New Oxford History Of Music Ars Nova And The Renaissance 1300 1540
Download New Oxford History Of Music Ars Nova And The Renaissance 1300 1540 full books in PDF, epub, and Kindle. Read online free New Oxford History Of Music Ars Nova And The Renaissance 1300 1540 ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Music History During the Renaissance Period, 1520-1550
| Author | : Blanche M. Gangwere |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 550 |
| Release | : 2004-10-30 |
| Genre | : Social Science |
| ISBN | : 0313072825 |
This annotated chronology of western music is the third in a series of outlines on the history of music in western civilization. It contains a 120-page annotated bibliography, followed by a detailed, documented outline that is divided into ten chapters. Each chapter is written in chronological order with every line being documented by means of abbreviations that refer to the annotated bibliography. There are short biographies of the theorists and detailed discussions of their works. The information on music is organized by classes of music rather than by composer. Also included are lists of manuscripts with descriptions of their contents and notations as to where they may be found. The material for the outline has been taken from primary and secondary sources along with articles from periodicals. Like the other two volumes in this series, Music History from the Late Roman through the Gothic Periods, 313-1425 and Music History During the Renaissance Period, 1425-1520, this volume will be an important research tool for anyone interested in music history.
Music as Concept and Practice in the Late Middle Ages
| Author | : Reinhard Strohm |
| Publisher | : |
| Total Pages | : 522 |
| Release | : 2001 |
| Genre | : Music |
| ISBN | : 9780198162056 |
This entirely new volume of NOHM takes account of developments in late-medieval music scholarship, along with significant changes in the performance practice of the late-medieval repertory, witnessed during the latter half of the 20th century.
Music in the Middle Ages and the Renaissance
| Author | : Harold Gleason |
| Publisher | : Alfred Music Publishing |
| Total Pages | : 226 |
| Release | : 1981 |
| Genre | : Music |
| ISBN | : 9780882843797 |
This is a complete revision of the second edition, designed as a guide and resource in the study of music from the earliest times through the Renaissance period. The authors have completely revised and updated the bibliographies; in general they are limited to English language sources. In order to facilitate study of this period and to use materials efficiently, references to facsimiles, monumental editions, complete composers' works and specialized anthologies are given. The authors present this systematic organization in this volume in the hope that students, teachers, and performers may find in it a ready tool for developing a comprehensive understanding of the music of this period.
A Poet at the Fountain
| Author | : William Calin |
| Publisher | : University Press of Kentucky |
| Total Pages | : 315 |
| Release | : 2021-10-21 |
| Genre | : Literary Criticism |
| ISBN | : 0813185912 |
This collection is the first full-length literary study on Machaut, France's leading poet and musician of the 14th century. Machaut's narrative poems, called dits, have only been lightly studied. Here, author William Calin examines the works for their intrinsic merit and for their historical importance in influencing many writers, most notably Chaucer.
Write All These Down
| Author | : Joseph Kerman |
| Publisher | : Univ of California Press |
| Total Pages | : 375 |
| Release | : 1998-03-18 |
| Genre | : Music |
| ISBN | : 0520213777 |
Joseph Kerman is one of the most eminent, wide ranging, and readable of today's writers on music. Admirers of his many books - on musicology, opera, Beethoven, and Elizabethan music - will find much to interest them in this collection of essays, taken from general journals, such as the Hudson Review and the New York Review of Books, as well as more specialized publications.
Tudor England
| Author | : Arthur F. Kinney |
| Publisher | : Routledge |
| Total Pages | : 863 |
| Release | : 2000-11-17 |
| Genre | : History |
| ISBN | : 1136745300 |
This is the first encyclopedia to be devoted entirely to Tudor England. 700 entries by top scholars in every major field combine new modes of archival research with a detailed Tudor chronology and appendix of biographical essays. Entries include: * Edward Alleyn [actor/theatre manager] * Roger Ascham * Bible translation * cloth trade * Devereux family * Espionage * Family of Love * food and diet * James Hepburn, Earl of Bothwell * inns * Ket's Rebellion * John Lyly * mapmaking * Frances Meres * miniature painting * Pavan * Pilgrimage of Grace * Revels Office * Ridolfi plot * Lady Mary Sidney, Countess of Pembroke * treason * and much more. Also includes an 8-page color insert.
Counterpoint and Compositional Process in the Time of Dufay
| Author | : Kevin N. Moll |
| Publisher | : Routledge |
| Total Pages | : 442 |
| Release | : 2014-04-08 |
| Genre | : Music |
| ISBN | : 1135617333 |
During the 1950s and 1960s, Austro-German scholars made decisive advances in developing concepts to account for harmonic processes in late medieval music. Despite the considerable potential these ideas hold for analysis and criticism of early music, they have hitherto exerted little influence outside their countries of origin. In order to render this valuable literature more immediately accessible to English-speaking students and scholars, this book presents translations of twelve seminal articles that originally appeared during the years 1948-1967, along with a comprehensive introductory chapter detailing the evolution of competing theories and terminology.
Songs and Musicians in the Fifteenth Century
| Author | : David Fallows |
| Publisher | : Taylor & Francis |
| Total Pages | : 335 |
| Release | : 2024-10-28 |
| Genre | : Music |
| ISBN | : 1040243355 |
The essays in this volume are concerned with song repertories and performance practice in 15th-century Europe. The first group of studies arises from the author's long-term fascination with the widely dispersed traces of English song and , in particular, with the most successful song by any English composer, O rosa bella. This leads to a set of enquiries into the distribution and international currents of the song repertory in Italy and Spain. The essays in the final section, taken together, represent an extended discussion of the problems of performance, both of voice and instrument, what they performed and how.
