Obras: Poesía, Teatro, Prosas Varias, Crítica
Author | : Xavier Villaurrutia |
Publisher | : |
Total Pages | : 1176 |
Release | : 1974 |
Genre | : Latin American literature |
ISBN | : |
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Author | : Xavier Villaurrutia |
Publisher | : |
Total Pages | : 1176 |
Release | : 1974 |
Genre | : Latin American literature |
ISBN | : |
Author | : Carmen A. Serrano |
Publisher | : University of New Mexico Press |
Total Pages | : 265 |
Release | : 2019-05-15 |
Genre | : Literary Criticism |
ISBN | : 0826360459 |
This work traces how Gothic imagination from the literature and culture of eighteenth- and nineteenth-century Europe and twentieth-century US and European film has impacted Latin American literature and film culture. Serrano argues that the Gothic has provided Latin American authors with a way to critique a number of issues, including colonization, authoritarianism, feudalism, and patriarchy. The book includes a literary history of the European Gothic to demonstrate how Latin American authors have incorporated its characteristics but also how they have broken away or inverted some elements, such as traditional plot lines, to suit their work and address a unique set of issues. The book examines both the modernistas of the nineteenth century and the avant-garde writers of the twentieth century, including Huidobro, Bombal, Rulfo, Roa Bastos, and Fuentes. Looking at the Gothic in Latin American literature and film, this book is a groundbreaking study that brings a fresh perspective to Latin American creative culture.
Author | : SalomÑn de la Selva |
Publisher | : Arte Publico Press |
Total Pages | : 180 |
Release | : 1998-01-01 |
Genre | : Poetry |
ISBN | : 9781611920512 |
Poems by a late Nicaraguan writer. In A Prayer for the United States, he wrote: "Apocalyptic blasts are ravaging over-sea. / With lure of flag and conquest the harlot War is wooing. / The horse John saw in Patmos its dread course is pursuing. / I pray the Lord He shelter the stars that shelter me."
Author | : Ignacio M. Sänchez Prado |
Publisher | : Cambridge University Press |
Total Pages | : 717 |
Release | : 2016-06-24 |
Genre | : Literary Criticism |
ISBN | : 1316489809 |
A History of Mexican Literature chronicles a story more than five hundred years in the making, looking at the development of literary culture in Mexico from its indigenous beginnings to the twenty-first century. Featuring a comprehensive introduction that charts the development of a complex canon, this History includes extensive essays that illuminate the cultural and political intricacies of Mexican literature. Organized thematically, these essays survey the multilayered verse and fiction of such diverse writers as Sor Juana Inés de la Cruz, Mariano Azuela, Xavier Villaurrutia, and Octavio Paz. Written by a host of leading scholars, this History also devotes special attention to the lasting significance of colonialism and multiculturalism in Mexican literature. This book is of pivotal importance to the development of Mexican writing and will serve as an invaluable reference for specialists and students alike.
Author | : Alejandro Anreus |
Publisher | : Univ of California Press |
Total Pages | : 386 |
Release | : 2012-09-08 |
Genre | : Art |
ISBN | : 0520271629 |
In this comprehensive collection of essays, three generations of international scholars examines Mexican muralism in its broad artistic and historical contexts,from its iconic figures to their successors in Mexico, the United States, and across Latin America.
Author | : Virginia Sánchez Korrol |
Publisher | : Arte Publico Press |
Total Pages | : 465 |
Release | : 1993 |
Genre | : Literary Criticism |
ISBN | : 1558852514 |
Presents essays dealing with literature written by Hispanic Americans from the sixteenth century through 1960, evaluates individual authors, and examines the contributions of Latino authors in a multicultural, multilingual society.
Author | : Roberto Cantú |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 380 |
Release | : 2016-05-11 |
Genre | : History |
ISBN | : 1443893218 |
Mariano Azuela (Mexico, 1873–1952) was a medical doctor by profession, recipient of Mexico’s Premio Nacional de Literatura (1949), a distinguished member of El Colegio Nacional and, by mid-century, one of Mexico’s leading novelists and literary critics. The author of novels, novellas, plays, biographies, and literary criticism, Azuela served as field doctor under Francisco Villa during the Mexican Revolution and, after Villa’s military defeats in 1915, published Los de abajo (The Underdogs, 1915) while in exile in El Paso, Texas. This book of essays commemorates the first centenary of Los de abajo, and traces its impact on twentieth-century autobiographies, memoirs and, more specifically, on the Novel of the Mexican Revolution. Equestrian Rebels: Critical Perspectives on Mariano Azuela and the Novel of the Mexican Revolution includes a full-length introduction and nineteen essays by leading international scholars who study Azuela and other novelists of the Mexican Revolution – such as Martín Luis Guzmán, Nellie Campobello and, among others, José Rubén Romero – from current, yet contrasting and innovative theoretical perspectives. Especially written for this volume, these critical essays are grouped into five sections that separately probe and analyze Azuela’s realism and contemporary affinities with photography; Azuela’s literary criticism; centennial studies on Los de abajo; critical approaches to other novels by Azuela; three independent analyses of Nellie Campobello’s Cartucho (1931); and a concluding section on literary representations of Mexican colonialism and revolution in the narratives of Juan Rulfo (El llano en llamas), Carlos Fuentes (Gringo viejo), and David Toscana (El último lector). This book will be of importance to scholars, teachers, students, and the general reader interested in topics related to the literary, cultural, and political forces and conflicts that led to the transformation of Mexico into a modern nation.
Author | : Theodore W. Cohen |
Publisher | : Cambridge University Press |
Total Pages | : 584 |
Release | : 2020-05-07 |
Genre | : History |
ISBN | : 1108671179 |
In 2015, the Mexican state counted how many of its citizens identified as Afro-Mexican for the first time since independence. Finding Afro-Mexico reveals the transnational interdisciplinary histories that led to this celebrated reformulation of Mexican national identity. It traces the Mexican, African American, and Cuban writers, poets, anthropologists, artists, composers, historians, and archaeologists who integrated Mexican history, culture, and society into the African Diaspora after the Revolution of 1910. Theodore W. Cohen persuasively shows how these intellectuals rejected the nineteenth-century racial paradigms that heralded black disappearance when they made blackness visible first in Mexican culture and then in post-revolutionary society. Drawing from more than twenty different archives across the Americas, this cultural and intellectual history of black visibility, invisibility, and community-formation questions the racial, cultural, and political dimensions of Mexican history and Afro-diasporic thought.
Author | : Ana R. Alonso-Minutti |
Publisher | : Oxford University Press |
Total Pages | : 385 |
Release | : 2023-10-17 |
Genre | : Music |
ISBN | : 0197638341 |
Composer, pianist, editor, writer, and pedagogue Mario Lavista (1943-2021) was a central figure of the cultural and artistic scene in Mexico and one of the leading Ibero-American composers of his generation. His music is often described as evocative and poetic, noted for his meticulous attention to timbre and motivic permutation, and his creative trajectory was characterized by its intersections with the other arts, particularly poetry and painting. Lavista was a relational composer; he did not write music as a private enterprise but for and alongside people with whom he established close relations. Understanding analysis as an affective practice, author Ana R. Alonso-Minutti explores the intertextual connections between the multiple texts--musical or otherwise--that are present in Lavista's music. Alonso-Minutti argues that, through adopting an interdisciplinary and transhistorical approach to music composition, Lavista forged a cosmopolitan imaginary that challenged stereotypes of what Mexican music should sound like. This imaginary becomes a strategy of resistance against imperialist agendas placed upon postcolonial peripheries. Departing from traditional biographical and chronological frameworks that exalt masters and masterworks, the author offers a nuanced, personal narrative informed by conversations with composers, performers, artists, choreographers, poets, writers, and filmmakers. Through an innovative mosaic of methodologies, from archival work, to musical and intertextual analysis, oral history, and (auto)ethnography, this book is the first in-depth study of Lavista's compositional career and offers a contextual panorama of the contemporary music scene in Mexico