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| Author | : Clive Barker |
| Publisher | : Cambridge University Press |
| Total Pages | : 98 |
| Release | : 1997-08-21 |
| Genre | : Drama |
| ISBN | : 9780521589017 |
Provides an international forum where theatrical scholarship and practice can meet to question dramatic assumptions.
| Author | : Clive Barker |
| Publisher | : Cambridge University Press |
| Total Pages | : 108 |
| Release | : 1997-11-06 |
| Genre | : Drama |
| ISBN | : 9780521597289 |
Provides an international forum where theatrical scholarship and practice can meet to question dramatic assumptions.
| Author | : Clive Barker |
| Publisher | : Cambridge University Press |
| Total Pages | : 108 |
| Release | : 1998-04-02 |
| Genre | : Drama |
| ISBN | : 9780521597296 |
Provides an international forum where theatrical scholarship and practice can meet to question dramatic assumptions.
| Author | : Simon Trussler |
| Publisher | : Cambridge University Press |
| Total Pages | : 108 |
| Release | : 2003-09-11 |
| Genre | : Drama |
| ISBN | : 9780521535892 |
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. Articles in volume 74 include: Joan Littlewood's Key to Creativity: 'Go on Stage to Fail'; Grandfathers and Orphans: the Family Saga of European Theatre; Decoding Myths in the Nepalese Festival of Indra Jatra; Theatre in Education in Britain: Current Practice and Future Potential; From Object to Subject: the Israeli Theatre of the Battered Women; 'The Spirits Wouldn't Let Me Be Anything Else': Shamanic Dimensions in Theatre Practice Today; The Contaminated Audience: Researching Amateur Theatre in Wales before 1939.
| Author | : Clive Barker |
| Publisher | : Cambridge University Press |
| Total Pages | : 100 |
| Release | : 1998-06-04 |
| Genre | : Drama |
| ISBN | : 9780521648523 |
Provides an international forum where theatrical scholarship and practice can meet.
| Author | : Clive Barker |
| Publisher | : Cambridge University Press |
| Total Pages | : 108 |
| Release | : 1995-08-10 |
| Genre | : Drama |
| ISBN | : 9780521483216 |
New Theatre Quarterly provides a valuable international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance.
| Author | : Clive Barker |
| Publisher | : Cambridge University Press |
| Total Pages | : 108 |
| Release | : 1996-10-03 |
| Genre | : Drama |
| ISBN | : 9780521565028 |
One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives. The books are aimed at drama and theatre teachers, advanced students in schools and colleges, arts authorities, actors, playwrights, critics and directors.
| Author | : Clive Barker |
| Publisher | : Cambridge University Press |
| Total Pages | : 108 |
| Release | : 1993-04 |
| Genre | : Drama |
| ISBN | : 9780521448123 |
One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.
| Author | : Clive Barker |
| Publisher | : Cambridge University Press |
| Total Pages | : 100 |
| Release | : 2001-10-26 |
| Genre | : Drama |
| ISBN | : 9780521002806 |
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theater history has a contemporary relevance, that theater studies need a methodology, and that theater criticism needs a language. The journal publishes news, analysis and debate within the field of theater studies.
| Author | : Clive Barker |
| Publisher | : Cambridge University Press |
| Total Pages | : 100 |
| Release | : 2000-08-17 |
| Genre | : Drama |
| ISBN | : 9780521789028 |
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies. Articles in volume 62 include: Staging and Storytelling, Theatre and Film: Richard III at Stratford; The Theatrical Biosphere and Ecologies of Performance; The Afro-Caribbean Identity and the English Stage; A Riposte to David Mamet: Heresy and Common Sense in True and False; Form as Weapon: the Political Function of Song in Urban Zimbabwean Theatre; 'Aphrodite Speaks': on the recent Performance Art of Carolee Schneemann; Theatre and Urban Space: the Case of Birmingham Rep; Across Two Eras: Slovak Theatre from Communism to Independence; Whatever Happened to Gay Theatre?
