Novelas Amorosas Y Ejemplares
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Author | : María de Zayas y Sotomayor |
Publisher | : Univ of California Press |
Total Pages | : 368 |
Release | : 1990-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780520066717 |
Five men and five women entertain their hostess with stories exploring some aspect of enchantment or love between a handsome gallant and a lovely lady. The sharp contrast between the women's and men's stories transmits a subtle, often ironic, feminism.
Author | : María de Zayas y Sotomayor |
Publisher | : Bucknell University Press |
Total Pages | : 208 |
Release | : 1999 |
Genre | : History |
ISBN | : 9780838753446 |
This is a bilingual edition of the only extant play, a comedy, written by the seventeenth-century Spanish writer, Maria de Zayas. This edition makes the play available to a wide audience of specialists and nonspecialists in the field of Spanish Golden Age theater.
Author | : María de Zayas y Sotomayor |
Publisher | : University of Chicago Press |
Total Pages | : 393 |
Release | : 2010-07-15 |
Genre | : Literary Criticism |
ISBN | : 0226768678 |
At the height of María de Zayas’s popularity in the mid-eighteenth century, the number of editions in print of her work was exceeded only by the novels of Cervantes. But by the end of the nineteenth century, Zayas had been excluded from the Spanish literary canon because of her gender and the sociopolitical changes that swept Spain and Europe. Exemplary Tales of Love and Tales of Disillusion gathers a representative sample of seven stories, which features Zayas’s signature topics—gender equality and domestic violence—written in an impassioned tone overlaid with conservative Counter-Reformation ideology. This edition updates the scholarship since the most recent English translations, with a new introduction to Zayas’s entire body of stories, and restores Zayas’s author’s note and prologue, omitted from previous English-language editions. Tracing her slow but steady progress from notions of ideal love to love’s treachery, Exemplary Tales of Love and Tales of Disillusion will restore Zayas to her rightful place in modern letters.
Author | : Andrew Piper |
Publisher | : University of Chicago Press |
Total Pages | : 321 |
Release | : 2009-08 |
Genre | : Education |
ISBN | : 0226669726 |
Examining novels, critical editions, gift books, translations, and illustrated books, as well as the communities who made them, Dreaming in Books tells a wide-ranging story of the book's identity at the turn of the nineteenth century. In so doing, it shows how many of the most pressing modern communicative concerns are not unique to the digital age but emerged with a particular sense of urgency during the bookish upheavals of the romantic era. In revisiting the book's rise through the prism of romantic literature, Piper aims to revise our assumptions about romanticism, the medium of the printed book, and, ultimately, the future of the book in our so-called digital age."--Pub. desc.
Author | : Elizabeth Rhodes |
Publisher | : University of Toronto Press |
Total Pages | : 249 |
Release | : 2011-01-01 |
Genre | : History |
ISBN | : 1442643501 |
The noble wives in María de Zayas's Desengaños suffer terrible fates: one is beheaded, another poisoned, one is cemented into a chimney, while yet another is locked into a tiny wall closet where she dies. The hallmark of Zayas's aesthetics, these characters are the central reason why her fiction has increased in popularity through the ages. Yet their stories pose an apparent contradiction between the author's pro-female rhetoric and her gusto for killing model women, then beautifying their mutilated cadavers. Dressed to Kill reconciles Zayas's Desengaños with the age in which it was written, contextualizing the book in baroque poetics, the Spanish honour code, and fifteenth-century martyr saints' lives. Elizabeth Rhodes elegantly uncovers Zayas's intention to reform the Spanish nobility by displaying noble misbehaviour and its deadly consequences. Her book concludes by detailing the Desengaños' intriguing influence on the aesthetic base of Gothic literature by revealing that its authors were avid readers of Zayas.
Author | : Margaret Greer |
Publisher | : Penn State Press |
Total Pages | : 486 |
Release | : 2011-11-30 |
Genre | : Literary Criticism |
ISBN | : 0271041218 |
María de Zayas y Sotomayor (1590–1650?) published two collections of novellas, Novelas amorosas y exemplares (1637) and Desengaños amorosos (1647), which were immensely popular in her day. During the nineteenth and early twentieth centuries, Victorian and bourgeois sensibilities exiled her “scandalous” works to the outer fringes of serious literature. Over the last two decades, however, she has gained an enthusiastic and ever-expanding readership, drawing intense critical attention and achieving canonical status as a major figure of the Spanish Golden Age. In this first comprehensive study of Zayas’s prose, Margaret R. Greer explores the relationship between narration and desire, analyzing both the “desire for readers” displayed by Zayas in her Prologue and the sexual desire that drives the telling within the novellas themselves. Greer examines Zayas’s narrative strategies through the twin lenses of feminist and psychoanalytic theory. She devotes close attention to the weight of Renaissance literary traditions and the role of Zayas’s own cultural context in shaping her work. She discusses Zayas’s biography and the reception of her publications; her advocacy of women’s rights; her conflictive loyalty to an aristocratic, patriarchal order; her crafting of feminine tales of desire; and her erasure of the frontiers between the natural and supernatural, indeed, between love and death itself. In so doing, Greer offers an expansive analysis of this recently rediscovered Golden Age writer.
Author | : Thomas A. Abercrombie |
Publisher | : Penn State Press |
Total Pages | : 193 |
Release | : 2019-07-16 |
Genre | : History |
ISBN | : 0271082798 |
In 1803 in the colonial South American city of La Plata, Doña Martina Vilvado y Balverde presented herself to church and crown officials to denounce her husband of more than four years, Don Antonio Yta, as a “woman in disguise.” Forced to submit to a medical inspection that revealed a woman’s body, Don Antonio confessed to having been María Yta, but continued to assert his maleness and claimed to have a functional “member” that appeared, he said, when necessary. Passing to América is at once a historical biography and an in-depth examination of the sex/gender complex in an era before “gender” had been divorced from “sex.” The book presents readers with the original court docket, including Don Antonio’s extended confession, in which he tells his life story, and the equally extraordinary biographical sketch offered by Felipa Ybañez of her “son María,” both in English translation and the original Spanish. Thomas A. Abercrombie’s analysis not only grapples with how to understand the sex/gender system within the Spanish Atlantic empire at the turn of the nineteenth century but also explores what Antonio/María and contemporaries can teach us about the complexities of the relationship between sex and gender today. Passing to América brings to light a previously obscure case of gender transgression and puts Don Antonio’s life into its social and historical context in order to explore the meaning of “trans” identity in Spain and its American colonies. This accessible and intriguing study provides new insight into historical and contemporary gender construction that will interest students and scholars of gender studies and colonial Spanish literature and history. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses and the Association of Research Libraries—and the generous support of New York University. Learn more at the TOME website: openmonographs.org.
Author | : Jo Labanyi |
Publisher | : Oxford University Press |
Total Pages | : 161 |
Release | : 2010-08-26 |
Genre | : Foreign Language Study |
ISBN | : 0199208050 |
This title explores the rich literary history of Spain which resonates with contemporary debates on transnationalism and cultural diversity. It introduces readers to the ways in which Spanish literature has been read in and outside Spain explaining misconceptions, outlining insights of scholarship and suggesting new readings.
Author | : Marina S. Brownlee |
Publisher | : University of Pennsylvania Press |
Total Pages | : 232 |
Release | : 2017-11-15 |
Genre | : Literary Criticism |
ISBN | : 1512807125 |
A seventeenth-century writer of sensationalist short stories, María de Zayas was a bestselling author, steeped in the novella traditions of Italy and France as well as her native Spain. At the same time, she was an important player in the tabloid craze sweeping over the Europe of her day. Marina S. Brownlee recontextualizes María de Zayas and provides a reading of Zayas's work from the double perspective of narratology and feminism. In doing so Brownlee explores the complexities of human subjectivity and its representation in the writings of Zayas, who offers provocative assessments of the modern subject and its relationship to gender, and of the woman writer's negotiations with authority and authorship. Zayas's stories question the validity of hegemonic discourses pertaining to public expectations for the citizen, to his or her intimate life, and to the intricacies resulting from any attempt to reconcile the two. Her writing is both daring and original as it reflects developments in contemporary fiction elsewhere in Europe. Brownlee shows that Zayas exploits existing fiction models in highly literary ways and in ways that cash in on the new phenomenon of tabloid publishing, arguing that Zayas is keenly aware of the new readership that resulted from the mass-production revolution in the printing industry and of the private readers' taste for scandal. Finally, Zayas dramatizes the rethinking of the Renaissance exemplum, replacing easy interpretations with Baroque excess-in a text which, like society itself, is an intricate labyrinth that resists easy solutions and limited forms of literary and cultural representation.
Author | : E.L. Doctorow |
Publisher | : Random House |
Total Pages | : 320 |
Release | : 2010-11-10 |
Genre | : Fiction |
ISBN | : 0307762955 |
The central figure of this novel is a young man whose parents were executed for conspiring to steal atomic secrets for Russia. His name is Daniel Isaacson, and as the story opens, his parents have been dead for many years. He has had a long time to adjust to their deaths. He has not adjusted. Out of the shambles of his childhood, he has constructed a new life—marriage to an adoring girl who gives him a son of his own, and a career in scholarship. It is a life that enrages him. In the silence of the library at Columbia University, where he is supposedly writing a Ph.D. dissertation, Daniel composes something quite different. It is a confession of his most intimate relationships—with his wife, his foster parents, and his kid sister Susan, whose own radicalism so reproaches him. It is a book of memories: riding a bus with his parents to the ill-fated Paul Robeson concert in Peekskill; watching the FBI take his father away; appearing with Susan at rallies protesting their parents’ innocence; visiting his mother and father in the Death House. It is a book of investigation: transcribing Daniel’s interviews with people who knew his parents, or who knew about them; and logging his strange researches and discoveries in the library stacks. It is a book of judgments of everyone involved in the case—lawyers, police, informers, friends, and the Isaacson family itself. It is a book rich in characters, from elderly grand- mothers of immigrant culture, to covert radicals of the McCarthy era, to hippie marchers on the Pen-tagon. It is a book that spans the quarter-century of American life since World War II. It is a book about the nature of Left politics in this country—its sacrificial rites, its peculiar cruelties, its humility, its bitterness. It is a book about some of the beautiful and terrible feelings of childhood. It is about the nature of guilt and innocence, and about the relations of people to nations. It is The Book of Daniel.