Notice Des Livres De Feu Monsieur Perral Dont La Vente Se Fera Le Mercredi 10 Frimaire An Xi
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Author | : G Debure |
Publisher | : |
Total Pages | : |
Release | : 2016-11 |
Genre | : |
ISBN | : 9782014464788 |
Notice des livres de feu Monsieur Perral... dont la vente se fera le mercredi 10 frimaire an XI... Date de l'edition originale: 1802 [Vente (Livres). 1802-12-01. Paris][Collection (Livres). Perral (ancien chirurgien-major des armees de France). 1802] Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF. Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique. En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles. Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction. Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
Author | : John Bellows |
Publisher | : |
Total Pages | : 708 |
Release | : 1911 |
Genre | : English language |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 16 |
Release | : 1805 |
Genre | : |
ISBN | : |
Author | : National Defense University Press |
Publisher | : |
Total Pages | : 472 |
Release | : 1997 |
Genre | : History |
ISBN | : |
Author | : Darcy Grimaldo Grigsby |
Publisher | : Yale University Press |
Total Pages | : 420 |
Release | : 2002-01-01 |
Genre | : Art |
ISBN | : 9780300088878 |
In the decades following the French Revolution, four artists - Girodet, Gros, Gericault, and Delacroix - painted works in their Parisian studios that vividly expressed violent events in faraway, colonial lands. This book examines six of these paintings and argues that their disturbing, erotic depictions of slavery, revolt, plague, decapitation, cannibalism, massacre, and abduction chart the history of France's empire and colonial politics. Darcy Grimaldo Grigsby shows that these paintings about occurrences in the West Indies, Syria, Egypt, Senegal, and Ottoman Empire Greece are preoccupied not with mastery and control but with loss, degradation, and failure, and she explains how such representations of crises in the colonies were able to answer the artists' longings as well as the needs of the government and the opposition parties at home. Empire made painters devoted to the representation of liberty and the new French nation confront liberty's antithesis: slavery. It also forced them to contend with cultural and racial difference. Young male artists responded, says Grigsby, by translating distant crises into images of challenges to the self, making history painting the site where geographic extremities and bodily extremities articulated one another.
Author | : Geoffrey Parker |
Publisher | : Cambridge University Press |
Total Pages | : 605 |
Release | : 2020-06-04 |
Genre | : Business & Economics |
ISBN | : 1107181593 |
The new edition of The Cambridge History of Warfare offers an updated comprehensive account of Western warfare, from its origins in classical Greece and Rome, through the Middle Ages and the early modern period, down to the wars of the twenty-first century in Afghanistan, Iraq, and Syria.
Author | : Ulrich Keller |
Publisher | : Routledge |
Total Pages | : 568 |
Release | : 2013-10-18 |
Genre | : History |
ISBN | : 1134392095 |
Chloroform, telegraphy, steamships and rifles were distinctly modern features of the Crimean War. Covered by a large corps of reporters, illustrators and cameramen, it also became the first media war in history. For the benefit of the ubiquitous artists and correspondents, both the domestic events were carefully staged, giving the Crimean War an aesthetically alluring, even spectacular character. With their exclusive focus on written sources, historians have consistently overlooked this visual dimension of the Crimean War. Photo-historian Ulrich Keller challenges the traditional literary bias by drawing on a wealth of pictorial materials from scientific diagrams to photographs, press illustration and academic painting. The result is a new and different historical account which emphasizes the careful aesthetic scripting of the war for popular mass consumption at home.
Author | : David O'Brien |
Publisher | : Penn State University Press |
Total Pages | : 288 |
Release | : 2006 |
Genre | : Art |
ISBN | : 0271023058 |
"The many color illustrations in After the Revolution enable the reader to follow O'Brien's informative analysis of the mixing of fact and fiction in such famed paintings as The Battlefield of Eylau. This book will be of interest to art historians, students of political and military history, and all those fascinated by Napoleon."--BOOK JACKET.
Author | : Sans Auteur |
Publisher | : |
Total Pages | : 22 |
Release | : 2018-02-28 |
Genre | : |
ISBN | : 9782014109320 |
Author | : Beth Hinderliter |
Publisher | : Duke University Press |
Total Pages | : 382 |
Release | : 2009-09-18 |
Genre | : Art |
ISBN | : 0822390973 |
Communities of Sense argues for a new understanding of the relation between politics and aesthetics in today’s globalized and image-saturated world. Established and emerging scholars of art and culture draw on Jacques Rancière’s theorization of democratic politics to suggest that aesthetics, traditionally defined as the “science of the sensible,” is not a depoliticized discourse or theory of art, but instead part of a historically specific organization of social roles and communality. Rather than formulating aesthetics as the Other to politics, the contributors show that aesthetics and politics are mutually implicated in the construction of communities of visibility and sensation through which political orders emerge. The first of the collection’s three sections explicitly examines the links between aesthetics and social and political experience. Here a new essay by Rancière posits art as a key site where disagreement can be staged in order to produce new communities of sense. In the second section, contributors investigate how sense was constructed in the past by the European avant-garde and how it is mobilized in today’s global visual and political culture. Exploring the viability of various models of artistic and political critique in the context of globalization, the authors of the essays in the volume’s final section suggest a shift from identity politics and preconstituted collectivities toward processes of identification and disidentification. Topics discussed in the volume vary from digital architecture to a makeshift museum in a Paris suburb, and from romantic art theory in the wake of Hegel to the history of the group-subject in political art and performance since 1968. An interview with Étienne Balibar rounds out the collection. Contributors. Emily Apter, Étienne Balibar, Carlos Basualdo, T. J. Demos, Rachel Haidu, Beth Hinderliter, David Joselit, William Kaizen, Ranjanna Khanna, Reinaldo Laddaga, Vered Maimon, Jaleh Mansoor, Reinhold Martin, Seth McCormick, Yates McKee, Alexander Potts, Jacques Rancière, Toni Ross