New Research On Central Asian Buddhist And Far Eastern Art And Archaeology
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| Author | : |
| Publisher | : BRILL |
| Total Pages | : 586 |
| Release | : 2022-07-11 |
| Genre | : Religion |
| ISBN | : 9004508449 |
The ERC-funded research project BuddhistRoad aims to create a new framework to enable understanding of the complexities in the dynamics of cultural encounter and religious transfer in pre-modern Eastern Central Asia. Buddhism was one major factor in this exchange: for the first time the multi-layered relationships between the trans-regional Buddhist traditions (Chinese, Indian, Tibetan) and those based on local Buddhist cultures (Khotanese, Uyghur, Tangut) will be explored in a systematic way. The second volume Buddhism in Central Asia II—Practice and Rituals, Visual and Materials Transfer based on the mid-project conference held on September 16th–18th, 2019, at CERES, Ruhr-Universität Bochum (Germany) focuses on two of the six thematic topics addressed by the project, namely on "practices and rituals", exploring material culture in religious context such as mandalas and talismans, as well as “visual and material transfer”, including shared iconographies and the spread of ‘Khotanese’ themes.
| Author | : UNESCO |
| Publisher | : UNESCO Publishing |
| Total Pages | : 367 |
| Release | : 2020-12-09 |
| Genre | : Political Science |
| ISBN | : 9231004190 |
| Author | : Masanori Nagaoka |
| Publisher | : Springer Nature |
| Total Pages | : 368 |
| Release | : 2020-12-07 |
| Genre | : Social Science |
| ISBN | : 3030513165 |
This Open Access book explores heritage conservation ethics of post conflict and provides an important historical record of the possible reconstruction of the Bamiyan Buddha statues, which was inscribed in the UNESCO World Heritage List in Danger in 2003 as “Cultural Landscape and Archaeological Remains of the Bamiyan Valley”. With the condition that most surface of the original fragments of the Buddha statues were lost due to acts of deliberate destruction, this publication explores a reference point for conservation practitioners and policy makers around the world as they consider how to respond to on-going acts of destruction of cultural heritage. Whilst there has been an emerging debate to the ethics and nature of heritage reconstruction, this volume provides a plethora of ideas and approaches concerning the future treatment of the Bamiyan Buddha statues. It also addresses a number of fundamental questions on potential heritage reconstruction: how it will be done; who will decide; and what it should be done for. Moreover when it comes to the inscribed World Heritage properties, how can reconstructed heritage using non-original materials be considered to retain authenticity? With a view to serving as a precedent for potential decisions taken elsewhere in the world for cultural properties impacted by acts of violence and destruction, this volume introduces academic researches, experiences and observations of heritage conservation theory and practice of heritage reconstruction. It also addresses the issue not merely from the point of a material conservation philosophy but within the context of holistic strategies for the protection of human rights and promotion of peace building.
| Author | : D. G. Tor |
| Publisher | : University of Notre Dame Pess |
| Total Pages | : 398 |
| Release | : 2022-04-15 |
| Genre | : History |
| ISBN | : 0268202087 |
This volume examines the major cultural, religious, political, and urban changes that took place in the Iranian world of Inner and Central Asia in the transition from the pre-Islamic to the Islamic periods. One of the major civilizations of the first millennium was that of the Iranian linguistic and cultural world, which stretched from today’s Iraq to what is now the Xinjiang Autonomous Region of China. No other region of the world underwent such radical transformation, which fundamentally altered the course of world history, as this area did during the centuries of transition from the pre-Islamic to the Islamic period. This transformation included the religious victory of Islam over Buddhism, Nestorian Christianity, and the other religions of the area; the military and political wresting of Inner Asia from the Chinese to the Islamic sphere of primary cultural influence; and the shifting of Central Asia from a culturally and demographically Iranian civilization to a Turkic one. This book contains essays by many of the preeminent scholars working in the fields of archeology, history, linguistics, and literature of both the pre-Islamic and the Islamic-era Iranian world, shedding light on some of the most significant aspects of the major changes that this important portion of the Asian continent underwent during this tumultuous era in its history. This collection of cutting-edge research will be read by scholars of Middle Eastern, Central Asian, Iranian, and Islamic studies and archaeology. Contributors: D. G. Tor, Frantz Grenet, Nicholas Sims-Williams, Etsuko Kageyama, Yutaka Yoshida, Michael Shenkar, Minoru Inaba, Rocco Rante, Arezou Azad, Sören Stark, Louise Marlow, Gabrielle van den Berg, and Dilnoza Duturaeva.
| Author | : Judith A. Lerner |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Art, Central Asian |
| ISBN | : 9782503584508 |
This second volume of the series offers a broad range of subject matter from an equally broad range of regions. Michael Shenkar compares a particular type of deity from the Parthian West (Palmyra, Hatra) with the colossal image of a divinity from Akchakhan-kala in ancient Choresmia (part of modern-day Uzbekistan). Careful iconographic analysis of a sealing showing the god Mithra, found at Kafir Qala near Samarkand, allows Fabrizio Sinisi to suggest a Kushan origin for the seal that made the impression. Several contributions on Sogdiana concern its archaeology and early history (Bi Bo on Kangju and Sogdiana); the iconography of one of the major wall painting cycles at Panjikent (Matteo Compareti) as well as the city's temples and deities worshipped (Markus Mode). By drawing on archaeological, ethnological and historical data, Soren Stark offers an extensive discussion of mountain pastoralism and seasonal occupation in northern Tajikistan, north of the Zerafshan River in what were borderlands for Sogdiana. Rounding out the first part of this volume is Suzanne G. Valentine's publication of a Bactrian camel clay sculpture, excavated in the Sui-Tang capital of Xi'an, its saddlebags decorated with an unusual motif. The second and last part is guest-edited by John Clarke, convener of a Buddhist conference in 2010. This section contains updated or new papers by some of the participants-Naman P. Ahuja on Buddhist imagery in Bengal; Amy Heller on the impact of Kashmiri art on Guge and Ladakh; Deborah Klimburg-Salter on Buddhist pilgrimage sites in Afghanistan; and Michael Willis on sculpture from Sarnath in the British Museum-along with that of Chiara Bellini on the restoration of the Alchi Sumtsek and the dating of the Ladakhi temple.
| Author | : Sitta von Reden |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 700 |
| Release | : 2023-10-24 |
| Genre | : Business & Economics |
| ISBN | : 311060762X |
The Handbook of Ancient Afro-Eurasian Economies offers in three volumes the first comprehensive discussion of economic development in the empires of the Afro-Eurasian world region to elucidate the conditions under which large quantities of goods and people moved across continents and between empires. Volume 3: Frontier-Zone Processes and Transimperial Exchange analyzes frontier zones as particular landscapes of encounter, economic development, and transimperial network formation. The chapters offer problematizing approaches to frontier zone processes as part of and in between empires, with the goal of better understanding how and why goods and resources moved across the Afro-Eurasian region. Key frontiers in mountains and steppes, along coasts, rivers, and deserts are investigated in depth, demonstrating how local landscapes, politics, and pathways explain network practices and participation in long-distance trade. The chapters seek to retrieve local knowledge ignored in popular Silk Road models and to show the potential of frontier-zone research for understanding the Afro-Eurasian region as a connected space.
| Author | : Fabio Guidetti |
| Publisher | : Oxbow Books |
| Total Pages | : 641 |
| Release | : 2020-07-31 |
| Genre | : Social Science |
| ISBN | : 1789254477 |
Late Antique artefacts, and the images they carry, attest to a highly connected visual culture from ca. 300 to 800 C.E. On the one hand, the same decorative motifs and iconographies are found across various genres of visual and material culture, irrespective of social and economic differences among their users – for instance in mosaics, architectural decoration, and luxury arts (silver plate, textiles, ivories), as well as in everyday objects such as tableware, lamps, and pilgrim vessels. On the other hand, they are also spread in geographically distant regions, mingled with local elements, far beyond the traditional borders of the classical world. At the same time, foreign motifs, especially of Germanic and Sasanian origin, are attested in Roman territories. This volume aims at investigating the reasons behind this seemingly globalised visual culture spread across the Late Antique world, both within the borders of the (former) Roman and (later) Byzantine Empire and beyond, bringing together diverse approaches characteristic of different national and disciplinary traditions. The presentation of a wide range of relevant case studies chosen from different geographical and cultural contexts exemplifies the vast scale of the phenomenon and demonstrates the benefit of addressing such a complex historical question with a combination of different theoretical approaches.
| Author | : |
| Publisher | : UM Libraries |
| Total Pages | : 520 |
| Release | : 1994 |
| Genre | : Art, East Asian |
| ISBN | : |
| Author | : Marylin M. Rhie |
| Publisher | : BRILL |
| Total Pages | : 1018 |
| Release | : 2010-06-14 |
| Genre | : Art |
| ISBN | : 9004184007 |
Presenting new studies on the chronology and iconography of Buddhist art during the Western Ch'in (385-431 A.D.) in northwest China, including Ping-ling ssu and Mai-chi shan, this book addresses issues of dating, textual sources, the five-Buddhas, and relation with Gandhara.
| Author | : Wannaporn Rienjang |
| Publisher | : Archaeopress Publishing Ltd |
| Total Pages | : 230 |
| Release | : 2022-03-10 |
| Genre | : Art |
| ISBN | : 1803272341 |
From the archaeologists and smugglers of the Raj to the museums of post-partition Pakistan and India, from coin-forgers and contraband to modern Buddhism and contemporary art, this fourth volume of the Gandhāra Connections project presents the most recent research on the factors that mediate our encounter with Gandhāran art.
