North Korean Art Paradoxical Realism
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| Author | : BG Muhn |
| Publisher | : Seoul Selection |
| Total Pages | : 79 |
| Release | : 2018-11-22 |
| Genre | : Art |
| ISBN | : 1624121217 |
North Korean Art: Paradoxical Realism at the 2018 Gwangju Biennale is an exhibition that reflects the culmination of an eight-year exploration into the art of the Democratic People's Republic of Korea (DPRK). During that time, BG Muhn made nine research trips to the DPRK to pursue a growing passion for the uniqueness and mystery surrounding Chosonhwa, the North Korean name for traditional ink wash painting on rice paper. The DPRK is notably the only country in the world after the fall of the Soviet Union in 1991 that continues to create Socialist Realism art. This exhibition is likely the first opportunity for people around the world to see North Korean Chosonhwa in such a broad range of images within Socialist Realism art.
| Author | : BG Muhn |
| Publisher | : Seoul Selection |
| Total Pages | : 343 |
| Release | : 2019-12-26 |
| Genre | : Art |
| ISBN | : 1624121306 |
In-depth analysis of chosonhwa, the emblem of North Korean art The primary resource research, the first of its kind on chosonhwa -Vivid visual materials of the North Korean art scene based on nine visits over six years by Georgetown University professor BG Muhn -The art creation environment of North Korean contemporary ideological and collaborative paintings revealed for the first time North Korean Art: The Enigmatic World of Chosonhwa offers the reader a rare glimpse into the art, culture, and society of North Korea, a country largely closed off from the world for more than seven decades. This book examines the development and characteristics of chosonhwa, the style of painting unique to the DPRK and that nation s primary vehicle for Socialist Realism art through the present day. Author BG Muhn made nine trips to Pyongyang in six years. He documents his journey from initial fascination, through first-hand research, to his unexpected discovery of the creative and expressive dimensions of this art form. He gained special access to see national treasures, interviewed artists and cultural leaders, and surveyed a broad range of books and visual documents. Through his perspective as a practicing visual artist, Muhn makes the case that North Korean painting merits inclusion in the global art canon. This comprehensive and revealing text is the first of its kind and is an important contribution to the fields of East Asian, 20th century and contemporary art history.
| Author | : Andrei Lankov |
| Publisher | : Oxford University Press |
| Total Pages | : 350 |
| Release | : 2015 |
| Genre | : History |
| ISBN | : 0199390037 |
In The Real North Korea, Lankov substitutes cold, clear analysis for the overheated rhetoric surrounding this opaque police state. Based on vast expertise, this book reveals how average North Koreans live, how their leaders rule, and how both survive
| Author | : Jane Portal |
| Publisher | : Reaktion Books |
| Total Pages | : 194 |
| Release | : 2005-08-15 |
| Genre | : Art |
| ISBN | : 186189838X |
Nuclear bombs and geopolitical controversy are often the first things associated with North Korea and its volatile leader Kim Jong-II. Yet behind the secretive curtain of this isolated nation also lies a little-known and slowly expanding world of art. Art Under Control in North Korea is the first Western publication to explore the state-controlled role of art in North Korea. This timely volume places North Korean art in its historical, political, and social contexts, with a discussion on the state system of cultivating and promoting artists and an examination of the range of art produced, from painting and calligraphy to architecture and applied art. Portal offers an incisive analysis that compares the dictatorial control exerted over artists by North Korean leaders to that of past regimes. She also examines the ways in which archaeology has been employed for political ends to legitimize the present regime. Art Under Control in North Korea is an intriguing and vibrant volume that explores the creation of art under totalitarian rule and the ways art can subvert a dictatorial regime.
| Author | : David C. Gompert |
| Publisher | : Government Printing Office |
| Total Pages | : 236 |
| Release | : 2020 |
| Genre | : |
| ISBN | : 9780160915734 |
The second half of the 20th century featured a strategic competition between the United States and the Soviet Union. That competition avoided World War III in part because during the 1950s, scholars like Henry Kissinger, Thomas Schelling, Herman Kahn, and Albert Wohlstetter analyzed the fundamental nature of nuclear deterrence. Decades of arms control negotiations reinforced these early notions of stability and created a mutual understanding that allowed U.S.-Soviet competition to proceed without armed conflict. The first half of the 21st century will be dominated by the relationship between the United States and China. That relationship is likely to contain elements of both cooperation and competition. Territorial disputes such as those over Taiwan and the South China Sea will be an important feature of this competition, but both are traditional disputes, and traditional solutions suggest themselves. A more difficult set of issues relates to U.S.-Chinese competition and cooperation in three domains in which real strategic harm can be inflicted in the current era: nuclear, space, and cyber. Just as a clearer understanding of the fundamental principles of nuclear deterrence maintained adequate stability during the Cold War, a clearer understanding of the characteristics of these three domains can provide the underpinnings of strategic stability between the United States and China in the decades ahead. That is what this book is about.
| Author | : Linda Weintraub |
| Publisher | : Univ of California Press |
| Total Pages | : 380 |
| Release | : 2012-09-01 |
| Genre | : Art |
| ISBN | : 0520273613 |
This title documents the burgeoning eco art movement from A to Z, presenting a panorama of artistic responses to environmental concerns, from Ant Farms anti-consumer antics in the 1970s to Marina Zurkows 2007 animation that anticipates the havoc wreaked upon the planet by global warming.
| Author | : Balázs Szalontai |
| Publisher | : Stanford University Press |
| Total Pages | : 388 |
| Release | : 2005 |
| Genre | : History |
| ISBN | : 9780804753227 |
Concentrating on the years 1953-64, this history describes how North Korea became more despotic even as other Communist countries underwent de-Stalinization. The authors principal new source is the Hungarian diplomatic archives, which contain extensive reporting on Kim Il Sung and North Korea, thoroughly informed by research on the period in the Soviet and Eastern European archives and by recently published scholarship. Much of the story surrounds Kim Il Sung: his Korean nationalism and eagerness for Korean autarky; his efforts to balance the need for foreign aid and his hope for an independent foreign policy; and what seems to be his good sense of timing in doing in internal rivals without attracting Soviet retaliation. Through a series of comparisons not only with the USSR but also with Albania, Romania, Yugoslavia, China, and Vietnam, the author highlights unique features of North Korean communism during the period. Szalontai covers ongoing effects of Japanese colonization, the experiences of diverse Korean factions during World War II, and the weakness of the Communist Party in South Korea.
| Author | : Yeon Shim Chung |
| Publisher | : Phaidon Press |
| Total Pages | : 0 |
| Release | : 2020-03-25 |
| Genre | : Art |
| ISBN | : 9780714878331 |
The first comprehensive survey to explore the rich and complex history of contemporary Korean art - an incredibly timely topic Starting with the armistice that divided the Korean Peninsula in 1953, this one-of-a-kind book spotlights the artistic movements and collectives that have flourished and evolved throughout Korean culture over the past seven decades - from the 1950s avant-garde through to the feminist scene in the 1970s, the birth of the Gwangju Biennale in the 1990s, the lesser known North Korean art scene, and all the artists who have emerged to secure a place in the international art world.
| Author | : Ernest R. May |
| Publisher | : Cambridge University Press |
| Total Pages | : |
| Release | : 2010-09-09 |
| Genre | : Political Science |
| ISBN | : 1139490923 |
Neorealists argue that all states aim to acquire power and that state cooperation can therefore only be temporary, based on a common opposition to a third country. This view condemns the world to endless conflict for the indefinite future. Based upon careful attention to actual historical outcomes, this book contends that, while some countries and leaders have demonstrated excessive power drives, others have essentially underplayed their power and sought less position and influence than their comparative strength might have justified. Featuring case studies from across the globe, History and Neorealism examines how states have actually acted. The authors conclude that leadership, domestic politics, and the domain (of gain or loss) in which they reside play an important role along with international factors in raising the possibility of a world in which conflict does not remain constant and, though not eliminated, can be progressively reduced.
| Author | : Barry Buzan |
| Publisher | : Cambridge University Press |
| Total Pages | : 598 |
| Release | : 2003-12-04 |
| Genre | : Political Science |
| ISBN | : 9780521891110 |
This book develops the idea that since decolonisation, regional patterns of security have become more prominent in international politics. The authors combine an operational theory of regional security with an empirical application across the whole of the international system. Individual chapters cover Africa, the Balkans, CIS Europe, East Asia, EU Europe, the Middle East, North America, South America, and South Asia. The main focus is on the post-Cold War period, but the history of each regional security complex is traced back to its beginnings. By relating the regional dynamics of security to current debates about the global power structure, the authors unfold a distinctive interpretation of post-Cold War international security, avoiding both the extreme oversimplifications of the unipolar view, and the extreme deterritorialisations of many globalist visions of a new world disorder. Their framework brings out the radical diversity of security dynamics in different parts of the world.
