Notes To Make The Sound Come Right
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Author | : T. J. Anderson |
Publisher | : University of Arkansas Press |
Total Pages | : 230 |
Release | : 2004-07-01 |
Genre | : Poetry |
ISBN | : 1557287694 |
In “When Malindy Sings” the great African American poet Paul Laurence Dunbar writes about the power of African American music, the “notes to make the sound come right.” In this book T. J. Anderson III, son of the brilliant composer, Thomas Anderson Jr., asserts that jazz became in the twentieth century not only a way of revising old musical forms, such as the spiritual and work song, but also a way of examining the African American social and cultural experience. He traces the growing history of jazz poetry and examines the work of four innovative and critically acclaimed African American poets whose work is informed by a jazz aesthetic: Stephen Jonas (1925?–1970) and the unjustly overlooked Bob Kaufman (1925–1986), who have affinities with Beat poetry; Jayne Cortez (1936– ), whose work is rooted in surrealism; and the difficult and demanding Nathaniel Mackey (1947– ), who has links to the language writers. Each fashioned a significant and vibrant body of work that employs several of the key elements of jazz. Anderson shows that through their use of complex musical and narrative weaves these poets incorporate both the tonal and performative structures of jazz and create work that articulates the African journey. From improvisation to polyrhythm, they crafted a unique poetics that expresses a profound debt to African American culture, one that highlights the crucial connection between music and literary production and links them to such contemporary writers as Michael Harper, Amiri Baraka, and Yusef Komunyakaa, as well as young recording artists—United Future Organization, Us3, and Groove Collection—who have successfully merged hip-hop poetry and jazz.
Author | : Barbara Linn Probst |
Publisher | : Simon and Schuster |
Total Pages | : 339 |
Release | : 2021-04-06 |
Genre | : Fiction |
ISBN | : 164742013X |
A 2021 Kirkus Reviews' Best Indie Book of the Year 2021 Sarton Book Awards: Gold Medal Winner in Contemporary Women's Fiction The highly anticipated new novel from the multiple award-winning author of Queen of the Owls . . . What if you had a second chance at the very thing you thought you’d renounced forever? How steep a price would you be willing to pay? Susannah’s career as a pianist has been on hold for nearly sixteen years, ever since her son was born. An adoptee who’s never forgiven her birth mother for not putting her first, Susannah vowed to put her own child first, no matter what. And she did. But now, suddenly, she has a chance to vault into that elite tier of “chosen” musicians. There’s just one problem: somewhere along the way, she lost the power and the magic that used to be hers at the keyboard. She needs to get them back. Now. Her quest—what her husband calls her obsession—turns out to have a cost Susannah couldn’t have anticipated. Even her hand betrays her, as Susannah learns that she has a progressive hereditary disease that’s making her fingers cramp and curl—a curse waiting in her genes, legacy of a birth family that gave her little else. As her now-or-never concert draws near, Susannah is catapulted back to memories she’s never been able to purge—and forward, to choices she never thought she would have to make. Told through the unique perspective of a musician, The Sound Between the Notes draws the reader deeper and deeper into the question Susannah can no longer silence: Who am I, and where do I belong?
Author | : Bill Hilton |
Publisher | : |
Total Pages | : 138 |
Release | : 2009-11-01 |
Genre | : |
ISBN | : 9780956220400 |
Author | : David Grubbs |
Publisher | : Duke University Press |
Total Pages | : 367 |
Release | : 2014-03-03 |
Genre | : Music |
ISBN | : 0822377101 |
John Cage's disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the Landscape, David Grubbs argues that, following Cage, new genres in experimental and avant-garde music in the 1960s were particularly ill suited to be represented in the form of a recording. These activities include indeterminate music, long-duration minimalism, text scores, happenings, live electronic music, free jazz, and free improvisation. How could these proudly evanescent performance practices have been adequately represented on an LP? In their day, few of these works circulated in recorded form. By contrast, contemporary listeners can encounter this music not only through a flood of LP and CD releases of archival recordings but also in even greater volume through Internet file sharing and online resources. Present-day listeners are coming to know that era's experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings. In Records Ruin the Landscape, Grubbs surveys a musical landscape marked by altered listening practices.
Author | : Wayne Erbsen |
Publisher | : Native Ground Books & Music |
Total Pages | : 131 |
Release | : 2014-05-26 |
Genre | : Music |
ISBN | : 1883206677 |
Beginning banjo lessons have never been more fun! Written for the absolute beginner, this FUN book is guaranteed to help you learn to play bluegrass banjo (How many books come with a personal guarantee by the author?). · Teaches the plain, naked melody to 23 easy bluegrass favorites without the rolls already incorporated into the tune. · Wayne shows simple ways to embellish each melody using easy rolls. · With Wayne’s unique method, you’ll learn to think for yourself! · Learn how to play a song in different ways, rather than memorizing ONE way. · Includes a link to download 99 instructional audio tracks off our website! You WILL learn to play: Bile ‘Em Cabbage Down, Blue Ridge Mountain Blues, Columbus Stockade Blues, Down the Road, Groundhog, Little Maggie, Long Journey Home, Lynchburg Town, Man of Constant Sorrow, My Home’s Across the Blue Ridge Mountains, Nine Pound Hammer, Palms of Victory, Pass Me Not, Poor Ellen Smith, Pretty Polly, Put My Little Shoes Away, Red River Valley, Roll in My Sweet Baby’s Arms, Shall We Gather at the River, Wabash Cannonball, When I Lay My Burden Down, When the Saints Go Marching In.
Author | : |
Publisher | : Hal Leonard Corporation |
Total Pages | : 144 |
Release | : 1999-01-01 |
Genre | : Music |
ISBN | : 1476827710 |
(Piano). Ever wondered how to create better accompaniments for the melodies in your favorite fake books? This "teach yourself" book introduces you to chord building, various rhythmic styles, and much more, so that you play the songs you like just the way you want them. Keyboard players with a basic understanding of notation and sight-reading will be on their way to more fun with fake books. The relaxed tone of the text and selection of fun songs keep How to Play from a Fake Book entertaining throughout perfect for amateur musicians, or as a supplement for keyboard teachers and their students.
Author | : United States. Congress. House |
Publisher | : |
Total Pages | : 2160 |
Release | : 1935 |
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Total Pages | : 956 |
Release | : 1881 |
Genre | : Industrial arts |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 836 |
Release | : 1898 |
Genre | : Banks and banking |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 720 |
Release | : 1880 |
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