Nuclear Films
Download Nuclear Films full books in PDF, epub, and Kindle. Read online free Nuclear Films ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Jack G. Shaheen |
| Publisher | : |
| Total Pages | : 224 |
| Release | : 1978 |
| Genre | : Performing Arts |
| ISBN | : |
This first book-length critical examination of nuclear war motion picturesfeature films, documentaries, and educational short filmsin addition to recognizing a new film genre reflects an important era of modern film history.Taken as a whole, the 25 contributions by 21 film specialists brought together here provide a comprehensive view of 32 feature films, documentaries, and educational short films comprising a representative selection of the new genreall produced between 1946 and 1975 by American, French, British, and Japanese film makers. In addition to discussions of such well-known films as "On the Beach," " Hiroshima," " Mon Amour," " "and "Dr. Strangelove," " "the collection analyzes and comments on a number of less well known but important films such as "A Thousand Cranes," " Countdown to Zero," and "To Die, To Live," " "documentaries and educational short films that hitherto have been inadequately presented in cinema literature.Marshall Flaum, one of the outstanding figures in the field of television documentaries, has provided an unusually interesting Foreword, and Jack Shaheen, the editor of the volume, has added a perceptive Preface and has appended a list of distributors and credits. A major contribution to the serious study of the nuclear war film genre, the book thus provides an analytic text with apparatus and notes, and will be of interest to general readers as well as students of the film and film makers."
| Author | : Toni A. Perrine |
| Publisher | : Routledge |
| Total Pages | : 306 |
| Release | : 2019-01-22 |
| Genre | : History |
| ISBN | : 1317732197 |
Just as we generally pay scant attention to the potential dangers of nuclear power and nuclear war, until quite recently, scholars have made limited critical attempts to understand the cultural manifestations of the nuclear status quo. Films that feature nuclear issues most often simplify and trivialize the subject. They also convey a sense of the ambivalence and anxiety that pervades cultural responses to our nuclear capability. The production of popular narrative films with nuclear topics largely conforms to periods of heightened nuclear awareness or fear, such as the fear of fallout from nuclear testing manifested in the atomic creatures in science fiction movies of the late 1950s. By their very numbers, and through a set of recurring stylistic and narrative conventions, nuclear films reflect a deep-seated cultural anxiety. This study includes detailed textual analysis of films that depict nuclear issues including the development and use of the first atomic bombs, nuclear testing and the fear of fallout, nuclear power, the Cold War arms race, loose nukes, and future nuclear war and its aftermath.(Includes bibliographic references, index, filmography, choronology; Illustrated)
| Author | : Sean M. Maloney |
| Publisher | : U of Nebraska Press |
| Total Pages | : 496 |
| Release | : 2020-07-01 |
| Genre | : Performing Arts |
| ISBN | : 1640121927 |
King of the Cold War crisis film, Dr. Strangelove became a cultural touchstone from the moment of its release in 1964. The duck-and-cover generation saw it as a satire on nuclear issues and Cold War thinking. Subsequent generations, removed from the film’s historical moment, came to view it as a quasi-documentary about an unfathomable secret world. Sean M. Maloney uses Dr. Strangelove and other genre classics like Fail Safe and The Bedford Incident to investigate a curious pop cultural contradiction. Nuclear crisis films repeatedly portrayed the failures of the Cold War’s deterrent system. Yet the system worked. What does this inconsistency tell us about the genre? What does it tell us about the deterrent system, for that matter? Blending film analysis with Cold War history, Maloney looks at how the celluloid crises stack up against reality—or at least as much of reality as we can reconstruct from these films with confidence. The result is a daring intellectual foray that casts new light on Dr. Strangelove, one of the Cold War era’s defining films.
| Author | : Mick Broderick |
| Publisher | : McFarland |
| Total Pages | : 246 |
| Release | : 1991 |
| Genre | : Performing Arts |
| ISBN | : 9780899505435 |
| Author | : Kevin Hamilton |
| Publisher | : Interfaces: Studies in Visual Culture |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Cold War |
| ISBN | : 9781512603279 |
"The story of the Cold War era Lookout Mountain Laboratory, or the 1352nd Photographic Group of the United States Air Force, which employed hundreds of Hollywood studio veterans. Engages with issues of the Cold War state and visual culture"--
| Author | : Jerome F. Shapiro |
| Publisher | : Routledge |
| Total Pages | : 412 |
| Release | : 2013-05-13 |
| Genre | : Social Science |
| ISBN | : 1135350191 |
Unfathomably merciless and powerful, the atomic bomb has left its indelible mark on film. In Atomic Bomb Cinema, Jerome F. Shapiro unearths the unspoken legacy of the bombing of Nagasaki and Hiroshima and its complex aftermath in American and Japanese cinema. According to Shapiro, a "Bomb film" is never simply an exercise in ideology or paranoia. He examines hundreds of films like Godzilla, Dr. Strangelove, and The Terminator as a body of work held together by ancient narrative and symbolic traditions that extol survival under devastating conditions. Drawing extensively on both English-language and Japanese-language sources, Shapiro argues that such films not only grapple with our nuclear anxieties, but also offer signs of hope that humanity is capable of repairing a damaged and divided world. www.atomicbombcinema.com
| Author | : Mick Broderick |
| Publisher | : Routledge |
| Total Pages | : 324 |
| Release | : 2013-11-05 |
| Genre | : Social Science |
| ISBN | : 1136883258 |
First Published in 1996. This collection of works is in response to American film scholar and long-term resident of Japan, Donald Richie, words:’ The Japanese failure to come to terms with Hiroshima is one which is shared by everybody in the world today,’ from over thirty years ago, when responding to the Japanese subgenre of cinema which had dealt with the atom bombings of Hiroshima and Nagasaki. Three decades on, the question lingers, does this appraisal remain valid? Hibakusha Cinema is an attempt - perhaps momentarily - to reorient critical focus upon a rarely discussed, yet important feature of Japanese cinema. The essays collected here represent a mix of Japanese and western (pan-Pacific) scholarship harnessing multidisciplinary methodologies, ranging from close textual analysis, archival and historical argument, anthropological assessment, literary and film comparative analyses to psychological and ideological hermeneutics.
| Author | : Mike Bogue |
| Publisher | : McFarland |
| Total Pages | : 314 |
| Release | : 2017-09-14 |
| Genre | : Performing Arts |
| ISBN | : 1476668418 |
The United States, the only country to have dropped the bomb, and Japan, the only one to have suffered its devastation, understandably portray the nuclear threat differently on film. American science fiction movies of the 1950s and 1960s generally proclaim that it is possible to put the nuclear genie back in the bottle. Japanese films of the same period assert that once freed the nuclear genie can never again be imprisoned. This book examines genre films from the two countries released between 1951 and 1967--including Godzilla (1954), The Mysterians (1957), The Incredible Shrinking Man (1957), On the Beach (1959), The Last War (1961) and Dr. Strangelove (1964)--to show the view from both sides of the Pacific.
| Author | : Melvin E. Matthews, Jr. |
| Publisher | : McFarland |
| Total Pages | : 232 |
| Release | : 2011-11-08 |
| Genre | : History |
| ISBN | : 0786488506 |
During the 1950s and early 1960s, school air-raid drills, bomb shelters, and unnerving civil defense films served as constant reminders of the looming threat of nuclear war. Throughout America, a widespread civil defense effort used town meetings, public school educational programs, and the mass media--television, radio, and especially, motion pictures--to mobilize every citizen for a protracted Cold War. This volume explores how American popular culture has portrayed civil defense from mid-twentieth century to the immediate post-September 11 era. With analysis of everything from early government propaganda films and 1950s science fiction films to Happy Days, the Reagan-era TV movie The Day After, and the small-screen nostalgia trend after 9/11, it shows how popular culture reflects American fears and the hope of preparedness.
| Author | : Matthew Edwards |
| Publisher | : McFarland |
| Total Pages | : 299 |
| Release | : 2018-07-24 |
| Genre | : Performing Arts |
| ISBN | : 1476620202 |
Seventy years after the nuclear attacks on Hiroshima and Nagasaki, Japan is still dealing with the effects of the bombings on the national psyche. From the Occupation Period to the present, Japanese cinema had offered a means of coming to terms with one of the most controversial events of the 20th century. From the monster movies Gojira (1954) and Mothra (1961) to experimental works like Go Shibata's NN-891102 (1999), atomic bomb imagery features in all genres of Japanese film. This collection of new essays explores the cultural aftermath of the bombings and its expression in Japanese cinema. The contributors take on a number of complex issues, including the suffering of the survivors (hibakusha), the fear of future holocausts and the danger of nuclear warfare. Exclusive interviews with Go Shibata and critically acclaimed directors Roger Spottiswoode (Hiroshima) and Steven Okazaki (White Light/Black Rain) are included.
