Notebook On The Paris Commune
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Marx in Paris, 1871
Author | : Michael Löwy |
Publisher | : Haymarket Books |
Total Pages | : 80 |
Release | : 2022-03-15 |
Genre | : Political Science |
ISBN | : 164259685X |
In celebration of the 150th anniversary of the Paris Commune, leftist writers Olivier Besancenot and Michael Löwy offer a deeply informed, and eminently enjoyable, imagined history of what might have been if Karl Marx and his eldest daughter, Jenny, had travelled to Paris during the heady weeks of April 1871. In disguise, employing imperfect but serviceable French, Karl and Jenny encounter and debate many important figures of the movement, including Leo Frankel, Eugène Varlin, Charles Longuet, Elisabeth Dmitrieff, and Louise Michel, eventually returning to England with a profoundly changed sense of political possibility.
Paris Under the Commune, Or, The Seventy-three Days of the Second Siege
Author | : John Leighton |
Publisher | : |
Total Pages | : 546 |
Release | : 1871 |
Genre | : Paris (France) |
ISBN | : |
Elihu Washburne
Author | : Elihu Benjamin Washburne |
Publisher | : Simon and Schuster |
Total Pages | : 283 |
Release | : 2012-11-06 |
Genre | : Biography & Autobiography |
ISBN | : 1451665288 |
Draws on first-person diaries and letters to trace the pivotal contributions of the American diplomat throughout the Franco-Prussian war, documenting his efforts to provide supplies to Americans and other nationals.
The State and Revolution
Author | : Vladimir Ilʹich Lenin |
Publisher | : |
Total Pages | : 144 |
Release | : 1919 |
Genre | : Communism |
ISBN | : |
The Paris Commune, Including the First Manifesto of the International on the Franco-Prussian War, the Second Manifesto of the International on the Franco-Prussian War, the Civil War in France,
Author | : Engels Friedrich 1820-1895 |
Publisher | : Franklin Classics |
Total Pages | : 168 |
Release | : 2018-10-14 |
Genre | : |
ISBN | : 9780343114053 |
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Pond
Author | : Claire-Louise Bennett |
Publisher | : Penguin |
Total Pages | : 210 |
Release | : 2016-07-12 |
Genre | : Fiction |
ISBN | : 039957591X |
“A sharp, funny, and eccentric debut … Pond makes the case for Bennett as an innovative writer of real talent. … [It]reminds us that small things have great depths.”–New York Times Book Review "Dazzling…exquisitely written and daring ." –O, the Oprah Magazine Immediately upon its publication in Ireland, Claire-Louise Bennett’s debut began to attract attention well beyond the expectations of the tiny Irish press that published it. A deceptively slender volume, it captures with utterly mesmerizing virtuosity the interior reality of its unnamed protagonist, a young woman living a singular and mostly solitary existence on the outskirts of a small coastal village. Sidestepping the usual conventions of narrative, it focuses on the details of her daily experience—from the best way to eat porridge or bananas to an encounter with cows—rendered sometimes in story-length, story-like stretches of narrative, sometimes in fragments no longer than a page, but always suffused with the hypersaturated, almost synesthetic intensity of the physical world that we remember from childhood. The effect is of character refracted and ventriloquized by environment, catching as it bounces her longings, frustrations, and disappointments—the ending of an affair, or the ambivalent beginning with a new lover. As the narrator’s persona emerges in all its eccentricity, sometimes painfully and often hilariously, we cannot help but see mirrored there our own fraught desires and limitations, and our own fugitive desire, despite everything, to be known. Shimmering and unusual, Pond demands to be devoured in a single sitting that will linger long after the last page.
Red Virgin
Author | : Louise Michel |
Publisher | : University of Alabama Press |
Total Pages | : 241 |
Release | : 1981 |
Genre | : Biography & Autobiography |
ISBN | : 0817300635 |
Louise Michel was born illegitimate in 1830 and became a schoolmistress in Paris. She was involved in radical activities during the twilight of France’s Second Empire, and during the Franco-Prussian War of 1870 and the siege of Paris. She was a leading member of the revolutionary groups controlling Montmarte. Michel emerged as one of the leaders of the insurrection during the Paris Commune of March-May 1871; and French anarchists saw her as martyr and saint – The Red Virgin. When the Versailles government crushed the Commune in May 1871, Michel was sentenced to exile in New Caledonia, until the general amnesty of 1880, when she returned to France and great popular acclaim and support from the working people of the country. Michel was arrested again during a demonstration in Paris in 1883 and sentenced to six years in prison. Pardoned after three years, she continued her speeches and writing, although she spent the greater part of her time from 1890 until her death in 1905 in England in self-imposed exile. It was during her prison term from 1883 to 1886 that she compiled her Memoires, now available in English. These memoirs offer readers a view of the non-Marxist left and give an in-depth look into the development of the revolutionary spirit. The early chapters treat her childhood, the development of her revolutionary feelings, and her training as a schoolteacher. The next section describes her activities as a schoolteacher in the Haute-Marne and Paris and therefore contains much of interest on education in 19th-century Europe. Her chapters on the siege of Paris, the Commune, and her first trial show those events from the point of view of a major participant. Of particular interest is a chapter on women’s rights, which Michel saw as part of the search for the rights of all people, male and female, and not as a separate struggle. The Red Virgin: Memoirs of Louise Michel will be useful to both scholars and students of 19th-century French history and women’s studies.
The Civil War in France
Author | : Karl Marx |
Publisher | : DigiCat |
Total Pages | : 92 |
Release | : 2022-05-29 |
Genre | : Fiction |
ISBN | : |
The Civil War in France is a pamphlet written by Karl Marx. It presents a convincing declaration of the General Council of the International, pertaining to the character and importance of the struggle of the Communards in the Paris Commune at the time.
Seeing the Body: Poems
Author | : Rachel Eliza Griffiths |
Publisher | : W. W. Norton & Company |
Total Pages | : 130 |
Release | : 2020-06-09 |
Genre | : Poetry |
ISBN | : 132400567X |
Nominee for the 2021 NAACP Image Award in Poetry An elegiac and moving meditation on the ways in which we witness "bodies" of grief and healing. Poems and photographs collide in this intimate collection, challenging the invisible, indefinable ways mourning takes up residence in a body, both before and after life-altering loss. In radiant poems—set against the evocative and desperate backdrop of contemporary events, pop culture, and politics—Rachel Eliza Griffiths reckons with her mother’s death, aging, authority, art, black womanhood, memory, and the American imagination. The poems take shape in the space where public and private mourning converge, finding there magic and music alongside brutality and trauma. Griffiths braids a moving narrative of identity and its possibilities for rebirth through image and through loss. A photographer as well as a poet, Griffiths accompanies the fierce rhythm of her verses with a series of ghostly, imaginative self-portraits, blurring the body’s internal wilderness with landscapes alive with beauty and terror. The collision of text and imagery offers an associative autobiography, in which narratives of language, absence, and presence are at once saved, revised, and often erased. Seeing the Body dismantles personal and public masks of silence and self-destruction to visualize and celebrate the imperfect freedom of radical self-love.