Notes Concerning New Collections Anthropological Papers Of The Amnh V 4
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The Blackfoot Papers
Author | : Adolf Hungrywolf |
Publisher | : Good Medicine Foundation |
Total Pages | : 417 |
Release | : 2006 |
Genre | : Blackfeet Tribe of the Blackfeet Indian Reservation of Montana |
ISBN | : 0920698824 |
"A series of illustrated books to help preserve the culture and heritage of the four divisions that make up the Blackfoot Confederacy in the United States and Canada"--Cover.
Northwest Anthropological Research Notes
Author | : Roderick Sprague |
Publisher | : Northwest Anthropology |
Total Pages | : 559 |
Release | : |
Genre | : Social Science |
ISBN | : |
A Reprint Edition of the Entire Davidson Journal of Anthropology, 1955, 1956, & 1957
Notes Concerning New Collections
Author | : Robert Harry Lowie |
Publisher | : |
Total Pages | : 106 |
Release | : 1910 |
Genre | : Anthropological museums and collections |
ISBN | : |
Lakota Society
Author | : James R. Walker |
Publisher | : U of Nebraska Press |
Total Pages | : 268 |
Release | : 1992-02-01 |
Genre | : Social Science |
ISBN | : 9780803297371 |
As agency physician on the Pine Ridge Reservation from 1896 to 1914, Dr. James R. Walker recorded a wealth of information on the traditional lifeways of the Oglala Sioux. Lakota Society presents the primary accounts of Walker's informants and his syntheses dealing with the organization of camps and bands, kinship systems, beliefs, ceremonies, hunting, warfare, and methods of measuring time.
Crow-Omaha
Author | : Thomas R. Trautmann |
Publisher | : University of Arizona Press |
Total Pages | : 365 |
Release | : 2012-11-01 |
Genre | : Social Science |
ISBN | : 0816599319 |
The “Crow-Omaha problem” has perplexed anthropologists since it was first described by Lewis Henry Morgan in 1871. During his worldwide survey of kinship systems, Morgan learned with astonishment that some Native American societies call some relatives of different generations by the same terms. Why? Intergenerational “skewing” in what came to be named “Crow” and “Omaha” systems has provoked a wealth of anthropological arguments, from Rivers to Radcliffe-Brown, from Lowie to Lévi-Strauss, and many more. Crow-Omaha systems, it turns out, are both uncommon and yet found distributed around the world. For anthropologists, cracking the Crow-Omaha problem is critical to understanding how social systems transform from one type into another, both historically in particular settings and evolutionarily in the broader sweep of human relations. This volume examines the Crow-Omaha problem from a variety of perspectives—historical, linguistic, formalist, structuralist, culturalist, evolutionary, and phylogenetic. It focuses on the regions where Crow-Omaha systems occur: Native North America, Amazonia, West Africa, Northeast and East Africa, aboriginal Australia, northeast India, and the Tibeto-Burman area. The international roster of authors includes leading experts in their fields. The book offers a state-of-the-art assessment of Crow-Omaha kinship and carries forward the work of the landmark volume Transformations of Kinship, published in 1998. Intended for students and scholars alike, it is composed of brief, accessible chapters that respect the complexity of the ideas while presenting them clearly. The work serves as both a new benchmark in the explanation of kinship systems and an introduction to kinship studies for a new generation of students. Series Note: Formerly titled Amerind Studies in Archaeology, this series has recently been expanded and retitled Amerind Studies in Anthropology to incorporate a high quality and number of anthropology titles coming in to the series in addition to those in archaeology.
Histories of Exhibition Design in the Museum
Author | : Kate Guy |
Publisher | : Taylor & Francis |
Total Pages | : 231 |
Release | : 2023-11-30 |
Genre | : Art |
ISBN | : 1000996743 |
Histories of Exhibition Design in the Museum: Makers, Process, and Practice offers a new model for understanding exhibition design in museums as a human and material process. It presents diverse case studies from around the world, from the nineteenth century to the recent past. It moves beyond the power of the finished exhibition over both objects and visitors to highlight historic exhibition making as an ongoing task of adaptation, experimentation, and interaction that involves intellectual, creative, and technical choices. Attentive to hierarchies of ethnicity, race, class, gender, sexuality, and ableism that have informed exhibition design and its histories, the volume highlights the labour involved in making museum exhibitions. It presents design as filled with personal and professional demands on the body, senses, and emotions. Contributions from historians, anthropologists, and exhibition makers focus on histories of identity, collaboration, and hierarchy ‘behind the scenes’ of the museum. They argue for an emphasis on the everyday objects of museum design and the importance of a diverse range of actors within and beyond the museum, from carpenters and label writers to volunteers and local communities. Histories of Exhibition Design in the Museum offers scholars, students, and professionals working across the museum and design sectors insight into how past methods still influence museums today. Through a postcolonial and decolonial lens, it reveals the lineage of current processes and supports a more informed contemporary practice.