Night Pieces
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Author | : Thomas Burke |
Publisher | : Valancourt Books |
Total Pages | : 123 |
Release | : 2016-01-05 |
Genre | : Fiction |
ISBN | : 1943910219 |
Perhaps no writer of the early 20th century had a better knowledge of London than Thomas Burke (1886-1945), and his collection Night-Pieces(1935) contains eighteen of his most haunting tales of that immense city’s dark back alleys, shadowy courts, and mysterious houses. In Burke’s London, anything might happen. You might turn round a corner and find yourself back in your childhood. A casual drink with a stranger might end with you—quite literally—losing your head. That pale, slightly sinister-looking man sitting across the restaurant might be a murdered corpse, returned from the dead. And those footsteps you hear following you as you walk along a foggy street, faintly lit by gaslight . . . well, let’s just say you had better not look behind you . . . A groundbreaking and undeservedly neglected volume, Night-Piecescontains a wide variety of weird and outré tales, ranging from stories of crime and murder to tales of ghosts, zombies, and the supernatural. This is the first reprint of Burke’s collection since its original publication and reproduces the jacket art of the first British edition.
Author | : Thomas Burke |
Publisher | : |
Total Pages | : 328 |
Release | : 1936 |
Genre | : |
ISBN | : |
Author | : Charles Kronengold |
Publisher | : Univ of California Press |
Total Pages | : 354 |
Release | : 2022-08-30 |
Genre | : Music |
ISBN | : 0520388798 |
Living Genres in Late Modernity rehears the American 1970s through the workings of its musical genres. Exploring stylistic developments from the late 1960s through the early 1980s, including soul, funk, disco, pop, the nocturne, and the concerto, Charles Kronengold treats genres as unstable constellations of works, people, practices, institutions, technologies, money, conventions, forms, ideas, and multisensory experiences. What these genres share is a significant cultural moment: they arrive just after “the sixties” and are haunted by a sense of belatedness, loss, or doubt, even as they embrace narratives of progress or abundance. These genres give us reasons—and means—to examine our culture’s self-understandings. Through close readings and large-scale mappings of cultural and stylistic patterns, the book’s five linked studies reveal how genres help construct personal and cultural identities that are both partial and overlapping, that exist in tension with one another, and that we experience in ebbs and flows.
Author | : James R. Hobbes |
Publisher | : |
Total Pages | : 658 |
Release | : 1849 |
Genre | : Painters |
ISBN | : |
Author | : Samuel Johnson |
Publisher | : |
Total Pages | : 964 |
Release | : 1827 |
Genre | : |
ISBN | : |
Author | : Elisabeth Bronfen |
Publisher | : Columbia University Press |
Total Pages | : 474 |
Release | : 2013 |
Genre | : Art |
ISBN | : 0231147996 |
In the beginning was the night. All light, shapes, language, and subjective consciousness, as well as the world and art depicting them, emerged from this formless chaos. In fantasy, we seek to return to this original darkness. Particularly in literature, visual representations, and film, the night resiliently resurfaces from the margins of the knowable, acting as a stage and state of mind in which exceptional perceptions, discoveries, and decisions play out. Elisabeth Bronfen follows nocturnal spaces in which extraordinary events unfold, enabling the irrational exploration of desire, transformation, ecstasy, transgression, spiritual illumination, and moral choice. She begins with classical myths depicting the creation of the world and moves through nocturnal scenes in Shakespeare and Milton, Gothic figurations, Hegel's romantic philosophy, and Freud's psychoanalysis. In modern times, she shows how literature and film, particularly film noir, transmit that piece of night the modern subject carries within. From Mozart's "Queen of the Night" to Virginia Woolf 's oscillation between day and night, life and death, and chaos and aesthetic form, Bronfen renders something visible, conceivable, and tellable from the dark realms of the unknown.
Author | : Matthew Beaumont |
Publisher | : Verso Books |
Total Pages | : 586 |
Release | : 2015-03-24 |
Genre | : Social Science |
ISBN | : 1781687978 |
"Cities, like cats, will reveal themselves at night," wrote the poet Rupert Brooke. Before the age of electricity, the nighttime city was a very different place to the one we know today - home to the lost, the vagrant and the noctambulant. Matthew Beaumont recounts an alternative history of London by focusing on those of its denizens who surface on the streets when the sun's down. If nightwalking is a matter of "going astray" in the streets of the metropolis after dark, then nightwalkers represent some of the most suggestive and revealing guides to the neglected and forgotten aspects of the city. In this brilliant work of literary investigation, Beaumont shines a light on the shadowy perambulations of poets, novelists and thinkers: Chaucer and Shakespeare; William Blake and his ecstatic peregrinations and the feverish ramblings of opium addict Thomas De Quincey; and, among the lamp-lit literary throng, the supreme nightwalker Charles Dickens. We discover how the nocturnal city has inspired some and served as a balm or narcotic to others. In each case, the city is revealed as a place divided between work and pleasure, the affluent and the indigent, where the entitled and the desperate jostle in the streets. With a foreword and afterword by Will Self, Nightwalking is a captivating literary portrait of the writers who explore the city at night and the people they meet.
Author | : Giorgio Vasari |
Publisher | : |
Total Pages | : 544 |
Release | : 1851 |
Genre | : Art |
ISBN | : |
Author | : John Wilkes |
Publisher | : |
Total Pages | : 1064 |
Release | : 1811 |
Genre | : Biology |
ISBN | : |
Author | : Jan Swafford |
Publisher | : Basic Books |
Total Pages | : 302 |
Release | : 2017-04-11 |
Genre | : Music |
ISBN | : 0465097553 |
A preeminent composer, music scholar, and biographer presents an engaging and accessible introduction to classical music For many of us, classical music is something serious -- something we study in school, something played by cultivated musicians at fancy gatherings. In Language of the Spirit, renowned music scholar Jan Swafford argues that we have it all wrong: classical music has something for everyone and is accessible to all. Ranging from Gregorian chant to Handel's Messiah, from Vivaldi's The Four Seasons to the postmodern work of Philip Glass, Swafford is an affable and expert guide to the genre. He traces the history of Western music, introduces readers to the most important composers and compositions, and explains the underlying structure and logic of their music. Language of the Spirit is essential reading for anyone who has ever wished to know more about this sublime art.