Oberlin Alumni Magazine Vol 38
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Constructing Black Education at Oberlin College
Author | : Roland M. Baumann |
Publisher | : |
Total Pages | : 448 |
Release | : 2010-02-15 |
Genre | : Education |
ISBN | : |
A richly illustrated volume presenting a comprehensive history of the education of African American students at Oberlin College.
Opt Art
Author | : Robert Bosch (mathématicien) |
Publisher | : Princeton University Press |
Total Pages | : 200 |
Release | : 2019-11-12 |
Genre | : Art |
ISBN | : 0691164061 |
Bosch provides a lively and accessible introduction to the geometric, algebraic, and algorithmic foundations of optimization. He presents classical applications, such as the legendary Traveling Salesman Problem, and shows how to adapt them to make optimization art--opt art. art.
The Town That Started the Civil War
Author | : Nat Brandt |
Publisher | : Syracuse University Press |
Total Pages | : 344 |
Release | : 1990-04-01 |
Genre | : History |
ISBN | : 9780815602439 |
Discusss the rescue of a kidnapped slave in 1858 by the residents of Oberlin, Ohio, and the repercussions.
Permission to Remain Among Us
Author | : Cally L. Waite |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 161 |
Release | : 2002-12-30 |
Genre | : Social Science |
ISBN | : 0313013519 |
Waite details the history of the community of Oberlin, Ohio, which demonstrated a commitment to the education of blacks during the antebellum period that was rare at the time. By the end of Reconstruction, however, black students at Oberlin were becoming segregated, and events at the college influenced the rest of the community, with neighborhoods, houses of worship, and social interaction becoming segregated. Waite suggests that Oberlin's history mirrors the story of race in America. The decision to admit black students to Oberlin College, and offer them the same curriculum as their white classmates, challenged the notion of black intellectual inferiority that prevailed during the antebellum period. Following the model of the college, the public schools of Oberlin were integrated in direct opposition to state laws that forbade the education of black children with public funds. However, after Reconstruction (1877), the nation tried to negotiate the future of a newly freed and barely educated people. In Oberlin, this change was evidenced by the gradual segregation of black students at the college. In the community, newly segregated neighborhoods, houses of worship and social interaction took hold in the former interracial utopia. The country looked to Oberlin as a model for integrated education at the end of the 19th century only to find that it, too, had succumbed to segregation. This study examines why, and focuses on the intersection of three national issues: the growth of the black church, increased racism and discrimination, and the transformation of higher education.
Prominent Families of New York
Author | : Lyman Horace Weeks |
Publisher | : |
Total Pages | : 64 |
Release | : 1898 |
Genre | : New York (N.Y.) |
ISBN | : |
Women Artists of the Harlem Renaissance
Author | : Amy Helene Kirschke |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 311 |
Release | : 2014-08-04 |
Genre | : Art |
ISBN | : 1626742073 |
Women artists of the Harlem Renaissance dealt with issues that were unique to both their gender and their race. They experienced racial prejudice, which limited their ability to obtain training and to be taken seriously as working artists. They also encountered prevailing sexism, often an even more serious barrier. Including seventy-two black-and-white illustrations, this book chronicles the challenges of women artists, who are in some cases unknown to the general public, and places their achievements in the artistic and cultural context of early twentieth-century America. Contributors to this first book on the women artists of the Harlem Renaissance proclaim the legacy of Edmonia Lewis, Meta Vaux Warrick Fuller, Augusta Savage, Selma Burke, Elizabeth Prophet, Lois Maillou Jones, Elizabeth Catlett, and many other painters, sculptors, and printmakers. In a time of more rigid gender roles, women artists faced the added struggle of raising families and attempting to gain support and encouragement from their often-reluctant spouses in order to pursue their art. They also confronted the challenge of convincing their fellow male artists that they, too, should be seen as important contributors to the artistic innovation of the era.