New Perspectives On Narrative Perspective
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| Author | : Willie van Peer |
| Publisher | : State University of New York Press |
| Total Pages | : 424 |
| Release | : 2001-03-22 |
| Genre | : Psychology |
| ISBN | : 0791491501 |
Narrative perspective is the faculty through which humans understand, structure, and explore the world that confronts them. This is the first volume to bring together the theoretical study of perspective with the rigor of experimental studies, combining work in narratology with that in linguistics, philosophy, film studies, literary theory, and cognitive psychology. The chapters are grouped thematically and drawn together by the editors, who provide guidance through this new and fascinating interdisciplinary territory.
| Author | : Willie van Peer |
| Publisher | : SUNY Press |
| Total Pages | : 438 |
| Release | : 2001-03-29 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780791447871 |
Offers an interdisciplinary approach to narrative perspective, with essays by leading scholars of literary studies, cognitive psychology, linguistics, philosophy, and film and media criticism.
| Author | : David Herman |
| Publisher | : |
| Total Pages | : 416 |
| Release | : 1999 |
| Genre | : Education |
| ISBN | : |
| Author | : Natalia Igl |
| Publisher | : John Benjamins Publishing Company |
| Total Pages | : 195 |
| Release | : 2016-03-10 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9027267448 |
The book offers a novel approach to the question of how to model narrativity against the background of perspectivization. By bringing together contributions from neuro- and cognitive linguistics, literary studies, and picture theory, the volume uncovers basic mechanisms of perspectivization that are common to the different levels of linguistic structure, literary novels, and narrative pictures. As such, it is also a book on narrative perspectivization since its contributions examine in detail the perspectival principles in medieval, romantic and postmodern literature, in the micro-linguistic structure of language, narrative pictures, literary novels, dramatic texts, and everyday stories. In doing so, it contributes both to the theoretical debate on the core definition of narrativity and offers new empirical investigations on perspectival principles in specific historical, medial, and genre constellations. This volume will be of interest to scholars and students of cognitive linguistics, narrative research and (transmedial) narratology, cognitive poetics, and stylistics.
| Author | : Peter Hühn |
| Publisher | : Walter de Gruyter |
| Total Pages | : 312 |
| Release | : 2009 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 3110218909 |
Stories do not actually exist in the world but are created and structured- modeled- through the process of mediation, i.e. through the means and techniques by which they are represented. This is an important field, not only for narratology but a
| Author | : Nathan Bransford |
| Publisher | : Nathan Bransford |
| Total Pages | : 188 |
| Release | : 2019-10-15 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 173414940X |
Author and former literary agent Nathan Bransford shares his secrets for creating killer plots, fleshing out your first ideas, crafting compelling characters, and staying sane in the process. Read the guide that New York Times bestselling author Ransom Riggs called "The best how-to-write-a-novel book I've read."
| Author | : Claudia Holler |
| Publisher | : John Benjamins Publishing |
| Total Pages | : 216 |
| Release | : 2013 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9027226571 |
Why is it that we tend to think about our lives as stories? Why do we strive to create coherent narratives that reflect a particular perspective? What happens when we discover multiple, perhaps conflicting perspectives in our narratives? Following groundbreaking work in the study of narrative identity in the last 20 years, the scholars of this volume have expanded and merged their theories of narrative identity with new perspectives in fields such as narratology, literary theory, philosophy, cultural studies, psychology, sociology, gender studies and history. Their contributions focus on the significance of perspective in the formation of narrative identities, probing the stratagems and narrative means of individuals in testing out personae for themselves.
| Author | : Nathan Bransford |
| Publisher | : Penguin |
| Total Pages | : 189 |
| Release | : 2011-05-12 |
| Genre | : Juvenile Fiction |
| ISBN | : 1101515074 |
Out-of-this-world antics in this hysterical middle-grade adventure! Sixth-grader Jacob Wonderbar is a master when it comes to disarming and annihilating substitute teachers. But when he and his best friends, Sarah and Dexter, swap a spaceship for a corn dog, they embark on an outer space adventure. And between breaking the universe with an epic explosion, being kidnapped by a space pirate, and surviving a planet that reeks of burp breath, Jacob and his friends are in way over their heads. Action packed with an added dose of heart, Jacob Wonderbar and the Cosmic Space Kapow is sure to captivate middlegrade readers all over the universe.
| Author | : Anthony J. Sanford |
| Publisher | : Cambridge University Press |
| Total Pages | : 339 |
| Release | : 2012-12-20 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1139851594 |
Narratives enable readers to vividly experience fictional and non-fictional contexts. Writers use a variety of language features to control these experiences: they direct readers in how to construct contexts, how to draw inferences and how to identify the key parts of a story. Writers can skilfully convey physical sensations, prompt emotional states, effect moral responses and even alter the readers' attitudes. Mind, Brain and Narrative examines the psychological and neuroscientific evidence for the mechanisms which underlie narrative comprehension. The authors explore the scientific developments which demonstrate the importance of attention, counterfactuals, depth of processing, perspective and embodiment in these processes. In so doing, this timely, interdisciplinary work provides an integrated account of the research which links psychological mechanisms of language comprehension to humanities work on narrative and style.
| Author | : Ruth Page |
| Publisher | : Routledge |
| Total Pages | : 410 |
| Release | : 2009-09-10 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1135254605 |
The contributors in this collection question what kinds of relationships hold between narrative studies and the recently established field of multimodality, evaluate how we might develop an analytical vocabulary which recognizes that stories do not consist of words alone, and demonstrate the ways in which multimodality brings into fresh focus the embodied nature of narrative production and processing. Engaging with a spectrum of multimodal storytelling, from ‘low tech’ examples encompassing face-to-face stories, comic books, printed literature, through to opera, film adaptation and television documentary, stretching beyond to narratives that employ new media such as hypertext, performance art, and interactive museum guides, this volume examines the interplay of semiotic codes (visual, oral, aural, haptic, physiological) within each case under scrutiny, thereby exposing both points of commonality and difference in the range of multimodal narrative experiences.
