New Tendencies In Mexican Art
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Author | : R. Gallo |
Publisher | : Springer |
Total Pages | : 192 |
Release | : 2004-08-20 |
Genre | : Art |
ISBN | : 1403982651 |
Since the 1980s there has been considerable interest in Mexico and its art, as one can see from the sheer number of exhibitions, catalogues, and articles devoted to the subject. Despite this interest, there are few books devoted to contemporary Mexican art. New Tendencies in Mexican Art is the first book-length study devoted to a generation of Mexican artists who have had enormous international success. It focuses on several 'tendencies' Gallo has identified as prominent themes in the work of these artists including orientalism, perversion, and a fascination with urban culture.
Author | : R. Gallo |
Publisher | : Palgrave Macmillan |
Total Pages | : 183 |
Release | : 2004-10-08 |
Genre | : Art |
ISBN | : 9781403961006 |
Since the 1980s there has been considerable interest in Mexico and its art, as one can see from the sheer number of exhibitions, catalogues, and articles devoted to the subject. Despite this interest, there are few books devoted to contemporary Mexican art. New Tendencies in Mexican Art is the first book-length study devoted to a generation of Mexican artists who have had enormous international success. It focuses on several 'tendencies' Gallo has identified as prominent themes in the work of these artists including orientalism, perversion, and a fascination with urban culture.
Author | : Rubén Gallo |
Publisher | : MIT Press (MA) |
Total Pages | : 296 |
Release | : 2005 |
Genre | : Art |
ISBN | : |
In Mexican Modernity, Ruben Gallo tells the story of a second Mexican Revolution, a battle fought on the front of cultural representation. The new revolutionaries were not rebels or outlaws but artists and writers; their weapons were cameras, typewriters, radios, and other technological artifacts, and their goal was not to topple a dictator but to dethrone nineteenth-century aesthetics. Gallo tells the story of this other revolution by focusing on five artifacts that left a deep mark on the literature and the arts of the 1920s and 1930s: the camera and its novel techniques for seeing the modern world; the typewriter and its mechanization of literary aesthetics; radio and poetic experiments with wireless communication; cement architecture and its celebration of functional internationalism; and the stadium and its deployment as a mass medium for political spectacle. Gallo traces the ways artists and writers, armed with these artifacts, revolutionized representation by breaking with the traditional modes of production that had dominated Mexican cultural practices: Tina Modotti rose against the conventions of "artistic" photography by promoting a radically modern photographic aesthetics; typewriting authors rejected the literary precepts of modernismo to celebrate the stridencies of mechanical writing; and young architects abandoned older building materials for the symbolic strength of reinforced concrete. Gallo uncovers a secret history of Mexican modernity that includes a number of fascinating episodes: the pictorialist backlash against Modotti and Edward Weston; the postcolonial Remingtont typewriter; Mexican radio in the North Po the campaign to aestheticize cement through journals and artistic competitions; and the protofascist political spectacles held at Mexico City's National Stadium in the 1920s.
Author | : H. Domínguez-Ruvalcaba |
Publisher | : Springer |
Total Pages | : 178 |
Release | : 2007-10-29 |
Genre | : Social Science |
ISBN | : 0230608892 |
This book looks at representations of the male body, sexuality and power in the arts in Mexico. It analyses literature, visual art and cinema produced from the 1870s to the present, focusing on the Porfirian regime, the Post-revolutionary era, the decadence of the revolutionary state and the emergence of the neo-liberal order in the 1980s.
Author | : Nuala Finnegan |
Publisher | : Peter Lang |
Total Pages | : 346 |
Release | : 2007 |
Genre | : Literary Collections |
ISBN | : 9783039105076 |
By incorporating a variety of critical approaches within a feminist framework, the author here argues that Mexican women writers participate in a crucial project of unsettling dominant discourses as they strive for new ways of capturing the ambivalent position of the Mexican women in their texts.
Author | : Xiomara Verenice Cervantes-Gomez |
Publisher | : NYU Press |
Total Pages | : 268 |
Release | : 2024-08-13 |
Genre | : Literary Criticism |
ISBN | : 1479829110 |
"A queer way to be in the world and with others"--
Author | : Carlos Francisco Jackson |
Publisher | : University of Arizona Press |
Total Pages | : 245 |
Release | : 2009-02-14 |
Genre | : Social Science |
ISBN | : 0816546045 |
This is the first book solely dedicated to the history, development, and present-day flowering of Chicana and Chicano visual arts. It offers readers an opportunity to understand and appreciate Chicana/o art from its beginnings in the 1960s, its relationship to the Chicana/o Movement and its leading artists, themes, current directions, and cultural impacts. Although the word “Chicano” once held negative connotations, students—along with civil rights activists and artists—adopted it in the late 1960s in order to reimagine and redefine what it meant to be Mexican American in the United States. Chicanismo is the ideology and spirit behind the Chicano Movement and Chicanismo unites the artists whose work is revealed and celebrated in this book. Jackson’s scope is wide. He includes paintings, prints, murals, altars, sculptures, and photographs—and, of course, the artists who created them. Beginning with key influences, he describes the importance of poster and mural art, focusing on the work of the Mexican artist José Guadalupe Posada and the significance of Mexican and Cuban talleres (print workshops). He examines the importance of art collectives in the United States, as well as Chicano talleres and community art centers, for the growth of the Chicano art movement. In conclusion, he considers how Chicano art has been presented to the general American public. As Jackson shows, the visual arts have both reflected and created Chicano culture in the United States. For college students—and for all readers who want to learn more about this fascinating subject—his book is an ideal introduction to an art movement with a social conscience.
Author | : August Sarnitz |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 160 |
Release | : 2015-11-27 |
Genre | : Art |
ISBN | : 3110455498 |
This book is a scientific anthology and a text mosaic on the modern interior, its origins and its historic development. In recent years, science has increasingly focused on the subject of the interior; this book investigates the subject from different perspectives, the resumé of a symposium at the Sigmund Freud Museum in Vienna. Experts in the fields of architectural history, philosophy and psychology analyze the modern trend towards the individual design of interiors beyond fashion and good taste; the atelier and practice of Lucian and Sigmund Freud, the interiors in Proust's novels, Wittgenstein's house and Kiesler's Endless House.
Author | : |
Publisher | : |
Total Pages | : 478 |
Release | : 1928 |
Genre | : Education |
ISBN | : |
Vol. 31-33, 1953/54-1956, one issue designated as yearbook number.
Author | : Julia Skelly |
Publisher | : Bloomsbury Publishing |
Total Pages | : 317 |
Release | : 2022-02-10 |
Genre | : Design |
ISBN | : 135012298X |
Skin Crafts discusses multiple artists from global contexts who employ craft materials in works that address historical and contemporary violence. These artists are deliberately embracing the fragility of textiles and ceramics to evoke the vulnerability of human skin and - in so doing - are demanding visceral responses from viewers. Drawing on a range of theories including affect theory, material feminism, skin studies, phenomenology and global art history, the book illuminates the various ways in which artists are harnessing the affective power of craft materials to address and cope with violence. Artists from Mexico, Africa, China, the Netherlands and Indigenous artists based in the unceded territory known as Canada are examined in relation to one another to illuminate the connections and differences across their bodies of work. Skin Crafts interrogates ongoing material violence towards women and marginalized others, and demonstrates the power of contemporary art to force viewers and scholars into facing their ethical responsibilities as human beings.