New Theatre Quarterly 63 Volume 16 Part 3
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| Author | : Clive Barker |
| Publisher | : Cambridge University Press |
| Total Pages | : 66 |
| Release | : 2001-11-08 |
| Genre | : Drama |
| ISBN | : 9780521789035 |
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies needs a methodology, and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies. Articles in volume 63 include: Ventriloquism: the Voices of the Dead; Bodies, Rest and Motion: from Shiva's Cosmic Dance to Chaos Theory's Biodance; Computer Intelligence in the Theatre; Burmese Nights: Myanmar's Pagoda Festival in the Age of the Hollywood Titanic; Censoring the Uncensored: the Case of Children in Uniform; Henry Irving and the Staging of Spiritualism; Boal and the Shifting Sands: Unpolitical Master Swimmer.
| Author | : Clive Barker |
| Publisher | : Cambridge University Press |
| Total Pages | : 98 |
| Release | : 1995-11-16 |
| Genre | : Drama |
| ISBN | : 9780521558426 |
One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.
| Author | : Simon Trussler |
| Publisher | : Cambridge University Press |
| Total Pages | : 100 |
| Release | : 2005-03-21 |
| Genre | : Drama |
| ISBN | : 9780521603287 |
Provides an international forum where theatrical scholarship and practice can meet.
| Author | : Simon Trussler |
| Publisher | : Cambridge University Press |
| Total Pages | : 100 |
| Release | : 2003-12-15 |
| Genre | : Drama |
| ISBN | : 9780521535908 |
Provides an international forum where theatrical scholarship and practice can meet.
| Author | : Clive Barker |
| Publisher | : Cambridge University Press |
| Total Pages | : 100 |
| Release | : 2001-10-26 |
| Genre | : Drama |
| ISBN | : 9780521002806 |
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theater history has a contemporary relevance, that theater studies need a methodology, and that theater criticism needs a language. The journal publishes news, analysis and debate within the field of theater studies.
| Author | : Clive Barker |
| Publisher | : Cambridge University Press |
| Total Pages | : 108 |
| Release | : 2001-05-10 |
| Genre | : Drama |
| ISBN | : 9780521001472 |
Provides an international forum where theatrical scholarship and practice can meet.
| Author | : Clive Barker |
| Publisher | : Cambridge University Press |
| Total Pages | : 108 |
| Release | : 2002-01-28 |
| Genre | : Drama |
| ISBN | : 9780521002844 |
Provides an international forum where theatrical scholarship and practice can meet.
| Author | : Clive Barker |
| Publisher | : Cambridge University Press |
| Total Pages | : 140 |
| Release | : 2000-02-24 |
| Genre | : Drama |
| ISBN | : 9780521655965 |
New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.
| Author | : Lizbeth Goodman |
| Publisher | : Routledge |
| Total Pages | : 326 |
| Release | : 2003-09-02 |
| Genre | : Art |
| ISBN | : 113490696X |
A much-needed analysis of the development of feminist theatre in different cultures and on several continents in the past quarter-century.
| Author | : Simon Trussler |
| Publisher | : Cambridge University Press |
| Total Pages | : 98 |
| Release | : 2003-08-25 |
| Genre | : Drama |
| ISBN | : 9780521535885 |
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. Articles in volume 73 include: Performance, Embodiment, Voice: the Theatre/Dance Cross-overs of Dodin, Bausch, and Forsythe; The Performative Self: Improvisation for Self and Other; The Events of June 1848: the 'Monte Cristo' Riots and the Politics of Protest; Culture, Memory, and American Performer Training; 'The Maker and the Tool': Charles Parker, Documentary Performance, and the Search for a Popular Culture; Simple Pleasures: the Ten-Minute Play, Overnight Theatre, and the Decline of the Art of Storytelling; Archive or Memory? The Detritus of Live Performance; NTQ Reports and Announcements; NTQ Book Reviews.
