No Shape Bends The River So Long
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Author | : Monica Berlin |
Publisher | : Parlor Press LLC |
Total Pages | : 77 |
Release | : 2015-01-06 |
Genre | : Poetry |
ISBN | : 1602356289 |
WINNER OF THE NEW MEASURE POETRY PRIZE, Selected by CAROLYN FORCHÉ | Free Verse Editions, edited by Jon Thompson | “What to make of this grand experiment over months and miles of river by two poets, not one—Monica Berlin and Beth Marzoni—plus whatever third spirit they’ve invented together? Like music from the 8th century written by Anonymous, that haunting ubiquitous voice, these poems feel unsettlingly interchangeable, keep coming like the country’s longest river dream-documented here in a rich rush, dense with repetition and sorrow by poets who ‘think like a glacier or a stone, sand . . . years / like consistent rain.’ The Mississippi never had better companions or more devoted ones, save Mark Twain perhaps, or more to the point, his troubled, star-crossed Huck. The sense of human and nonhuman history, even prehistory stuns, keeps bothering this shared-solitary work. ‘Wake to any weather & know that / long ago there also was.’ I’ll take that as rare solace.” —MARIANNE BORUCH
Author | : Monica Berlin |
Publisher | : Parlor Press LLC |
Total Pages | : 112 |
Release | : 2020-01-25 |
Genre | : Poetry |
ISBN | : 164317150X |
“Sit and stay a while in the strangely familiar rooms and landscapes that Monica Berlin’s Elsewhere, That Small constructs for us. Let Berlin stop the clock, just for a few seconds, so we can take stock of “the ordinary seen & seen / -through” of our day: a doorframe warped by humidity or an over-pruned tree. Here, we weather cycles of loss and recovery; here, we dwell in the contrary senses of belonging and longing to be elsewhere. Berlin’s beautifully structured and incisive poems ask us to face—and to marvel at—the brute force of the world’s ongoingness. More so, Elsewhere, That Small offers a lesson on how to region here—that is, how to accept, how to endure.” —EMILY ROSKO | “The contingency in Elsewhere, That Small is embodied by the sonnet form, its propensity to turn from abstract to concrete, map to memory “heavy-shaded by green.” It’s in the rhythm of Monica Berlin’s language, in iambs that sometimes strike in a clear pattern sturdy as a chair back before shifting “like some trick of maybe.” And yet: what is contingent in the form is inescapable in the fact of our being human. In these poems, we occupy spaces, patches of ground and perspectives that we may be so bold as to call our own. What a gift to be reminded of the view from where we’re standing, and how fleeting it is when the time comes to turn.” —BETH MCDERMOTT | “This sequence of poems makes me consider the solitary expanse of the sonnet, how the span of fourteen lines opens up a zone through which a thought can travel nimbly its avenues. Intimate, contemplative, seeking out the smallest folds of language, Berlin’s verse leads us through estrangements and dismantlings, whose phrases disclose their “beautiful, hardness, their sharp edges & / sharper heave of near-careless care.” This book makes palpable a certain kind of nearness, an almost, an about-to-rise, like orchestral instruments tuning up. Reader, bring your listening.” CAROLINA EBEID
Author | : United States. Army. Corps of Engineers |
Publisher | : |
Total Pages | : 892 |
Release | : 1885 |
Genre | : Harbors |
ISBN | : |
Author | : United States. Army. Corps of Engineers |
Publisher | : |
Total Pages | : 1006 |
Release | : 1878 |
Genre | : Engineering |
ISBN | : |
Includes the Report of the Mississippi River Commission, 1881-19 .
Author | : Ethel Rackin |
Publisher | : Parlor Press LLC |
Total Pages | : 62 |
Release | : 2016-10-01 |
Genre | : Literary Criticism |
ISBN | : 1602357986 |
The miniature poems that comprise Go On, Ethel Rackin’s second collection, constitute distilled moments in time that paradoxically extend our field of concentration and vision. Focusing on various kinds of survival—personal, political, environmental—Go On asks what it means to endure in unsure times. By turns collaged, diaristic, and panoramic, the poems that make up this collection combine to form a kind of crazy-quilt of lyric association and connection.
Author | : Shim Bo-Seon |
Publisher | : Parlor Press LLC |
Total Pages | : 82 |
Release | : 2016-08-01 |
Genre | : Poetry |
ISBN | : 1602358370 |
Like many younger Korean poets, SHIM BO-SEON writes in an allusive, indirect style about topics that are in themselves familiar, eating rice, taking off clothes, living in an apartment block, struggling with human relationships. He captures some sparkling moments of joys and sorrows, hopes and frustrations that have been concealed in daily life in rather modest and witty words. The circular movements of concealment and revelation of the mystery that an individual experiences are evoked in turn, always lightly. As a poet-critic, Shim fills his lines with the melodies of plain speech, with subtle thoughts about relationships in the world. Shim made his poetic debut in 1994, but he only published his first collection fourteen years later in 2008. FIFTEEN SECONDS WITHOUT SORROW is a translation of that first volume, containing the poet’s earliest, freshest poems.
Author | : Nicholas Pesquès |
Publisher | : Parlor Press LLC |
Total Pages | : 93 |
Release | : 2017-01-01 |
Genre | : Poetry |
ISBN | : 1602358990 |
This is a book about a color—the vivid, explosive yellow of the English broom that blooms outrageously, uproariously, all over the mountain that dominates the view from Nicolas Pesquès' window. In this loping long poem, Pesquès views this color as installation art—as if the word YELLOW were written in enormous letters covering the hillside. It's an installation that brings issues of language to the fore, offering an occasion for the writer to juggle the immediate presence of color with the more mitigated presence created by language.
Author | : United States. Mississippi River Commission |
Publisher | : |
Total Pages | : 146 |
Release | : 1945 |
Genre | : Erosion |
ISBN | : |
Author | : Monica Berlin |
Publisher | : SIU Press |
Total Pages | : 90 |
Release | : 2018-10-11 |
Genre | : Poetry |
ISBN | : 0809336847 |
Monica Berlin’s Nostalgia for a World Where We Can Live resides at the turbulent confluence of relentless news cycles and the repeated rending of our interior lives. In Berlin’s poetry sorrow makes its own landscape—solitary, intimate, forward-looking. Whether we attempt to traverse it or choose bypass, her poems show us where we live, how we carry on. These poems notice the day in the wind, the night tucked up to the train tracks, and a slipping-in of yesterday, memory-laden, alongside the promise of a more hopeful tomorrow. Here is the Midwest, vibrant and relic, in the ongoing years of collapse and recovery. Here the constant companionship of weather lays claim to its own field of vision. Here, too, devastation: what’s left after. Berlin reminds us we are at the mercy of rivers, oceans, earth, wind, rain, blizzard, drought, and each other. “Maybe what I mean / to say is that I’ve come to see all the names we might / recognize destruction by,” Berlin’s speaker discovers. “We might / sometimes, stupidly, call it love.” On her familiar prairie of lyricism and tumult, beauty and ruin, Berlin’s poems insist, plead, and seek to reassure. In a collection both mournful and urgent, both a “little book of days” and a song, this poet meditates on loss, wonder, and always the consolations of language.
Author | : Hannah Craig |
Publisher | : Parlor Press LLC |
Total Pages | : 80 |
Release | : 2017-02-01 |
Genre | : History |
ISBN | : 1602359040 |
"Hannah Craig's This History That Just Happened places the reader at the nexus where rural and city life converge, bridging a world personal and political, natural and artful, in a voice always uniquely hers. Every word here is earned. And little, if anything, escapes this poet's heart, mind, or eye. History works through a keen imagination. These poems make us feel and listen differently, and images coalesce line by line and dare us to reside where fierce empathy and beauty abide."—Yusef Komunyakaa