Nineteenth Century French Poets
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Author | : E. H. Blackmore |
Publisher | : Oxford University Press, USA |
Total Pages | : 369 |
Release | : 2000 |
Genre | : Literary Criticism |
ISBN | : 019283973X |
'Poetry will no longer keep in time with action; it will be ahead of it.' Arthur Rimbaud The active and colourful lives of the poets of nineteenth-century France are reflected in the diversity and vibrancy of their works. At once sacred and profane, passionate and satirical, these remarkable and innovative poems explore the complexities of human emotion and ponder the great questions of religion and art. They form as rich a body of work as any one age and language has ever produced. This unique anthology includes generous selections from the six nineteenth-century French poets most often read in the English-speaking world today: Lamartine, Hugo, Baudelaire, Verlaine, Rimbaud, and Mallarmé. Modern translations are printed opposite the original French verse, and the edition contains over a thousand lines of poetry never previously translated into English.
Author | : Christopher Prendergast |
Publisher | : Cambridge University Press |
Total Pages | : 276 |
Release | : 1990-01-26 |
Genre | : Literary Criticism |
ISBN | : 9780521347747 |
This volume of essays, written by scholars from a wide range of critical and theoretical viewpoints, presents a fresh approach to the study of nineteenth-century French poetry. Each of the eleven essays, on different poets from Lamartine to Mallarmé and Laforgue, focuses on the detailed organisation of a single poem. The method of close reading has been adopted in order to effect an introduction to the analysis of the 'basics' of poetic language (sound, metre, syntax, etc.), and in order to explore and illustrate some of the claims and arguments about poetry arising from developments in the prevailing literary theory. Theoretical positions are posed and tested in the terms of practical analysis and interpretation. Christopher Prendergast's introduction to the volume situates the essays in a series of general perspectives and contexts, and Clive Scott has provided an appendix on French versification.
Author | : Henry James |
Publisher | : |
Total Pages | : 370 |
Release | : 1893 |
Genre | : Authors, French |
ISBN | : |
Author | : |
Publisher | : Penguin UK |
Total Pages | : 946 |
Release | : 2005-02-24 |
Genre | : Poetry |
ISBN | : 0141937408 |
This collection illuminates the uniquely fascinating era between 1820 and 1950 in French poetry - a time in which diverse aesthetic ideas conflicted and converged as poetic forms evolved at an astonishing pace. It includes generous selections from all the established giants - among them Baudelaire, Verlaine, Rimbaud and Breton - as well as works from a wide variety of less well-known poets such as Claudel and Cendrars, whose innovations proved vital to the progress of poetry in France. The significant literary schools of the time are also represented in sections focusing on such movements as Romanticism, Symbolism, Cubism and Surrealism. Eloquent and inspirational, this rich and exhilarating anthology reveals an era of exceptional vitality.
Author | : Norman R. Shapiro |
Publisher | : JHU Press |
Total Pages | : 1230 |
Release | : 2008-09-22 |
Genre | : Literary Criticism |
ISBN | : 0801888042 |
"Original texts and translations are presented on facing pages, allowing readers to appreciate the vigor and variety of the French and the fidelity of the English versions. Divided into three chronological sections spanning the Middle Ages through the sixteenth century, the seventeenth and eighteenth centuries, and the nineteenth and twentieth centuries, the volume includes introductory essays by noted scholars of each era's poetry along with biographical sketches and bibliographical references for each poet."--BOOK JACKET.
Author | : Adrianna M. Paliyenko |
Publisher | : Penn State Press |
Total Pages | : 614 |
Release | : 2017-07-07 |
Genre | : Poetry |
ISBN | : 0271079177 |
In Genius Envy, Adrianna M. Paliyenko uncovers a forgotten history: the multiplicity and diversity of nineteenth-century French women’s poetic voices. Conservative critics of the time attributed the phenomenon of genius to masculinity and dismissed the work of female authors as “feminine literature.” Despite the efforts of leading thinkers, critics, and literary historians to erase women from the pages of literary history, Paliyenko shows how these female poets invigorated the debate about the origins of genius and garnered considerable recognition in their time for their creativity and bold aesthetic ideas. This fresh account of French women poets’ contributions to literature probes the history of their critical reception. The result is an encounter with the texts of celebrated writers such as Marceline Desbordes-Valmore, Anaïs Ségalas, Malvina Blanchecotte, Louisa Siefert, and Louise Ackermann. Glimpses at the different stages of each poet’s career show that these women explicitly challenged the notion of genius as gender specific, thus advocating for their rightful place in the canon. A prodigious contribution to studies of nineteenth-century French poetry, Paliyenko’s book reexamines the reception of poetry by women within and beyond its original context. This balanced and comprehensive treatment of their work uncovers the multiple ways in which women poets sought to define their place in history.
Author | : Peter Broome |
Publisher | : Cambridge University Press |
Total Pages | : 221 |
Release | : 1976-07-15 |
Genre | : Literary Criticism |
ISBN | : 9780521207935 |
This anthology is the companion volume to The Appreciation of Modern French Poetry, the aim of which was to give detailed preliminary help with the problems of poetic appreciation. The fourteen poets represented here provide a varied and exciting introduction to what is probably the richest century of French poetry, from 1850 to 1950. Hugo, the colossus of the nineteenth century, whose work gives new resonance and vitality to imaginative vision, opens the anthology, and Michaux, the most individual and 'modern' of twentieth-century poets in that he bridges the gap between poetry and contemporary science, closes it. Almost all the major poets of the period are included: Nerval, Baudelaire, Mallarmé, Verlaine, Rimbaud and Laforgue from the second half of the nineteenth century; Valéry, Apollinaire, Supervielle and Eluard in the twentieth. The lesser known Cros and Desnos, fresh and spontaneous poets with an immediate appeal, invite a new look at the lyric traditions of french verse and offer an attractive new avenue for study. The choice of poems, dictated above all by their individual poetic value, reflects also the trends of recent criticism and the tastes of present-day readers. The texts are all accompanied by full notes, which not only explain local difficulties of vocabulary, syntax and expression, but lead the reader directly into the heart of the richness of theme, style and interpretation. These will prove of value not only to the student who is grappling with the basics of french verse, or is anxious to give depth to his familiarity, but to the general reader seeking to rekindle his enjoyment of French poetry. In addition, there are introductions to each poet summarizing the essence of his art, useful suggestions for further reading, and groups of dicussion topics to stimulate comparative insights and a wider responsiveness.
Author | : Koenraad W. Swart |
Publisher | : Springer Science & Business Media |
Total Pages | : 282 |
Release | : 2013-11-11 |
Genre | : History |
ISBN | : 9401196737 |
"It was the best oftimes. It was the worst oftimes. " The famous open ing sentence ofCharles Dickens' Tale oJ Two Cities can serve as a motto to characterize the mixture of optimism and pessimism with which a large number of nineteenth-century intellectuals viewed the con dition of their age. It is nowadays hardly necessary to accentuate the optimistic elements in the nineteenth-century view of history; many recent historians have sharply contrasted the complacency and the great expectations of the past century with the fears and anxieties rampant in our own age. It is often too readily assumed that a hundred years ago all leading thinkers as weil as the educated public were addicted to the cult of progress and ignored or minimized those trends of their times that paved the way for the catastrophes of the twentieth century. In the nineteenth century the intoxicating triumphs of modern science undeniably induced the general public to believe that pro gress was not an accident but a necessity and that evil and immo rality would gradually disappear. Yet fears, misgivings, and anxieties were not as exceptional in the nineteenth century as is often imagined. Such feelings were not restricted to a few dissenting philosophers and poets like Schopenhauer, Kierkegaard, 'Dostoevsky, Baudelaire, and Nietzsche.
Author | : Robert Lawrence Beum |
Publisher | : Dictionary of Literary Biograp |
Total Pages | : 440 |
Release | : 2000 |
Genre | : Biography & Autobiography |
ISBN | : |
Essays on French poets during a vital and prolific era. Covers Romanticism, lyricism, Ultraroyalisme and Eclaircissement, the Parnassians, Decadents, symbolists, intimistes and realists, as well as the proliferation of poetic sects aligned with major idioms, in many cases incorporating something from each other.
Author | : Mary Ann Caws |
Publisher | : Yale University Press |
Total Pages | : 690 |
Release | : 2004-01-01 |
Genre | : Poetry |
ISBN | : 0300133154 |
An influential social thinker, the late Richard Harvey Brown was professor of sociology at the University of Maryland and the author of Toward a Democratic Science: Scientific Narration and Civic Communication, published by Yale University Press.