Res

Res
Author: Francesco Pellizzi
Publisher: Peabody Museum Press
Total Pages: 217
Release: 2005-12-15
Genre: Art
ISBN: 0873657667

The contents of this issue are: “Between Creation and Destruction,” by Finbarr Barry Flood and Zoë Sara Strother; “People Have Three Eyes: Ephemeral Art and the Archive in Southeastern Nigeria,” by Sarah Adams; “Beyond Monument Lies Empire: Mapping Songhay Space in Tenth- to Sixteenth-Century West Africa,” by Kristina Van Dyke; “Censorship and Iconoclasm—Unsettling Monuments,” by John Peffer; “Recycling Icons and Bodies in Chinese Anti-Buddhist Persecutions,” by Eric Reinders; “Modifications of Ancient Maya Sculpture,” by Bryan R. Just; “Roman Oscilla: An Assessment,” by Rabun Taylor; “Turning Tale into Vision: Time and Image in the Divina Commedia,” by Gervase Rosser; “Building outside Time in Alberti’s De re aedificatoria,” by Marvin Trachtenberg; and “Restoration as Re-creation at the Sainte-Chapelle,” by Meredith Cohen; and the documents and discussions “The Constitution of Pleasure: François-Joseph Belanger and the Chateau de Bagatelle,” by Taha Al-Douri; “Composing Vinteuil: Proust’s Unheard Music,” by Mauro Carbone; “Diskotel 1967: Israel and the Western Wall in the Aftermath of the Six Day War,” by Daniel Bertrand Monk; “The ‘Kulturbolschewiken’ I: Fluxus, the Abolition of Art, the Soviet Union, and ‘Pure Amusement,’” by Cuauhtémoc Medina; and “Aby Warburg in America Again: With an Edition of His Unpublished Correspondence with Edwin R. A. Seligman (1927–1928),” by Davide Stimilli.

Ben Enwonwu

Ben Enwonwu
Author: Sylvester Okwunodu Ogbechie
Publisher: University Rochester Press
Total Pages: 338
Release: 2008
Genre: Art
ISBN: 9781580462358

An intellectual biography of a modern African artist and his immense contribution to twentieth-century art history. The history of world art has long neglected the work of modern African artists and their search for forms of modernist expression as either irrelevant to the discourse of modern art or as fundamentally subservient to the established narrative of Western European modernist practice. With this engaging new volume, Sylvester Ogbechie refutes this approach by examining the life and work of Ben Enwonwu (1917-94), a premier African modernist and pioneer whose career opened the way for the postcolonial proliferation and increased visibility of African art. In the decades between Enwonwu's birth and death, modernization produced new political structures and new forms of expression inAfrican cultures, inspiring important developments in modern African art. Within this context, Ogbechie evaluates important issues such as the role of Anglo-Nigerian colonial culture in the development of modern Nigerian art, andEnwonwu's involvement with international discourses of modernism in Europe, Africa, and the United States over a period of five decades. The author also interrogates Enwonwu's use of the radical politics of Negritude ideology to define modern African art against canonical interpretations of Euro-modernism; and the artist's visual and critical contributions to Pan Africanism, Nigerian nationalism, and postcolonial interpretations of African modernity. First and foremost an intellectual biography of Ben Enwonwu as a modern African artist, rather than an exhaustive critical exploration of the discourse of modernism in African art history or in modern art in general, Ben Enwonwu situates the artist historically and interprets his work in ways that surpass traditional discourse around the canon of modern art. Sylvester Ogbechie is Associate Professor of Art History at the University of California, Santa Barbara.

Heritage, Culture and Rights

Heritage, Culture and Rights
Author: Andrea Durbach
Publisher: Bloomsbury Publishing
Total Pages: 311
Release: 2017-05-18
Genre: Political Science
ISBN: 1509904247

Cultural heritage law and its response to human rights principles and practice has gained renewed prominence on the international agenda. The recent conflicts in Syria and Mali, China's use of shipwreck sites and underwater cultural heritage to make territorial claims, and the cultural identities of nations post-conflict highlight this field as an emerging global focus. In addition, it has become a forum for the configuration and contestation of cultural heritage, rights and the broader politics of international law. The manifestation of tensions between heritage and human rights are explored in this volume, in particular in relation to heritage and rights in collaboration and in conflict, and heritage as a tool for rights advocacy. This volume also explores these issues from a distinctively legal standpoint, considering the extent to which the legal tools of international human rights law facilitate or hinder heritage protection. Covering a range of issues across Africa, Asia, Europe, Latin America and Australia, this volume will be of interest to people working in human rights, heritage studies, cultural heritage management and identity politics around the world. 'This book fills an important gap in the literature on heritage and rights and, in particular, human rights law. With articles from leading experts addressing the legal human rights dimensions of cultural heritage protection, it makes a significant contribution to debates over issues such as 'Why should we safeguard heritage and for whom?' and 'What is the relationship between heritage safeguarding and protecting human rights?'. These are deep questions of profound significance to individuals, communities and even nations around the world and are of increasing urgency today. It critically analyses the relationship between heritage and human rights that can be potentially pernicious as well as mutually reinforcing, placing this analysis within the wider context and with a broad geographical scope with examinations of the heritage/rights relationship in Southeast Asia (Cambodia), China and sub-Saharan Africa.' Dr Janet Blake, Associate Professor in Law, Shahid Beheshti University, Tehran 'Traversing the destruction of mausoleums in Timbuktu to war crimes trial by the International Criminal Court, Heritage, Culture and Rights explores the crucial links between human rights and the protection of cultural heritage. The essays are accessible to all viewing the destruction of cultural heritage as a breach of human dignity and identity. Unputdownable.' Professor Gillian Triggs, President of the Australian Human Rights Commission 'This collection of essays by leading scholars, though primarily Australian in origin, is universal in orientation. Ranging from a broad survey of the applicable laws of armed conflict to a detailed consideration of urban design in Southeast Asia, the essays offer significant insights into the relationship between the protection and use of cultural heritage, on one hand, and fundamental human rights, on the other. Ultimately, the mutual reinforcement of the two disciplines of law prevails over carefully-acknowledged tensions between them. Readers at all levels of expertise will find the book of great interest.' Professor James Nafziger,Thomas B Stoel Professor of Law and Director of International Programs at the Willamette University College of Law

Art and Religion in Africa

Art and Religion in Africa
Author: Rosalind Hackett
Publisher: A&C Black
Total Pages: 240
Release: 1998-10-01
Genre: Religion
ISBN: 0826436552

Africa's religious and artistic traditions constitute a primary example of its intellectual and cultural vitality. Artistic works play a vital role - especially where oral traditions dominate - in communicating ideas about the relationship between the human, spiritual and natural worlds. This work is a comparative study of Africa's visual and performing arts, concentrating on their geographical, material and gendered diversity, and focusing on the relation of these arts to African religion. The author combines ethnographic and art-historical methodology but does not assume any prior knowledge of African art or African religion. The text seeks a greater understanding of the philosophical and religious aspects of African art, thus challenging western perceptions of what is "important" in terms of artistic representation. This approach reveals the transformative capacities and multi-dimensionality of African art. The work also highlights the changes brought about by Christianity, Islam and the newer religious movements in post-colonial Africa.

Home

Home
Author: Efa E. Etoroma
Publisher: FriesenPress
Total Pages: 371
Release: 2024-03-01
Genre: Biography & Autobiography
ISBN: 1039187684

Where are you from? Where is your home? Do you miss home? These are questions that Efa E. Etoroma—born in Nigeria—has frequently been asked since moving to Canada in 1978. In this autoethnography, the Concordia University of Edmonton professor examines his views on what home really is and his struggles to feel a true sense of belonging anywhere he has lived. Explained with candor and occasional vulnerability, Home: Reflections on Marginality and Belonging is told from the perspective of a marginalized Black, Christian immigrant, but his story is relatable to anyone who has felt alienated or had a crisis of identity. Efa shares his personal experiences of growing up in post-colonial northern Nigeria, raised Anglican amongst mostly Muslims, and fleeing to the southern region as a child, shortly after the start of the Nigerian Civil War. Then he recounts moving to Canada to attend school but staying upon meeting his future Canadian-born wife. He explores his connection with Black Pentecostal churches as well as his thoughts on grieving, death, and aging away from his homeland. Supporting these experiences, Efa incorporates an abundance of research for a wider cultural and social context. Home: Reflections on Marginality and Belonging is part snapshot of the author’s life—a way of identifying who he is and where he is from—part answer to the questions, “Where are you from” and “Where is your home,” and part exploration of the micro-level contradictions of social change brought about by modern society.