Oberiu
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Author | : Eugene Ostashevsky |
Publisher | : Northwestern University Press |
Total Pages | : 292 |
Release | : 2006 |
Genre | : Literary Collections |
ISBN | : 0810122936 |
It was a movement so artfully anarchic, and so quickly suppressed, that readers only began to discover its strange and singular brilliance three decades after it was extinguished-and then only in samizdat and emigre publications.
Author | : Sarah Pratt |
Publisher | : Northwestern University Press |
Total Pages | : 328 |
Release | : 2000-01-25 |
Genre | : Literary Criticism |
ISBN | : 0810114216 |
Sarah Pratt traces interwoven questions in the work of Nikolai Zabolotsky, a figure ranking just behind Pasternak, Mandelstram and Akhmatova in modern Russian poetry and the first major poet to come to light in the Soviet period.
Author | : Graham Roberts |
Publisher | : Cambridge University Press |
Total Pages | : 300 |
Release | : 1997-06-05 |
Genre | : Literary Collections |
ISBN | : 9780521482837 |
A comprehensive study of the OBERIU group of avant-garde Soviet writers.
Author | : Julia Listengarten |
Publisher | : Susquehanna University Press |
Total Pages | : 236 |
Release | : 2000 |
Genre | : Drama |
ISBN | : 9781575910338 |
"The tradition of Russian tragifarce can be characterized by its strong links to Russian political and cultural history and by its significant role in the development of Russian dramatic literature and theater practice. The book argues that the dualistic character of Russian tragifarce, which is close in spirit and philosophy to Bakhtin's understanding of the medieval carnival, embodies the ambivalent spirit of Russian culture and politics. The book further argues that the tragifarcical perception of the world can be seen as a national characteristic of the self-doubting and ironic Russian sensibility under the influence of a repressive political regime."--BOOK JACKET.
Author | : Neil Cornwell |
Publisher | : Manchester University Press |
Total Pages | : 372 |
Release | : 2006-10-31 |
Genre | : Literary Criticism |
ISBN | : 9780719074103 |
This is the first book to offer a comprehensive survey of the phenomenon of the absurd in a full literary context (that is to say, primarily in fiction, as well as in theatre).
Author | : Neil Cornwell |
Publisher | : Routledge |
Total Pages | : 1020 |
Release | : 2013-12-02 |
Genre | : Literary Criticism |
ISBN | : 1134260776 |
First Published in 1998. This volume will surely be regarded as the standard guide to Russian literature for some considerable time to come... It is therefore confidently recommended for addition to reference libraries, be they academic or public.
Author | : Olga Voronina |
Publisher | : BRILL |
Total Pages | : 521 |
Release | : 2019-10-14 |
Genre | : Performing Arts |
ISBN | : 9004414398 |
A Companion to Soviet Children’s Literature and Film offers a comprehensive and innovative analysis of Soviet literary and cinematic production for children. Its contributors contextualize and reevaluate Soviet children’s books, films, and animation and explore their contemporary re-appropriation by the Russian government, cultural practitioners, and educators. Celebrating the centennial of Soviet children’s literature and film, the Companion reviews the rich and dramatic history of the canon. It also provides an insight into the close ties between Soviet children’s culture and Avant-Garde aesthetics, investigates early pedagogical experiments of the Soviet state, documents the importance of translation in children’s literature of the 1920-80s, and traces the evolution of heroic, fantastic, historical, and absurdist Soviet narratives for children.
Author | : Andrew Kahn |
Publisher | : Oxford University Press |
Total Pages | : 976 |
Release | : 2018-04-05 |
Genre | : Literary Criticism |
ISBN | : 0192549529 |
Russia possesses one of the richest and most admired literatures of Europe, reaching back to the eleventh century. A History of Russian Literature provides a comprehensive account of Russian writing from its earliest origins in the monastic works of Kiev up to the present day, still rife with the creative experiments of post-Soviet literary life. The volume proceeds chronologically in five parts, extending from Kievan Rus' in the 11th century to the present day.The coverage strikes a balance between extensive overview and in-depth thematic focus. Parts are organized thematically in chapters, which a number of keywords that are important literary concepts that can serve as connecting motifs and 'case studies', in-depth discussions of writers, institutions, and texts that take the reader up close and. Visual material also underscores the interrelation of the word and image at a number of points, particularly significant in the medieval period and twentieth century. The History addresses major continuities and discontinuities in the history of Russian literature across all periods, and in particular bring out trans-historical features that contribute to the notion of a national literature. The volume's time-range has the merit of identifying from the early modern period a vital set of national stereotypes and popular folklore about boundaries, space, Holy Russia, and the charismatic king that offers culturally relevant material to later writers. This volume delivers a fresh view on a series of key questions about Russia's literary history, by providing new mappings of literary history and a narrative that pursues key concepts (rather more than individual authorial careers). This holistic narrative underscores the ways in which context and text are densely woven in Russian literature, and demonstrates that the most exciting way to understand the canon and the development of tradition is through a discussion of the interrelation of major and minor figures, historical events and literary politics, literary theory and literary innovation.
Author | : Mark Lipovetsky |
Publisher | : Oxford University Press |
Total Pages | : 1081 |
Release | : 2024-04-26 |
Genre | : History |
ISBN | : 0197508219 |
The Oxford Handbook of Soviet Underground Culture is the first comprehensive English-language volume covering a history of Soviet artistic and literary underground. In forty-four chapters, an international group of leading scholars introduce readers to a web of subcultures within the underground, highlight the culture achievements of the Soviet underground from the 1930s through the 1980s, emphasize the multimediality of this cultural phenomenon, and situate the study of underground literary texts and artworks into their broader theoretical, ideological, and political contexts.
Author | : Julia Listengarten |
Publisher | : Bloomsbury Publishing |
Total Pages | : 273 |
Release | : 2021-12-16 |
Genre | : Performing Arts |
ISBN | : 1350155640 |
This book considers arousal as a mode of theoretical and artistic inquiry to encourage new ways of staging and examining bodies in performance across artistic disciplines, modern history, and cultural contexts. Looking at traditional drama and theatre, but also visual arts, performance activism, and arts-based community engagement, this collection draws on the complicated relationship between arousing images and the frames of their representability to address what constitutes arousal in a variety of connotations. It examines arousal as a project of social, scientific, cultural, and artistic experimentation, and discusses how our perception of arousal has transformed over the last century. Probing “what arouses” in relation to the ethics of representation, the book investigates the connections between arousal and pleasures of voyeurism, underscores the political impact of aroused bodies, and explores how arousal can turn the body into a mediated object.