Nouvelles Suites de Pieces de Clavecin
Author | : Jean Philippe Rameau |
Publisher | : Alan R. Liss |
Total Pages | : 0 |
Release | : 1967 |
Genre | : |
ISBN | : 9780845020135 |
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Author | : Jean Philippe Rameau |
Publisher | : Alan R. Liss |
Total Pages | : 0 |
Release | : 1967 |
Genre | : |
ISBN | : 9780845020135 |
Author | : Mark Kroll |
Publisher | : Cambridge University Press |
Total Pages | : 407 |
Release | : 2019-01-03 |
Genre | : Music |
ISBN | : 1107156076 |
Covers every aspect of the harpsichord and its music, including composers, genres, national styles, tuning, and the art of harpsichord building.
Author | : |
Publisher | : Music Sales |
Total Pages | : 0 |
Release | : 1992-03 |
Genre | : |
ISBN | : 9788759853573 |
(Music Sales America). The French Suites were written in 1722. But it was not until Bach biographer Johann Forkel prepared an edition in the early nineteenth century that the pieces became known by the collective title French . It is true that Bach gave each of the dance movements a French title, but it was Forkel who declared that they were 'written in the French taste, with an emphasis on tunefulness and consonant harmony rather than German structure and counterpoint'.
Author | : Jean-Philippe Rameau |
Publisher | : Courier Corporation |
Total Pages | : 146 |
Release | : 1993-01-01 |
Genre | : Music |
ISBN | : 0486278476 |
Treasury of 63 works for keyboard by major French composer, harmonic innovator. Published between 1706 and 1741, they are reprinted in this volume from the authoritative edition edited by Camille Saint-Saëns. Included are such well-known pieces as: "Musette en Rondeau," "Tambourin," "Les Niais de Sologne," "Les Cyclopes" and "La Poule."
Author | : Benjamin White |
Publisher | : |
Total Pages | : 1016 |
Release | : 1784 |
Genre | : Catalogs, Booksellers' |
ISBN | : |
Author | : Igor Kipnis |
Publisher | : Routledge |
Total Pages | : 571 |
Release | : 2013-04-15 |
Genre | : Music |
ISBN | : 1135949786 |
The Harpsichord and Clavichord, An Encyclopedia includes articles on this family of instruments, including famous players, composers, instruments builders, the construction of the instruments, and related terminology. It is the first complete reference on this important family of keyboard instruments. The contributors include major scholars of music and musical instrument history from around the world. It completes the three-volume Encyclopedia of Keyboard Instruments.
Author | : Jon Paxman |
Publisher | : Omnibus Press |
Total Pages | : 709 |
Release | : 2014-10-13 |
Genre | : Music |
ISBN | : 1783231211 |
“A great reference tool for anyone who wants to explore the history of music.” - Philip Glass Jon Paxman's Classical Music 1600–2000: A Chronology interprets four centuries of Western classical music, considering its evolution from two different perspectives. Monumental in scope but lucid in style, this book will prove invaluable to anyone – student or enthusiast – who wants to comprehend the overwhelmingly rich and sometimes complex evolution of Western classical music. Classical Music 1600–2000: A Chronology features contributions by Terry Barfoot, Katy Hamilton, Thomas Lydon and Robert Rawson.
Author | : Jaymee Haefner |
Publisher | : AuthorHouse |
Total Pages | : 146 |
Release | : 2017-06-08 |
Genre | : Music |
ISBN | : 1524685127 |
Do you love the harp? The French harpist Henriette Reni (18751956) asked this question of each student, and it remained her ideal throughout her life. This book explores the circumstances which surrounded the beginning of Henriette Renis career as a masterful harpist and composer. Through her celebrated performances of her Concerto en ut mineur, she gained acclaim simultaneously as a virtuosic performer and composer. In the wake of her success, several new masterpieces by respected composers appeared, including Pierns Concertstck and Ravels Introduction et Allegro. The elements of Renies virtuosity are traced through her famous Lgende, and her less-known Deux promenades matinales. Her compositional style is explored through her Scherzo-Fantaisie for harp and violin and her Concerto en ut mineur. As a teacher, Renis influence echoed throughout the world. Her profound influence has been evident through the vision of her own students, including Susann McDonald, Marcel Grandjany, Mildred Dilling, Odette Le Dentu, Odette de Montesquiou, Bertile Fournier, Emmy Hrlimann, Bertile Robet Auffray, and Marie Astrid DAuffray. The crystallization of Renis teaching practice is described through her Mthode complte de harpe (Complete Method for Harp) and her twelve volumes of harp transcriptions, Les classiques de la harpe. The amount of literature about Renis life and work is disproportionate to the deep imprint she made upon the harps history and repertoire. This book is a start to further recognizing her vast importance to the establishment of the harp.
Author | : Michael Talbot |
Publisher | : Routledge |
Total Pages | : 565 |
Release | : 2017-07-05 |
Genre | : History |
ISBN | : 1351537318 |
Since 1978, the 300th anniversary of Vivaldi's death, there has been an explosion of serious writing about his music, life and times. Much of this has taken the form of articles published in academic journals or conference proceedings, some of which are not easy to obtain. The twenty-two articles selected by Michael Talbot for this volume form a representative selection of the best writing on Vivaldi from the last 30 years, featuring such major figures in Vivaldi research as Reinhard Strohm, Paul Everett, Gastone Vio and Federico Maria Sardelli. Aspects covered include biography, Venetian cultural history, manuscript studies, genre studies and musical analysis. The intention is to serve as a 'first port of call' for those wishing to learn more about Vivaldi or to refresh their existing knowledge. An introduction by Michael Talbot reviews the state of Vivaldi scholarship past and present and comments on the significance of the articles.