No Air Guitar Allowed

No Air Guitar Allowed
Author: Steve Weinberger
Publisher: Tate Publishing
Total Pages: 112
Release: 2012-09
Genre: Humor
ISBN: 1621479331

You've encountered them at every concert: The Chatty Cathie, The Beer Whoo Crew, The Unauthorized T-Shirt Guy, The Other Lead Singer, and of course the dreaded Makeout Couple. As much a part of any concert as the band itself, these prototypical concert goers shape our concert experiences. Steve Weinberger, extreme concert goer and author of No Air Guitar Allowed, knows this better than anyone, having attended over 1,000 concerts and counting. He has been interviewed on countless radio stations across the country and on national television.

Air Guitar

Air Guitar
Author: Dave Hickey
Publisher: Art Issues Press
Total Pages: 222
Release: 1997
Genre: Art
ISBN: 9780963726452

Essays explore the influence of art in twentieth-century American culture, including jazz, basketball, professional wrestling, magic, gambling, entrepreneurship, series television and automotive design.

Four Guitars

Four Guitars
Author: Tom Russ
Publisher: Xlibris Corporation
Total Pages: 107
Release: 2011-02-17
Genre: Biography & Autobiography
ISBN: 1456858807

Four Guitars (more or less) is part memoir and part exposition of the modern handmade acoustic guitar. Like so many baby boomers the author took up playing the guitar again after several decades only to discover the instrument all over again but with a deeper and richer appreciation than in his youth. This book chronicles the relearning to play music but really discovering the guitar for the first time. In searching for the variations in guitars caused by different combinations of musical woods the author embarks on a series of guitar tastings among guitar players that reveal more than expected. The lessons learned go beyond the melody and tempo lessons to more subtle appreciation of the relationships between players and their instruments, the beauty and character of hand crafted instruments and the luthiers that build them. In the end the book is an appreciation of the guitar in general and the relationship with four guitars (more or less) in particular.

No Mad

No Mad
Author: Sam Moffie
Publisher: The Organ Grinder & Monkey
Total Pages: 368
Release: 2009-02-24
Genre: Fiction
ISBN: 9781439204610

A very funny journey for a man under very trying circumstances.

To Air is Human

To Air is Human
Author: Bjorn Turoque
Publisher: Penguin
Total Pages: 258
Release: 2006-08-01
Genre: Music
ISBN: 1440625387

“Make Air, Not War” is the personal motto of Dan Crane, the musician who decided to put his “there” guitar aside and reinvent himself as Björn Türoque: the take-no-prisoners future of competitive air guitar. Jeopardizing love and livelihood to join the ruthless international circuit of the World Air Guitar Championships, Björn Türoque (pronounced “b-yorn too-RAWK”) began a three-year odyssey to secure what was rightfully his (and America’s!)—the air guitar world crown. To Air is Human is the riotous tale of one man’s journey through a world of wheelchair-bound Christian air rockers, spandex-jumpsuit fittings, Finnish stunt wolves, catatonic ‘80s guitar heroes, air groupies, Aireoke™, Air Supply, dry-ice injuries, and ultimately, good vs. evil (in the form of Björn’s rival pretender to the air guitar throne). But it is also a sincere and penetrating account of the pursuit of an elusive, intangible, and perhaps nonexistent goal: to achieve “airness”—that is, when air guitar transcends the “real” art that it imitates and becomes an art form in and of itself. “Björn Türoque is so good that people with real guitars now have contests to see who can do the best imitation of his air guitar imitation.”—Malcolm Gladwell, author of Blink and The Tipping Point

On not being Able to Play

On not being Able to Play
Author: Marla Morris
Publisher: BRILL
Total Pages: 303
Release: 2019-02-11
Genre: Education
ISBN: 908790777X

Scholars and musicians from many different backgrounds will find this book helpful as it deals with psychic problems in both professions. This book might help scholars and musicians to find a way out of their psychic dilemmas. From classical musicians to rock stars, from curriculum theorists to music teachers, from anthropologists to philosophers, this book takes the reader through a rocky intellectual terrain to explore what happens when one can no longer play or work. The driving question of the book is this: What do you do when you cannot do what you were called to do? This is what the author calls The Crisis of Psyche. The theoretical framework for this book combines curriculum theory, psychoanalysis and phenomenology. Here, the author looks at issues of emotion and the working through of crisis points in the lives of both scholars and musicians. Psychoanalytic theory helps to flesh out and untangle what it means to suffer from a damaged musical psyche and a damaged scholarly psyche. How to work through psychic inertia as a scholar? How to work through through psychic inertia as a musician? From Pink Floyd to Laurie Anderson, from Marion Milner to William F. Pinar, this book draws on the work of a wide range of musicians and scholars to find a way out of psychic blocks. From Philip Glass to Pablo Casals, from Michael Eigen to Mary Aswell Doll, this book draws on the work of composers, cellists, psychoanalysts and educationists to find a way out of psychic meltdowns.

Spectacular Listening

Spectacular Listening
Author: Byrd McDaniel
Publisher: Oxford University Press
Total Pages: 217
Release: 2024
Genre: Education
ISBN: 0197620469

In ways both mundane and sensational, listening can be an expressive act, enabling people to stage consumption as a public practice -- what author Byrd McDaniel calls "spectacular listening." With a range of compelling ethnographic case studies, McDaniel investigates a broad shift in contemporary listening norms and the stakes for listeners with disabilities. He reveals how listening-as-performance can be an opportunity for play, as well as a critical practice that exposes ableism in music institutions, technologies, and discourse.

Billboard

Billboard
Author:
Publisher:
Total Pages: 60
Release: 2006-07-15
Genre:
ISBN:

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

The Oxford Handbook of Sound and Imagination, Volume 2

The Oxford Handbook of Sound and Imagination, Volume 2
Author: Mark Grimshaw-Aagaard
Publisher: Oxford University Press
Total Pages: 704
Release: 2019-07-26
Genre: Music
ISBN: 0190460261

Whether social, cultural, or individual, the act of imagination always derives from a pre-existing context. For example, we can conjure an alien's scream from previously heard wildlife recordings or mentally rehearse a piece of music while waiting for a train. This process is no less true for the role of imagination in sonic events and artifacts. Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games.

The Oxford Handbook of Sound and Imagination

The Oxford Handbook of Sound and Imagination
Author: Mark Grimshaw
Publisher:
Total Pages: 704
Release: 2019
Genre: Music
ISBN: 0190460245

In this two-volume Handbook, contributors address the tendency to discuss musical imagination through terms like compositional creativity or performance technique, correcting the current bias towards visual imagination to instead highlight the many forms of sonic and musical imagination.