Nihilism Art Technology
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Author | : Charles Guignon |
Publisher | : Cambridge University Press |
Total Pages | : 416 |
Release | : 1993-02-26 |
Genre | : Philosophy |
ISBN | : 9780521385978 |
This volume contains both overviews of Heidegger's life and works and analysis of his most important work, Being and Time.
Author | : Sven-Olov Wallenstein |
Publisher | : |
Total Pages | : 112 |
Release | : 2011 |
Genre | : Architecture |
ISBN | : 9789186883010 |
Beginning in an analysis of three paradigmatic instances of the encounter between art and technology in modernism, this work analyzes three philosophical responses to the question of nihilism--those of Walter Benjamin, Ernst Jnger, and Martin Heidegger--all of which are characterized by an avant-garde sensibility that looks to art as a way to counter the crisis of modernity.
Author | : Arthur Kroker |
Publisher | : |
Total Pages | : 148 |
Release | : 1984 |
Genre | : Political Science |
ISBN | : |
The Canadian discourse - Technological dependency: George Grant as the Nietzsche of the New World - Technological humanism : the processed World of Marshall McLuhan - Technological realism : Harold Innis' empire of communications.
Author | : Nolen Gertz |
Publisher | : MIT Press |
Total Pages | : 226 |
Release | : 2019-09-10 |
Genre | : Philosophy |
ISBN | : 0262537176 |
An examination of the meaning of meaninglessness: why it matters that nothing matters. When someone is labeled a nihilist, it's not usually meant as a compliment. Most of us associate nihilism with destructiveness and violence. Nihilism means, literally, “an ideology of nothing. “ Is nihilism, then, believing in nothing? Or is it the belief that life is nothing? Or the belief that the beliefs we have amount to nothing? If we can learn to recognize the many varieties of nihilism, Nolen Gertz writes, then we can learn to distinguish what is meaningful from what is meaningless. In this addition to the MIT Press Essential Knowledge series, Gertz traces the history of nihilism in Western philosophy from Socrates through Hannah Arendt and Jean-Paul Sartre. Although the term “nihilism” was first used by Friedrich Jacobi to criticize the philosophy of Immanuel Kant, Gertz shows that the concept can illuminate the thinking of Socrates, Descartes, and others. It is Nietzsche, however, who is most associated with nihilism, and Gertz focuses on Nietzsche's thought. Gertz goes on to consider what is not nihilism—pessimism, cynicism, and apathy—and why; he explores theories of nihilism, including those associated with Existentialism and Postmodernism; he considers nihilism as a way of understanding aspects of everyday life, calling on Adorno, Arendt, Marx, and prestige television, among other sources; and he reflects on the future of nihilism. We need to understand nihilism not only from an individual perspective, Gertz tells us, but also from a political one.
Author | : Jacob Stegenga |
Publisher | : Oxford University Press |
Total Pages | : 242 |
Release | : 2018 |
Genre | : Medical |
ISBN | : 0198747047 |
Medical nihilism is the view that we should have little confidence in the effectiveness of medical interventions. Jacob Stegenga argues persuasively that this is how we should see modern medicine, and suggests that medical research must be modified, clinical practice should be less aggressive, and regulatory standards should be enhanced.
Author | : Hartmut Lange |
Publisher | : MIT Press |
Total Pages | : 95 |
Release | : 2017-10-06 |
Genre | : Philosophy |
ISBN | : 0262534266 |
A German writer's aphoristic, poetic, and difficult reflections on Heidegger's Being and Time. There is a beyond of reason and unreason. It is the human psyche. —Positive Nihilism Like many German intellectuals, Hartmut Lange has long grappled with Heidegger. Positive Nihilism is the result of a lifetime of reading Being and Time and offers a series of reflections that are aphoristic, poetic, and (appropriately, considering his object of study) difficult. Lange begins with an abyss (“There is an abyss of the finite. It is temporality”) and proceeds almost immediately to extremity: “The twentieth century was governed by psychopaths. They collapsed the boundaries of moral reason and refuted Kant's analysis of consciousness.” He reflects further: “But who shall punish whom? One man's virtue is another man's crime. Thus Hitler could feel unwaveringly, as he wiped out entire populations, the starry sky above him and the moral law within him, as stipulated by Kant.” He considers the concept of civilization (“misleading”; “how should one oppose the remedies of civilization to the egomania, the murderous appetites of such outright psychopaths as Stalin or Pol Pot?”), the act of thinking (a fata morgana), the psyche, and Heidegger's Dasein. Positive Nihilism can be considered a pocket companion to Being and Time. “Heidegger's understanding of Being is nihilistic,” Lange writes, and then explains his assertion. He draws on Kant, Nietzsche, Kierkegaard, and Shakespeare's Othello for supporting arguments and illustrations. “Everyone is possessed of the courage to have angst about death. The question is whether this courage necessarily secures those vital advantages Heidegger alleges”–that “self-understanding [is] the mental anticipation of death.” Lange wrestles with Heidegger's position, calling on Tolstoy, Georg Trakl, Herman Bang, and Heinrich von Kleist to argue against it.
Author | : Iain D. Thomson |
Publisher | : Cambridge University Press |
Total Pages | : 267 |
Release | : 2011-04-29 |
Genre | : Philosophy |
ISBN | : 1139498975 |
Heidegger, Art, and Postmodernity offers a radical new interpretation of Heidegger's later philosophy, developing his argument that art can help lead humanity beyond the nihilistic ontotheology of the modern age. Providing pathbreaking readings of Heidegger's 'The Origin of the Work of Art' and his notoriously difficult Contributions to Philosophy (From Enowning), this book explains precisely what postmodernity meant for Heidegger, the greatest philosophical critic of modernity, and what it could still mean for us today. Exploring these issues, Iain D. Thomson examines several postmodern works of art, including music, literature, painting and even comic books, from a post-Heideggerian perspective. Clearly written and accessible, this book will help readers gain a deeper understanding of Heidegger and his relation to postmodern theory, popular culture and art.
Author | : Laurence Paul Hemming |
Publisher | : Bloomsbury Publishing |
Total Pages | : 358 |
Release | : 2011-03-03 |
Genre | : Philosophy |
ISBN | : 0826438695 |
When Nietzsche announced 'the advent of nihilism' in 1887/88, he argued that he was sketching 'the history of the next two centuries': 'For some time now', he wrote, 'our whole European culture has been moving as toward catastrophe [...]: restlessly, violently, headlong, like a river that want to reach the end, that no longer reflects, that is afraid to reflect.' Can we gain a ground for reflection upon our own condition? Can we heed Nietzsche's warning? Can we respond to the challenge? In this book, eleven newly commissioned essays from leading scholars offer an attempt to grasp Nietzsche's prescience through Heidegger's critique of it; attempting to think through the philosophical consequences of the last century in reading the signs of our own condition. The book also provides and fascinating and unique discussion of some of the lesser-known texts of the later Heidegger.
Author | : Wendy Syfret |
Publisher | : |
Total Pages | : 192 |
Release | : 2022-07-07 |
Genre | : |
ISBN | : 9781788167031 |
Author | : Gevork Hartoonian |
Publisher | : Cambridge University Press |
Total Pages | : 142 |
Release | : 1997-03-28 |
Genre | : Architecture |
ISBN | : 9780521586450 |
Ontology of Construction explores theories of construction in modern architecture, focusing on the relationship between nihilism of technology and architecture. The essays articulate the implications of technology in works by such architects as Le Corbusier, Frank Lloyd Wright, and Mies Van der Rohe. Hartoonian also examines Gottfried Semper's discourse on the tectonic and the relationship between architecture and other crafts. Emphasizing "fabrication" as a critical theme for contemporary architectural theory and practice, Ontology of Construction is a provocative contribution to the current debate in these areas.