Catalogue of the Harvard University Fine Arts Library, The Fogg Art Museum
Author | : Harvard University. Fine Arts Library |
Publisher | : |
Total Pages | : 642 |
Release | : 1976 |
Genre | : Art |
ISBN | : |
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Author | : Harvard University. Fine Arts Library |
Publisher | : |
Total Pages | : 642 |
Release | : 1976 |
Genre | : Art |
ISBN | : |
Author | : Metropolitan Museum of Art (New York, N.Y.). Library |
Publisher | : |
Total Pages | : 1038 |
Release | : 1960 |
Genre | : Art |
ISBN | : |
Author | : Metropolitan Museum of Art (New York, N.Y.). Library |
Publisher | : |
Total Pages | : 1060 |
Release | : 1960 |
Genre | : Art |
ISBN | : |
Author | : Bernard Quaritch (Firm) |
Publisher | : |
Total Pages | : 100 |
Release | : 1949 |
Genre | : Books |
ISBN | : |
Author | : New York Public Library. Research Libraries |
Publisher | : |
Total Pages | : 596 |
Release | : 1979 |
Genre | : Library catalogs |
ISBN | : |
Author | : The J. Paul Getty Museum |
Publisher | : Getty Publications |
Total Pages | : 217 |
Release | : 1979-01-01 |
Genre | : Art |
ISBN | : 0892360186 |
The J. Paul Getty Museum Journal 6/7 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, paintings, sculpture, and works of art. This volume includes an editorial statement by the journal’s editors: Burton B. Fredericksen, curator of Paintings, Jiří Frel, curator of Antiquities, and Gillian Wilson, curator of Decorative Arts. Conservation problems are discussed along with articles written by K. Christiansen, B. B. Fredericksen, S. Holo, G. Wilson, B. L. Shifman, M. Shapiro, J. Frel, D. M. Brinkerhoff, C. C. Vermeule, G. Koch, S. Downey, l. Kilian-Dirlmeier, C. Cardon, F. Brommer, M. A. Del Chiaro, P. Visonà, J. Cody, R. Mellor, D. L. Thompson, E. Langlotz, P. Zazoff, S. Knudsen Morgan, M. Jentoft-Nilsen, and A. Manzoni.
Author | : Jean-Nicolas-Louis Durand |
Publisher | : Getty Publications |
Total Pages | : 363 |
Release | : 2000-01-01 |
Genre | : Architecture |
ISBN | : 0892365803 |
Jean-Nicolas-Louis Durand (1760–1834) regarded the Précis of the Lectures on Architecture (1802–5) and its companion volume, the Graphic Portion (1821), as both a basic course for future civil engineers and a treatise. Focusing the practice of architecture on utilitarian and economic values, he assailed the rationale behind classical architectural training: beauty, proportionality, and symbolism. His formal systematization of plans, elevations, and sections transformed architectural design into a selective modular typology in which symmetry and simple geometrical forms prevailed. His emphasis on pragmatic values, to the exclusion of metaphysical concerns, represented architecture as a closed system that subjected its own formal language to logical processes. Now published in English for the first time, the Précis and the Graphic Portion are classics of architectural education.