Catalogue of the Harvard University Fine Arts Library, The Fogg Art Museum
Author | : Harvard University. Fine Arts Library |
Publisher | : |
Total Pages | : 642 |
Release | : 1976 |
Genre | : Art |
ISBN | : |
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Author | : Harvard University. Fine Arts Library |
Publisher | : |
Total Pages | : 642 |
Release | : 1976 |
Genre | : Art |
ISBN | : |
Author | : Metropolitan Museum of Art (New York, N.Y.). Library |
Publisher | : |
Total Pages | : 704 |
Release | : 1980 |
Genre | : Art |
ISBN | : |
Author | : |
Publisher | : Macmillan Reference USA |
Total Pages | : 632 |
Release | : 1987 |
Genre | : Antiques & Collectibles |
ISBN | : |
Author | : Georges Riat |
Publisher | : Parkstone Press |
Total Pages | : 266 |
Release | : 2008 |
Genre | : Art |
ISBN | : |
Child of materialism and positivism, Courbet was without a doubt one of the most complex painters of the nineteenth century. Symbolising the rejection of traditions, Courbet did not hesitate to confront the public with the truth by liberating painting of conventional rules. He became from then on the leader of pictorial realism.
Author | : Jean Leymarie |
Publisher | : Rizzoli International Publications |
Total Pages | : 112 |
Release | : 1989 |
Genre | : Architecture |
ISBN | : |
Paul Gauguin (1848-1903) came late to painting, after two previous careers, first as a seaman, then as a stockbrocker. A romantic, a primitive, a symbolist, a born rebel and flamboyant personality, he stands at the crossroads of modern painting, summing up in his life's work the crucial transition from Impressionism to abstraction. He had no art school training. What we did have was an idea and a dream. His genius is usually considered in terms of his painting. This book offers the rare treat of a selection of watercolors, gouaches, pastels, pen-and-ink and charcoal drawings, monotypes, zincograph and woodcuts, together with pages from "Noa Noa", Gauguin's illustrated account of his stay in Tahiti. In many ways these works are more revealing than his paintings, as they allowed the artist a spontaneity and intimacy that painting, by the very nature of his technique, could not. -- From publisher's description.