Noises In The Blood
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| Author | : Carolyn Cooper |
| Publisher | : Duke University Press |
| Total Pages | : 236 |
| Release | : 1995-02-08 |
| Genre | : History |
| ISBN | : 9780822315957 |
The language of Jamaican popular culture—its folklore, idioms, music, poetry, song—even when written is based on a tradition of sound, an orality that has often been denigrated as not worthy of serious study. In Noises in the Blood, Carolyn Cooper critically examines the dismissed discourse of Jamaica’s vibrant popular culture and reclaims these cultural forms, both oral and textual, from an undeserved neglect. Cooper’s exploration of Jamaican popular culture covers a wide range of topics, including Bob Marley’s lyrics, the performance poetry of Louise Bennett, Mikey Smith, and Jean Binta Breeze, Michael Thelwell’s novelization of The Harder They Come, the Sistren Theater Collective’s Lionheart Gal, and the vitality of the Jamaican DJ culture. Her analysis of this cultural "noise" conveys the powerful and evocative content of these writers and performers and emphasizes their contribution to an undervalued Caribbean identity. Making the connection between this orality, the feminized Jamaican "mother tongue," and the characterization of this culture as low or coarse or vulgar, she incorporates issues of gender into her postcolonial perspective. Cooper powerfully argues that these contemporary vernacular forms must be recognized as genuine expressions of Jamaican culture and as expressions of resistance to marginalization, racism, and sexism. With its focus on the continuum of oral/textual performance in Jamaican culture, Noises in the Blood, vividly and stylishly written, offers a distinctive approach to Caribbean cultural studies.
| Author | : |
| Publisher | : |
| Total Pages | : |
| Release | : 2009 |
| Genre | : |
| ISBN | : |
DIVThe language of Jamaican popular culture & mdash;its folklore, idioms, music, poetry, song & mdash;even when written is based on a tradition of sound, an orality that has often been denigrated as not worthy of serious study. In Noises in the Blood, Carolyn Cooper critically examines the dismissed discourse of Jamaica & rsquo;s vibrant popular culture and reclaims these cultural forms, both oral and textual, from an undeserved neglect. Cooper & rsquo;s exploration of Jamaican popular culture covers a wide range of topics, including Bob Marley & rsquo;s lyrics, the performance poetry of Louise Bennett, Mikey Smith, and Jean Binta Breeze, Michael Thelwell & rsquo;s novelization of The Harder They Come, the Sistren Theater Collective & rsquo;s Lionheart Gal, and the vitality of the Jamaican DJ culture. Her analysis of this cultural "noise" conveys the powerful and evocative content of these writers and performers and emphasizes their contribution to an undervalued Caribbean identity. Making the connection between this orality, the feminized Jamaican "mother tongue," and the characterization of this culture as low or coarse or vulgar, she incorporates issues of gender into her postcolonial perspective. Cooper powerfully argues that these contemporary vernacular forms must be recognized as genuine expressions of Jamaican culture and as expressions of resistance to marginalization, racism, and sexism. With its focus on the continuum of oral/textual performance in Jamaican culture, Noises in the Blood, vividly and stylishly written, offers a distinctive approach to Caribbean cultural studies. /div
| Author | : T.A. Pratt |
| Publisher | : Spectra |
| Total Pages | : 370 |
| Release | : 2007-09-25 |
| Genre | : Fiction |
| ISBN | : 0553904175 |
Meet Marla Mason—smart, saucy, slightly wicked witch of the East Coast. . . . Sorcerer Marla Mason, small-time guardian of the city of Felport, has a big problem. A rival is preparing a powerful spell that could end Marla’s life—and, even worse, wreck her city. Marla’s only chance of survival is to boost her powers with the Cornerstone, a magical artifact hidden somewhere in San Francisco. But when she arrives there, Marla finds that the quest isn’t going to be quite as cut-and-dried as she expected . . . and that some of the people she needs to talk to are dead. It seems that San Francisco’s top sorcerers are having troubles of their own—a mysterious assailant has the city’s magical community in a panic, and the local talent is being (gruesomely) picked off one by one. With her partner-in-crime, Rondeau, Marla is soon racing against time through San Francisco’s alien streets, dodging poisonous frogs, murderous hummingbirds, cannibals, and a nasty vibe from the local witchery, who suspect that Marla herself may be behind the recent murders. And if Marla doesn’t figure out who is killing the city’s finest in time, she’ll be in danger of becoming a magical statistic herself. . . .
| Author | : Truman Capote |
| Publisher | : Modern Library |
| Total Pages | : 417 |
| Release | : 2013-02-19 |
| Genre | : True Crime |
| ISBN | : 0812994388 |
Selected by the Modern Library as one of the 100 best nonfiction books of all time From the Modern Library’s new set of beautifully repackaged hardcover classics by Truman Capote—also available are Breakfast at Tiffany’s and Other Voices, Other Rooms (in one volume), Portraits and Observations, and The Complete Stories Truman Capote’s masterpiece, In Cold Blood, created a sensation when it was first published, serially, in The New Yorker in 1965. The intensively researched, atmospheric narrative of the lives of the Clutter family of Holcomb, Kansas, and of the two men, Richard Eugene Hickock and Perry Edward Smith, who brutally killed them on the night of November 15, 1959, is the seminal work of the “new journalism.” Perry Smith is one of the great dark characters of American literature, full of contradictory emotions. “I thought he was a very nice gentleman,” he says of Herb Clutter. “Soft-spoken. I thought so right up to the moment I cut his throat.” Told in chapters that alternate between the Clutter household and the approach of Smith and Hickock in their black Chevrolet, then between the investigation of the case and the killers’ flight, Capote’s account is so detailed that the reader comes to feel almost like a participant in the events.
| Author | : Carolyn Cooper |
| Publisher | : Palgrave Macmillan |
| Total Pages | : 368 |
| Release | : 2004-09-15 |
| Genre | : Music |
| ISBN | : 9781403964250 |
Megawattage sound systems have blasted the electronically enhanced riddims and tongue-twisting lyrics of Jamaica's dancehall DJs across the globe. This high-energy raggamuffin music is often dissed by old-school roots reggae fans as a raucous degeneration of classic Jamaican popular music. In this provocative study of dancehall culture Carolyn Cooper, Professor of Literary and Cultural Studies at the University of the West Indies, Mona, Jamaica, offers a sympathetic account of the philosophy of a wide range of dancehall DJs: Shabba Ranks, Lady Saw, Ninjaman, Capleton, Buju Banton, Anthony B, Apache Indian. She demonstrates the ways in which the language of dancehall culture, often devalued as mere 'noise,' articulates a complex understanding of the border clashes that characterise Jamaican society. Cooper also analyses the sound clashes that erupt in the movement of Jamaican dancehall culture across national borders.
| Author | : Clive Barker |
| Publisher | : Penguin |
| Total Pages | : 306 |
| Release | : 2020-09-29 |
| Genre | : Fiction |
| ISBN | : 0593201051 |
THE INSPIRATION FOR THE HULU ORIGINAL FILM Rediscover the true meaning of fear in this collection of horror stories from Clive Barker, New York Times bestselling author and creator of the Hellraiser series. Everybody is a book of blood; wherever we're opened, we're red. In this tour de force collection of brilliantly disturbing tales, Clive Barker combines the extraordinary with the ordinary, bringing to life our darkest nightmares with stories that both seduce and devour. As beautiful as they are terrible, the pages of this volume are stained with unsettling imagery, macabre humor, and visceral dread. Here then are the stories written on the Book of Blood. Read, if it pleases you, and learn.... This Volume includes: “The Book of Blood” • “The Midnight Meat Train” • “The Yattering and Jack” • “Pig Blood Blues” • “Sex, Death and Starshine” • “In the Hills, the Cities”
| Author | : George Packer |
| Publisher | : Macmillan |
| Total Pages | : 420 |
| Release | : 2001-08 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780374527785 |
The inheritor of two sometimes conflicting strains of the great American liberal tradition, Packer explores the ideals that shaped the lives of his forebears and describes his own struggle to carry on their tradition in our time, when large numbers of Americans have lost faith in politics.
| Author | : Tananarive Due |
| Publisher | : Simon and Schuster |
| Total Pages | : 532 |
| Release | : 2002 |
| Genre | : Fiction |
| ISBN | : 0671040847 |
Award-winning author Tananarive Due's spine-tingling tale of supernatural suspense "weaves a stronger net than ever" ("Kirkus Reviews") as a woman searches for inherited power that can save her hometown from the forces of evil.
| Author | : |
| Publisher | : |
| Total Pages | : 28 |
| Release | : 2017 |
| Genre | : Dancehall (Music) |
| ISBN | : 9780956995995 |
| Author | : Henri Bosco |
| Publisher | : New York Review of Books |
| Total Pages | : 289 |
| Release | : 2020-04-07 |
| Genre | : Fiction |
| ISBN | : 1681374110 |
Fans of the style of William Faulkner will want to read Henri Bosco, four-time nominee for the Nobel Prize in Literature. Available in English for the first time, Malicroix tells the story of a recluse living in the French countryside, unraveling how he came to a life of solitude. Henri Bosco, like his contemporary Jean Giono, is one of the regional masters of modern French literature, a writer who dwells above all on the grandeur, beauty, and ferocious unpredictability of the natural world. Malicroix, set in the early nineteenth century, is widely considered to be Bosco’s greatest book. Here he invests a classic coming-of-age story with a wild, mythic glamour. A nice young man, of stolidly unimaginative, good bourgeois stock, is surprised to inherit a house on an island in the Rhône, in the famously desolate and untamed region of the Camargue. The terms of his great-uncle’s will are even more surprising: the young man must take up solitary residence in the house for a full three months before he will be permitted to take possession of it. With only a taciturn shepherd and his dog for occasional company, he finds himself surrounded by the huge and turbulent river (always threatening to flood the island and surrounding countryside) and the wind, battering at his all-too-fragile house, shrieking from on high. And there is another condition of the will, a challenging task he must perform, even as others scheme to make his house their own. Only under threat can the young man come to terms with both his strange inheritance and himself.
