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| Author | : Tommy Gustafsson |
| Publisher | : Edinburgh University Press |
| Total Pages | : 288 |
| Release | : 2015-05-15 |
| Genre | : Performing Arts |
| ISBN | : 074869319X |
Nordic Genre Film offers a transnational approach to studying contemporary genre production in Nordic cinema.
| Author | : Andrew K. Nestingen |
| Publisher | : Wayne State University Press |
| Total Pages | : 396 |
| Release | : 2005 |
| Genre | : History |
| ISBN | : 9780814332436 |
Volume of essays examining the transition from national Nordic cinemas to transnational and global Nordic cinema.
| Author | : Tommy Gustafsson |
| Publisher | : |
| Total Pages | : 273 |
| Release | : 2020 |
| Genre | : Film genres |
| ISBN | : 9781474412223 |
Nordic Genre Film offers a transnational approach to studying contemporary genre production in Nordic cinema. It discusses a range of internationally renowned examples, from Nordic noir such as the television show The Bridge and films like Insomnia (1997) to high concept 'video generation' productions such as Iron Sky (2012). Genre in this context indicates a complex strategy for domestic and international competition and an analytical means to identify the Nordic film cultures' relationships to international trends. Conceptualizing Nordic genre film as an industrial and cultural phenomenon, other contributions focus on road movies, the horror film, autobiographical films, the quirky comedy, musicals, historical epics and pornography. These are contextualized by discussion of their place in their respective national film and media histories.
| Author | : Anna Westerstahl Stenport |
| Publisher | : Traditions in World Cinema |
| Total Pages | : 416 |
| Release | : 2021-08-31 |
| Genre | : History |
| ISBN | : 9781474438063 |
Nordic Film Cultures and Cinemas of Elsewhere introduces a new concept to Nordic film studies as well as to other small national, transnational and world cinema traditions. Examining overlooked 'elsewheres', the book presents Nordic cinemas as international, cosmopolitan, diasporic and geographically dispersed, from their beginnings in the early silent period to their present 21st-century dynamics. Exploring both canonical works by directors like Ingmar Bergman and Lars von Trier, as well as a wide range of unknown or overlooked narratives of movement, synthesis and resistance, the book offers a new model of inquiry into a multi-varied Scandinavian cultural lineage, and into small nation and pan-regional world cinemas. Anna Westerstahl Stenport is Professor and Chair of the School of Modern Languages at Georgia Institute of Technology. Arne Lunde is Associate Professor in the Scandinavian Section and in Cinema and Media Studies at UCLA.
| Author | : Mette Hjort |
| Publisher | : John Wiley & Sons |
| Total Pages | : 626 |
| Release | : 2016-05-31 |
| Genre | : Performing Arts |
| ISBN | : 1118475259 |
A Companion to Nordic Cinema presents a collection of original essays that explore one of the world’s oldest regional cinemas from its origins to the present day. Offers a comprehensive, transnational and regional account of Nordic cinema from its origins to the present day Features original contributions from more than two dozen international film scholars based in the Nordic countries, the United States, Canada, Scotland, and Hong Kong Covers a wide range of topics on the distinctive evolution of Nordic cinema including the silent Golden Age, Nordic film policy models and their influence, audiences and cinephilia, Nordic film training, and indigenous Sámi cinema. Considers Nordic cinema’s engagement with global audiences through coverage of such topics as Dogme 95, the avant-garde filmmaking movement begun by Danish directors Lars von Trier and Thomas Vinterberg, and the global marketing and distribution of Nordic horror and Nordic noir Offers fresh investigations of the work of global auteurs such as Carl Th. Dreyer, Ingmar Bergman, Lars von Trier, Aki Kaurismäki, and Roy Andersson. Includes essays on Danish and Swedish television dramas, Finland’s eco-documentary film production, the emerging tradition of Icelandic cinema, the changing dynamics of Scandinavian porn, and many more
| Author | : Kim Toft Hansen |
| Publisher | : Springer |
| Total Pages | : 309 |
| Release | : 2017-10-14 |
| Genre | : Performing Arts |
| ISBN | : 3319598155 |
This book is a comprehensive study of Nordic Noir television drama from the 1990’s until today. The authors introduce the history of contemporary Nordic Noir from the perspective of place, production and location studies. The chapters include readings of well-known television crime dramas such as Beck, The Killing, Trapped and The Bridge as well as a range of other important Nordic Noir cases. The authors position the development of Nordic Noir in the global market for popular television drama and place the international attention towards Nordic crime dramas within regional development of drama production in Sweden, Denmark, Norway and Iceland. Consequently, Nordic Noir is read as both a transnational financial and creative phenomenon and as a local possibility for community building. Offering a comprehensible, scholarly and methodologically original approach to the popularity of Nordic television crime dramas, this volume is aimed at readers with an interest in crime drama as well as scholars and students of television drama.
| Author | : Mette Hjort |
| Publisher | : John Wiley & Sons |
| Total Pages | : 642 |
| Release | : 2016-03-31 |
| Genre | : Performing Arts |
| ISBN | : 1118475283 |
A Companion to Nordic Cinema presents a collection of original essays that explore one of the world’s oldest regional cinemas from its origins to the present day. Offers a comprehensive, transnational and regional account of Nordic cinema from its origins to the present day Features original contributions from more than two dozen international film scholars based in the Nordic countries, the United States, Canada, Scotland, and Hong Kong Covers a wide range of topics on the distinctive evolution of Nordic cinema including the silent Golden Age, Nordic film policy models and their influence, audiences and cinephilia, Nordic film training, and indigenous Sámi cinema. Considers Nordic cinema’s engagement with global audiences through coverage of such topics as Dogme 95, the avant-garde filmmaking movement begun by Danish directors Lars von Trier and Thomas Vinterberg, and the global marketing and distribution of Nordic horror and Nordic noir Offers fresh investigations of the work of global auteurs such as Carl Th. Dreyer, Ingmar Bergman, Lars von Trier, Aki Kaurismäki, and Roy Andersson. Includes essays on Danish and Swedish television dramas, Finland’s eco-documentary film production, the emerging tradition of Icelandic cinema, the changing dynamics of Scandinavian porn, and many more
| Author | : Pietari Kääpä |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 273 |
| Release | : 2014-04-24 |
| Genre | : Performing Arts |
| ISBN | : 1623569141 |
Ecology and Contemporary Nordic Cinemas uses a range of analytical approaches to interrogate how the traditional socio-political rhetoric of national cinema can be rethought through ecosystemic concerns, by exploring a range of Nordic films as national and transnational, regional and local texts--all with significant global implications. By synergizing transnational theories with ecological approaches, the study considers the planetary implications of nation-based cultural production.
| Author | : Mariah Larsson |
| Publisher | : Nordic Academic Press |
| Total Pages | : 368 |
| Release | : 2010-01-01 |
| Genre | : History |
| ISBN | : 9185509361 |
A compilation of carefully selected articles written by international film scholars, this record provides an in-depth look into the history of Swedish film. This scholarly account covers various phenomena, including the early screenings at the turn of the century, Swedish censorship, the golden age of silent films, 1930s’ comedies and melodramas, documentaries, pornography, and experimental films. In addition, this volume examines the work of important contributors, such as Ingmar Bergman, Stefan Jarl, and Peter Weiss, and discusses film policies of the new millennium.
