contemporary America, The Reinvention of Obscenity will concern not only scholars of French history, but anyone interested in the intertwined histories of sex, publishing, and censorship.
Author | : Joan DeJean |
Publisher | : University of Chicago Press |
Total Pages | : 216 |
Release | : 2002-06 |
Genre | : Education |
ISBN | : 0226141411 |
The concept of obscenity is an ancient one. But as Joan DeJean suggests, its modern form, the same version that today's politicians decry and savvy artists exploit, was invented in seventeenth-century France. The Reinvention of Obscenity casts a fresh light on the mythical link between sexual impropriety and things French. Exploring the complicity between censorship, print culture, and obscenity, DeJean argues that mass market printing and the first modern censorial machinery came into being at the very moment that obscenity was being reinvented—that is, transformed from a minor literary phenomenon into a threat to society. DeJean's principal case in this study is the career of Moliére, who cannily exploited the new link between indecency and female genitalia to found his career as a print author; the enormous scandal which followed his play L'école des femmes made him the first modern writer to have his sex life dissected in the press. Keenly alert to parallels with the currency of obscenity in contemporary America, The Reinvention of Obscenity will concern not only scholars of French history, but anyone interested in the intertwined histories of sex, publishing, and censorship.
Author | : United States. Commission on Obscenity and Pornography |
Publisher | : |
Total Pages | : 658 |
Release | : 1970 |
Genre | : Erotica |
ISBN | : |
Author | : United States. Congress. House. Committee on Post Office and Civil Service. Subcommittee on Postal Operations |
Publisher | : |
Total Pages | : 562 |
Release | : 1969 |
Genre | : City planning and redevelopment law |
ISBN | : |
Author | : Kerstin Mey |
Publisher | : Bloomsbury Publishing |
Total Pages | : 193 |
Release | : 2006-11-22 |
Genre | : Art |
ISBN | : 0857710567 |
Explicit material is more widely available in the internet age than ever before, yet the concept of 'obscenity' remains as difficult to pin down as it is to approach without bias: notions of what is 'obscene' shift with societies' shifting mores, and our responses to explicit or disturbing material can be highly subjective. In this intelligent and sensitive book, Kerstin Mey grapples with the work of twentieth-century artists practising at the edges of acceptability, from Hans Bellmer through to Nobuyoshi Araki, from Robert Mapplethorpe to Annie Sprinkle, and from Hermann Nitsch to Paul McCarthy. Mey refuses sweeping statements and 'knee-jerk' responses, arguing with dexterity that some works, regardless of their 'high art' context, remain deeply problematic, whilst others are both groundbreaking and liberating.
Author | : Theodore Schroeder |
Publisher | : |
Total Pages | : 24 |
Release | : 1912 |
Genre | : Freedom of expression |
ISBN | : |
Author | : United States. Commission on Obscenity and Pornography |
Publisher | : |
Total Pages | : 260 |
Release | : 1971 |
Genre | : Erotic art |
ISBN | : |