Nimrod-Darkness in the Cradle of Civilization

Nimrod-Darkness in the Cradle of Civilization
Author: Steven Merrill
Publisher: Xulon Press
Total Pages: 390
Release: 2004-11
Genre: Religion
ISBN: 159467843X

The Bible barely mentions his name, but people of antiquity knew him well. Ancient historians recorded substantial information about him. Who was Nimrod? How could such a man be of such importance to today's believer? God's history is replete with accounts of His followers suffering terrible persecution. People of today's world are largely unaware of a lesser-known story, written by the blood of many believers at a time following God's destruction of the Old World. Nimrod was born into a New World, recently recreated by God. This virgin creation was untainted by the wickedness of the Old World. However, innocence did not last long. Eight people had traveled God's floodwaters of judgment in the security of His ark, but the curse of sin still tainted their souls. The prince of darkness wasted no time sowing seeds of rebellion in fertile hearts. He handpicked Nimrod to transform the New World into a cauldron of rebellion. The post-flood world began in present-day Iraq. Several cities conquered by Nimrod are still in existence today. The events happening in present-day Iraq are not coincidental. The world will witness more conflict and fulfilled Bible prophecy in this land until God's Seed returns to fulfill the ancient prophecy recorded in Genesis 3:15.

Nimrod and the Archaeology of the Tower of Babel

Nimrod and the Archaeology of the Tower of Babel
Author: Steven a Rudd
Publisher: Independently Published
Total Pages: 162
Release: 2019-05-16
Genre:
ISBN: 9781092122313

Large format 8.5x11, full colour high glossy pages with over 60 custom high-resolution maps, graphics and photos.When you get the chronology right, the cartography right and the archaeology right, you will get the Bible text right. What you read in the book you find in the ground! This is the Bible story of the origin of civilization after the global Noahic flood. Christian Archaeological Dating (CAD) requires that no archaeology predates the flood. Scripture dates creation to 5554 BC and the Flood to 3298 BC using the Septuagint. Eight Bible markers in Genesis 10-11 decode the date of the Tower of Babel to around 2850 BC. Archaeology informs us that the Tower of Babel was a Temple to Enki, the freshwater god and was similar in design to the Stepped Pyramid of Djoser in Egypt. In Sumerian flood stories, Enki was the rebel god who warned "Noah" to build the ark over the wishes of the supreme god Enlil who had decreed the destruction of mankind. Ancient Jewish, Christian and secular literary sources unanimous record that Nimrod built the Tower of Babel. Josephus tells us that Nimrod built the Tower of Babel to survive a possible second global flood. Archaeological excavations at Eridu (Babel) demonstrate how over 350 years, Nimrod built 17 pagan mudbrick temples, one upon the other, all dedicated to Enki, the "savior of mankind". In Sumerian myths, Enki also caused the division of languages at Babel (Gen 11). During this earliest period of post-flood civilization, "rebel" Nimrod plays a key and central role in almost every area. The identity of Nimrod is unknown, but he is best represented by the character of Enmerkar in Sumerian literary sources. Although excavations at biblical Babel (Tel Eridu) in the 1940's did not find any evidence of the Tower itself, evidence of the 300-meter square elevated platform upon which the Tower of Babel was going to be built has been documented. The city of Eridu (Babel) and the platform were abandoned for 750 years until the Assyrian King Ur-Nammu built a Ziggurat Temple to Enki upon it in 2100 BC. Abraham leaves Ur the very year that Ur-Nammu begins construction of the Ziggurat in 2100 BC. To the Christian Nimrod is antitypical of Satan, Absalom and Judas as the epitome of rebellion, treason and betrayal against the One True God. The Tower of Babel represents false world religions and false Christian doctrines.

Gilgamesh Epic and Old Testament Parallels

Gilgamesh Epic and Old Testament Parallels
Author: Alexander Heidel
Publisher: University of Chicago Press
Total Pages: 284
Release: 1949
Genre: Religion
ISBN: 9780226323985

Cuneiform records made some three thousand years ago are the basis for this essay on the ideas of death and the afterlife and the story of the flood which were current among the ancient peoples of the Tigro-Euphrates Valley. With the same careful scholarship shown in his previous volume, The Babylonian Genesis, Heidel interprets the famous Gilgamesh Epic and other related Babylonian and Assyrian documents. He compares them with corresponding portions of the Old Testament in order to determine the inherent historical relationship of Hebrew and Mesopotamian ideas.

The First Book of Moses, Called Genesis

The First Book of Moses, Called Genesis
Author:
Publisher: Grove/Atlantic, Inc.
Total Pages: 146
Release: 1999
Genre: Bible
ISBN: 9780802136107

Hailed as "the most radical repackaging of the Bible since Gutenberg", these Pocket Canons give an up-close look at each book of the Bible.

Apollo's Warriors

Apollo's Warriors
Author: Michael E. Haas
Publisher: DIANE Publishing
Total Pages: 388
Release: 1998-05
Genre: History
ISBN: 9780788149832

Presenting a fascinating insider's view of U.S.A.F. special operations, this volume brings to life the critical contributions these forces have made to the exercise of air & space power. Focusing in particular on the period between the Korean War & the Indochina wars of 1950-1979, the accounts of numerous missions are profusely illustrated with photos & maps. Includes a discussion of AF operations in Europe during WWII, as well as profiles of Air Commandos who performed above & beyond the call of duty. Reflects on the need for financial & political support for restoration of the forces. Bibliography. Extensive photos & maps. Charts & tables.

Gwenpool Strikes Back

Gwenpool Strikes Back
Author: Leah Williams
Publisher: Marvel Entertainment
Total Pages: 119
Release: 2020-02-19
Genre: Comics & Graphic Novels
ISBN: 1302519751

Collects Gwenpool Strikes Back #1-5. Everyone’s favorite comics fan turned comics character is back! Fresh from her stint as a West Coast Avenger, Gwen Poole is desperate not to disappear into comic book limbo, so she’s determined to make an impact on the Marvel Universe! First up: unmask Spider-Man! Then, home-wreck the Fantastic Four! And while she’s at it, why not defeat the Immortal Hulk and lift Thor’s hammer, Mjolnir! But as Gwen’s mad rampage continues, will we — and she — finally learn the truth about her origins? Is this Gwenpool’s greatest retcon yet? Either way, Gwen knows she needs to go big — or go home! Buckle up, strap in and get ready! This is officially the greatest sequel with “Strikes Back” in the title that’s ever been made!

The God Ninurta

The God Ninurta
Author: Amar Annus
Publisher: State Archives of Assyria
Total Pages: 242
Release: 2002
Genre: Assyro-Babylonian literature
ISBN: 9789514590573

The current investigation has been divided into three main chapters. In the first two chapters, the primary focus is the relationship between Ninurta and kingship. The first chapter gives a diachronic overview of the cult of Ninurta during all historical periods of ancient Mesopotamia. This chapter shows that the conception of Ninurta's identity with the king was present in Mesopotamian religion already in the third millennium BC. Ninurta was the god of Nippur, the religious centre of Sumerian cities, and his most important attribute was his sonship to Enlil. While the mortal gods were frequently called the sons of Enlil, the status of the king converged with that of Ninurta at his coronation, through the determination of the royal fate, carried out by the divine council of gods in Nippur. The fate of Ninurta parallels the fate of the king after the investiture. Religious syncretism is studied in the second chapter. The configuration of Nippur cults left a legacy for the religious life of Babylonia and Assyria. The Nippur trinity of the father Enlil, the mother Ninlil, and the son Ninurta had direct descendants in the Babylonian and Assyrian pantheon, realized in Babylonia as Marduk, Zarpanitu, and Nabu, and as Assur, Mullissu, and Ninurta in Assyria. While the names changed, the configuration of the cult survived, even when, from the eighth century BC onwards, Ninurta's name was to a large extent replaced by that of Nabu. In the third chapter various manifestations or hypostases of Ninurta are discussed. Besides the monster slayer, Ninurta was envisaged as farmer, star and arrow, healer, and tree. All these manifestations confirm the strong ties between the cult of Ninurta and kingship. By slaying Asakku, Ninurta eliminated evil from the world, and accordingly he was considered the god of healing. The healing, helping, and saving of a believer who was in misery was thus a natural result of Ninurta's victorious battles. The theologoumenon of Ninurta's mission and return was used as the mythological basis for quite a few royal rituals, and this fact explains the extreme longevity of the Sumerian literary compositions Angim and Lugale, from the third until the first millennium BC. Ninurta also protected legitimate ownership of land and granted protection for refugees in a special temple of the land. The "faithful farmer" is an epithet for both Ninurta and the king. Kingship myths similar to the battles of Ninurta are attested in an area far extending the bounds of the ancient Near East. The conflict myth on which the Ninurta mythology was based is probably of prehistoric origin, and various forms of the kingship myths continued to carry the ideas of usurpation, conflict, and dominion until late Antiquity.

Modernism and Zionism

Modernism and Zionism
Author: D. Ohana
Publisher: Springer
Total Pages: 166
Release: 2012-10-10
Genre: Literary Criticism
ISBN: 1137264853

Part of Palgrave's Modernism and ... series, Modernism and Zionism explores the relationship between modernism and the Jewish national ideology, the Zionist movement, which was operative in all areas of Jewish art and culture.