Pound/the Little Review

Pound/the Little Review
Author: Ezra Pound
Publisher: New Directions Publishing
Total Pages: 412
Release: 1988
Genre: Biography & Autobiography
ISBN: 9780811210591

Gathers Pound's letters to the publisher of the Little Review and provides background information on this period in Pound's life.

Drama of the Group

Drama of the Group
Author: Norrish
Publisher: Cambridge University Press
Total Pages: 186
Release: 1958-01-02
Genre: Drama
ISBN: 0521058392

This is a useful introduction to Jules Romains and the unanimist movement. It begins by giving the reader a comprehensive grounding in the theory and ideals of Unanimism, an early twentieth-century movement that takes ideas of collective consciousness and crowd behaviour and implants them within art and literature.

Blanchot

Blanchot
Author: Leslie Hill
Publisher: Routledge
Total Pages: 315
Release: 2002-01-04
Genre: Philosophy
ISBN: 1134873786

Blanchot provides a compelling insight into one of the key figures in the development of postmodern thought. Although Blanchot's work is characterised by a fragmentary and complex style, Leslie Hill introduces clearly and accessibly the key themes in his work. He shows how Blanchot questions the very existence of philosophy and literature and how we may distinguish between them, stresses the importance of his political writings and the relationship between writing and history that characterised Blanchot's later work; and considers the relationship between Blanchot and key figures such as Emmanuel Levinas and Georges Bataille and how this impacted on his work. Placing Blanchot at the centre stage of writing in the twentieth century, Blanchot also sheds new light on Blanchot's political activities before and after the Second World War. This accessible introduction to Blanchot's thought also includes one of the most comprehensive bibliographies of his writings of the last twenty years.

Disarming Intelligence

Disarming Intelligence
Author: Zakir Paul
Publisher: Princeton University Press
Total Pages: 288
Release: 2024-08-13
Genre: Literary Criticism
ISBN: 0691261539

A critical account of the idea of intelligence in modern French literature and thought In the late nineteenth century, psychologists and philosophers became intensely interested in the possibility of quantifying, measuring, and evaluating “intelligence,” and using it to separate and compare individuals. Disarming Intelligence analyzes how this polyvalent term was consolidated and contested in competing discourses, from fin de siècle psychology and philosophy to literature, criticism, and cultural polemics around the First World War. Zakir Paul examines how Marcel Proust, Henri Bergson, Paul Valéry, and the critics of the influential Nouvelle revue française registered, negotiated, and subtly countered the ways intelligence was invoked across the political and aesthetic spectrum. For these writers, intelligence fluctuates between an individual, sovereign faculty for analyzing the world and something collective, accidental, and contingent. Disarming Intelligence shows how literary and critical styles questioned, suspended, and reimagined what intelligence could be by bringing elements of uncertainty and potentiality into its horizon. The book also explores interwar political tensions—from the extreme right to Walter Benjamin’s engaged essays on contemporary French writers. Finally, a brief coda recasts current debates about artificial intelligence by comparing them to these earlier crises of intelligence. By drawing together and untangling competing conceptions of intelligence, Disarming Intelligence exposes its mercurial but influential and urgent role in literary and cultural politics.

When Ballet Became French

When Ballet Became French
Author: Ilyana Karthas
Publisher: McGill-Queen's Press - MQUP
Total Pages: 352
Release: 2015-09-01
Genre: Performing Arts
ISBN: 0773597816

For centuries before the 1789 revolution, ballet was a source of great cultural pride for France, but by the twentieth century the art form had deteriorated along with France's international standing. It was not until Serge Diaghilev's Ballets Russes found success in Paris during the first decade of the new century that France embraced the opportunity to restore ballet to its former glory and transform it into a hallmark of the nation. In When Ballet Became French, Ilyana Karthas explores the revitalization of ballet and its crucial significance to French culture during a period of momentous transnational cultural exchange and shifting attitudes towards gender and the body. Uniting the disciplines of cultural history, gender and women's studies, aesthetics, and dance history, Karthas examines the ways in which discussions of ballet intersect with French concerns about the nation, modernity, and gender identities, demonstrating how ballet served as an important tool for France's project of national renewal. Relating ballet commentary to themes of transnationalism, nationalism, aesthetics, gender, and body politics, she examines the process by which critics, artists, and intellectuals turned ballet back into a symbol of French culture. The first book to study the correlation between ballet and French nationalism, When Ballet Became French demonstrates how dance can transform a nation's cultural and political history.