Notes On The Authorship Of The Shakespeare Plays And Poems
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Contested Will
Author | : James Shapiro |
Publisher | : Simon and Schuster |
Total Pages | : 356 |
Release | : 2011-04-19 |
Genre | : Biography & Autobiography |
ISBN | : 1416541632 |
Shakespeare scholar James Shapiro explains when and why so many people began to question whether Shakespeare wrote his plays.
Shakespeare's Dramatic Works and Poems, with Notes, and Numerous Etchings on Steel
Author | : William Shakespeare |
Publisher | : BoD – Books on Demand |
Total Pages | : 149 |
Release | : 2024-05-28 |
Genre | : Fiction |
ISBN | : 3368727974 |
Reprint of the original, first published in 1843.
Shakespeare's Dark Lady
Author | : John Hudson |
Publisher | : Amberley Publishing Limited |
Total Pages | : 481 |
Release | : 2014-03-15 |
Genre | : Literary Criticism |
ISBN | : 1445621665 |
Amelia Bassano Lanier is proved to be a strong candidate for authorship of Shakespeare's plays: Hudson looks at the fascinating life of this woman, believed by many to be the dark lady of the sonnets, and presents the case that she may have written Shakespeare's plays.
Is Shakespeare Dead?
Author | : Mark Twain |
Publisher | : Library of Alexandria |
Total Pages | : 7 |
Release | : 2020-09-28 |
Genre | : Fiction |
ISBN | : |
Is Shakespeare Dead? is a short, semi-autobiographical work by American humorist Mark Twain. It explores the controversy over the authorship of the Shakespearean literary canon via satire, anecdote, and extensive quotation of contemporary authors on the subject. Mark Twain, pseudonym of Samuel Langhorne Clemens, (born November 30, 1835, Florida, Missouri, U.S.--died April 21, 1910, Redding, Connecticut), American humorist, journalist, lecturer, and novelist who acquired international fame for his travel narratives, especially The Innocents Abroad (1869), Roughing It (1872), and Life on the Mississippi (1883), and for his adventure stories of boyhood, especially The Adventures of Tom Sawyer (1876) and Adventures of Huckleberry Finn (1885). A gifted raconteur, distinctive humorist, and irascible moralist, he transcended the apparent limitations of his origins to become a popular public figure and one of America's best and most beloved writers. Samuel Clemens, the sixth child of John Marshall and Jane Lampton Clemens, was born two months prematurely and was in relatively poor health for the first 10 years of his life. His mother tried various allopathic and hydropathic remedies on him during those early years, and his recollections of those instances (along with other memories of his growing up) would eventually find their way into Tom Sawyer and other writings. Because he was sickly, Clemens was often coddled, particularly by his mother, and he developed early the tendency to test her indulgence through mischief, offering only his good nature as bond for the domestic crimes he was apt to commit. When Jane Clemens was in her 80s, Clemens asked her about his poor health in those early years: "I suppose that during that whole time you were uneasy about me?" "Yes, the whole time," she answered. "Afraid I wouldn't live?" "No," she said, "afraid you would." Insofar as Clemens could be said to have inherited his sense of humour, it would have come from his mother, not his father. John Clemens, by all reports, was a serious man who seldom demonstrated affection. No doubt his temperament was affected by his worries over his financial situation, made all the more distressing by a series of business failures. It was the diminishing fortunes of the Clemens family that led them in 1839 to move 30 miles (50 km) east from Florida, Missouri, to the Mississippi River port town of Hannibal, where there were greater opportunities. John Clemens opened a store and eventually became a justice of the peace, which entitled him to be called "Judge" but not to a great deal more. In the meantime, the debts accumulated. Still, John Clemens believed the Tennessee land he had purchased in the late 1820s (some 70,000 acres [28,000 hectares]) might one day make them wealthy, and this prospect cultivated in the children a dreamy hope. Late in his life, Twain reflected on this promise that became a curse: It put our energies to sleep and made visionaries of us--dreamers and indolent....It is good to begin life poor; it is good to begin life rich--these are wholesome; but to begin it prospectively rich! The man who has not experienced it cannot imagine the curse of it.
The Case for Shakespeare
Author | : Scott McCrea |
Publisher | : Praeger |
Total Pages | : 304 |
Release | : 2005-01-30 |
Genre | : Literary Criticism |
ISBN | : |
Demonstrates that William Shakespeare of Stratford-upon-Avon really did write the plays and poems attributed to him via a literary forensics case that puts all other authorship theories to rest.
Shakespeare's Literary Authorship
Author | : Patrick Cheney |
Publisher | : Cambridge University Press |
Total Pages | : 297 |
Release | : 2008-06-26 |
Genre | : Literary Criticism |
ISBN | : 0521881668 |
This book considers Shakespeare as a literary figure, analysing his full professional career, both poetry and plays.
The New Oxford Shakespeare: Authorship Companion
Author | : Gary Taylor |
Publisher | : Oxford University Press |
Total Pages | : 776 |
Release | : 2017-02-10 |
Genre | : Literary Criticism |
ISBN | : 0192517600 |
This companion volume to The New Oxford Shakespeare: The Complete Works concentrates on the issues of canon and chronology—currently the most active and controversial debates in the field of Shakespeare editing. It presents in full the evidence behind the choices made in The Complete Works about which works Shakespeare wrote, in whole or part. A major new contribution to attribution studies, the Authorship Companion illuminates the work and methodology underpinning the groundbreaking New Oxford Shakespeare, and casts new light on the professional working practices, and creative endeavours, of Shakespeare and his contemporaries. We now know that Shakespeare collaborated with his literary and dramatic contemporaries, and that others adapted his works before they reached printed publication. The Authorship Companion's essays explore and explain these processes, laying out everything we currently know about the works' authorship. Using a variety of different attribution methods, The New Oxford Shakespeare has confirmed the presence of other writers' hands in plays that until recently were thought to be Shakespeare's solo work. Taking this process further with meticulous, fresh scholarship, essays in the Authorship Companion show why we must now add new plays to the accepted Shakespeare canon and reattribute certain parts of familiar Shakespeare plays to other writers. The technical arguments for these decisions about Shakespeare's creativity are carefully laid out in language that anyone interested in the topic can understand. The latest methods for authorship attribution are explained in simple but accurate terms and all the linguistic data on which the conclusions are based is provided. The New Oxford Shakespeare consists of four interconnected publications: the Modern Critical Edition (with modern spelling), the Critical Reference Edition (with original spelling), a companion volume on Authorship, and an online version integrating all of this material on OUP's high-powered scholarly editions platform. Together, they provide the perfect resource for the future of Shakespeare studies.
King Lear
Author | : Jeffrey Kahan |
Publisher | : Routledge |
Total Pages | : 385 |
Release | : 2008-04-18 |
Genre | : Literary Criticism |
ISBN | : 1135973652 |
Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink
Sir Henry Neville Was Shakespeare
Author | : John Casson |
Publisher | : Amberley Publishing Limited |
Total Pages | : 559 |
Release | : 2016-04-15 |
Genre | : Literary Criticism |
ISBN | : 1445654679 |
Who really wrote the plays of Shakespeare?