Objects of Vision

Objects of Vision
Author: A. Joan Saab
Publisher: Penn State Press
Total Pages: 167
Release: 2021-02-26
Genre: History
ISBN: 0271088702

Advances in technology allow us to see the invisible: fetal heartbeats, seismic activity, cell mutations, virtual space. Yet in an age when experience is so intensely mediated by visual records, the centuries-old realization that knowledge gained through sight is inherently fallible takes on troubling new dimensions. This book considers the ways in which seeing, over time, has become the foundation for knowing (or at least for what we think we know). A. Joan Saab examines the scientific and socially constructed aspects of seeing in order to delineate a genealogy of visuality from the Renaissance to the present, demonstrating that what we see and how we see it are often historically situated and culturally constructed. Through a series of linked case studies that highlight moments of seeming disconnect between seeing and believing—hoaxes, miracles, spirit paintings, manipulated photographs, and holograms, to name just a few—she interrogates the relationship between “visions” and visuality. This focus on the strange and the wonderful in understanding changing notions of visions and visual culture is a compelling entry point into the increasingly urgent topic of technologically enhanced representations of reality. Accessibly written and thoroughly enlightening, Objects of Vision is a concise history of the connections between seeing and knowing that will appeal to students and teachers of visual studies and sensory, social, and cultural history.

Empires of Vision

Empires of Vision
Author: Martin Jay
Publisher: Duke University Press
Total Pages: 686
Release: 2014-03-14
Genre: Art
ISBN: 0822378973

Empires of Vision brings together pieces by some of the most influential scholars working at the intersection of visual culture studies and the history of European imperialism. The essays and excerpts focus on the paintings, maps, geographical surveys, postcards, photographs, and other media that comprise the visual milieu of colonization, struggles for decolonization, and the lingering effects of empire. Taken together, they demonstrate that an appreciation of the role of visual experience is necessary for understanding the functioning of hegemonic imperial power and the ways that the colonized subjects spoke, and looked, back at their imperial rulers. Empires of Vision also makes a vital point about the complexity of image culture in the modern world: We must comprehend how regimes of visuality emerged globally, not only in the metropole but also in relation to the putative margins of a world that increasingly came to question the very distinction between center and periphery. Contributors. Jordanna Bailkin, Roger Benjamin, Daniela Bleichmar, Zeynep Çelik, David Ciarlo, Natasha Eaton, Simon Gikandi, Serge Gruzinski, James L. Hevia, Martin Jay, Brian Larkin, Olu Oguibe, Ricardo Padrón, Christopher Pinney, Sumathi Ramaswamy, Benjamin Schmidt, Terry Smith, Robert Stam, Eric A. Stein, Nicholas Thomas, Krista A. Thompson

High-level Vision

High-level Vision
Author: Shimon Ullman
Publisher: MIT Press
Total Pages: 438
Release: 2000
Genre: Computers
ISBN: 9780262710077

Shimon Ullman focuses on the processes of high-level vision that deal with the interpretation and use of what is seen in the image. In this book, Shimon Ullman focuses on the processes of high-level vision that deal with the interpretation and use of what is seen in the image. In particular, he examines two major problems. The first, object recognition and classification, involves recognizing objects despite large variations in appearance caused by changes in viewing position, illumination, occlusion, and object shape. The second, visual cognition, involves the extraction of shape properties and spatial relations in the course of performing visual tasks such as object manipulation, planning movements in the environment, or interpreting graphical material such as diagrams, graphs and maps. The book first takes up object recognition and develops a novel approach to the recognition of three-dimensional objects. It then studies a number of related issues in high-level vision, including object classification, scene segmentation, and visual cognition. Using computational considerations discussed throughout the book, along with psychophysical and biological data, the final chapter proposes a model for the general flow of information in the visual cortex. Understanding vision is a key problem in the brain sciences, human cognition, and artificial intelligence. Because of the interdisciplinary nature of the theories developed in this work, High-Level Vision will be of interest to readers in all three of these fields.

Computer Vision

Computer Vision
Author: Christopher W. Tyler
Publisher: CRC Press
Total Pages: 268
Release: 2011-01-24
Genre: Computers
ISBN: 1439817138

Computer Vision is the first book to take a full approach to the challenging issue of veridical 3D object representation. It introduces mathematical and conceptual advances that offer an unprecedented framework for analyzing the complex scene structure of the world. Leading theorists cover full 3D scene reconstruction, instead of the simplistic 2D planar algorithms employed in the past. They explore cutting-edge research on computational algorithms for scene analysis and present an integrated, complementary treatment of neural, behavioral, mathematical, and computational approaches. The text includes numerous graphics of complex processes, with many in color.

300 Astronomical Objects

300 Astronomical Objects
Author: Jamie Wilkins
Publisher: Buffalo, N.Y. ; Richmond Hill, Ont. : Firefly Books
Total Pages: 536
Release: 2006
Genre: Nature
ISBN:

A handy and comprehensive reference to the 300 most interesting celestial objects. This book provides a tour through the galaxy, from its solar core to its outer limits, with all the highlights and the very latest data about the universe. Convenient data sidebars with each entry provide facts and figures on every object- including mass, magnitude, density, radius, rotation period, and surface and core temperatures. An annotated cross-section of the object enhances this information, and a full-page photograph brings the object to life. Additional spreads bring together and explain related objects or phenomena. For example, the corresponding pages for the sun include solar power, sunspots and solar flares. Others examples include: *Mercury: Mercury's surface *The asteroid belt: Eros 433 *Jupiter's moons: 10, Europa, Callista *Outer belts and comets: Halley's comet; Deep Impact *Space telescopes: International Space Station. 300 Astronomical Objects is a handy reference for the amateur astronomer. AUTHOR: Jamie Wilkins has a degree in astrophysics from Cambridge University. Robert Dunn has a degree in natural sciences, specializing in physics, from Cambridge University, where he is a researcher at the Institute of Astronomy. 300 + colour illustrations

The Visual World of Shadows

The Visual World of Shadows
Author: Roberto Casati
Publisher: MIT Press
Total Pages: 407
Release: 2023-12-26
Genre: Science
ISBN: 0262550849

How the perception of shadows, studied by vision scientists and visual artists, reveals the inner workings of the visual system. In The Visual World of Shadows, Roberto Casati and Patrick Cavanagh examine how the perception of shadows, as studied by vision scientists and visual artists, reveals the inner workings of the visual system. Shadows are at once a massive problem for vision—which must distinguish them from objects or material features of objects—and a resource, signaling the presence, location, shape, and size of objects. Casati and Cavanagh draw up an inventory of information retrievable from shadows, showing their amazing variety. They present an overview of the visual system, distinguishing between measurement and inference. They discuss the shadow mission, the work done by the visual brain to parse, and perhaps discard, the information from shadows; shadow ownership, the association of a shadow with the object that casts it; shadow labeling, the visual system's ability to tell shadows from nonshadows; and the shadow concept, our knowledge about shadows as a category. Casati and Cavanagh then apply the theoretical apparatus they have developed for shadows to other phenomena: illumination, reflection, and transparency. Finally, they examine the art of the shadow, paying tribute to artists' exploration of shadow, analyzing a series of artworks (reproduced in color) from a rich and fascinating art historical corpus.

Visual Agnosia

Visual Agnosia
Author: Martha J. Farah
Publisher: MIT Press (MA)
Total Pages: 190
Release: 1995
Genre: Visual agnosia
ISBN: 9780262560825

Brain damage can lead to selective problems with visual perception, including visual agnosia-the inability to recognize objects even though elementary visual functions remain unimpaired. Visual Agnosia reviews all the recent records of this disorder, places these 100 or so case studies in the general context of current neuroscience, and draws relevant conclusions about the organization of normal visual processing.

Illustrations, Optics and Objects in Nineteenth-Century Literary and Visual Cultures

Illustrations, Optics and Objects in Nineteenth-Century Literary and Visual Cultures
Author: L. Calè
Publisher: Springer
Total Pages: 240
Release: 2009-12-09
Genre: Literary Criticism
ISBN: 0230297390

Paying attention to the historically specific dimensions of objects such as the photograph, the illustrated magazine and the collection, the contributors to this volume offer new ways of thinking about nineteenth-century practices of reading, viewing, and collecting, revealing new readings of Wordsworth, Shelley, James and Wilde, among others.

Vision and Mind

Vision and Mind
Author: Alva Noë
Publisher: MIT Press
Total Pages: 644
Release: 2002-10-25
Genre: Psychology
ISBN: 9780262640473

The philosophy of perception is a microcosm of the metaphysics of mind. Its central problems—What is perception? What is the nature of perceptual consciousness? How can one fit an account of perceptual experience into a broader account of the nature of the mind and the world?—are at the heart of metaphysics. Rather than try to cover all of the many strands in the philosophy of perception, this book focuses on a particular orthodoxy about the nature of visual perception. The central problem for visual science has been to explain how the brain bridges the gap between what is given to the visual system and what is actually experienced by the perceiver. The orthodox view of perception is that it is a process whereby the brain, or a dedicated subsystem of the brain, builds up representations of relevant figures of the environment on the basis of information encoded by the sensory receptors. Most adherents of the orthodox view also believe that for every conscious perceptual state of the subject, there is a particular set of neurons whose activities are sufficient for the occurrence of that state. Some of the essays in this book defend the orthodoxy; most criticize it; and some propose alternatives to it. Many of the essays are classics. Contributors G.E.M. Anscombe, Dana Ballard, Daniel Dennett, Fred Dretske, Jerry Fodor, H.P. Grice, David Marr, Maurice Merleau-Ponty, Zenon Pylyshyn, Paul Snowdon, and P.F. Strawson