New Essays By De Quincey
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| Author | : Stuart M. Tave |
| Publisher | : Princeton University Press |
| Total Pages | : 443 |
| Release | : 2015-12-08 |
| Genre | : Literary Criticism |
| ISBN | : 140087629X |
This is the first time these essays have been collected and identified as De Quincey's. Each essay or article is reprinted with full annotation and the author’s reasons for attributing it to De Quincey. The essays vary in length and in subject matter: some are addressed to "The Editor"; some are critical reviews of contemporary magazines; some are week-to-week political commentaries on issues facing the second Tory party. Together they show De Quincey, the journalist, working on a variety of subjects that occur in his writing before and after this time, from the financing of empires to an attack on Macaulay or an analysis of Burke’s mind and style. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
| Author | : Fleur Jaeggy |
| Publisher | : New Directions Publishing |
| Total Pages | : 39 |
| Release | : 2017-07-25 |
| Genre | : Biography & Autobiography |
| ISBN | : 0811226883 |
Brief in the way a razor’s slice is brief, remarkable essays by a peerless stylist New Directions is proud to present Fleur Jaeggy’s strange and mesmerizing essays about the writers Thomas De Quincey, John Keats, and Marcel Schwob. A renowned stylist of hyper-brevity in fiction, Fleur Jaeggy proves herself an even more concise master of the essay form, albeit in a most peculiar and lapidary poetic vein. Of De Quincey’s early nineteenth-century world we hear of the habits of writers: Charles Lamb “spoke of ‘Lilliputian rabbits’ when eating frog fricassse”; Henry Fuseli “ate a diet of raw meat in order to obtain splendid dreams”; “Hazlitt was perceptive about musculature and boxers”; and “Wordsworth used a buttery knife to cut the pages of a first-edition Burke.” In a book of “blue devils” and night visions, the Keats essay opens: “In 1803, the guillotine was a common child’s toy.” And poor Schwob’s end comes as he feels “like a ‘dog cut open alive’”: “His face colored slightly, turning into a mask of gold. His eyes stayed open imperiously. No one could shut his eyelids. The room smoked of grief.” Fleur Jaeggy’s essays—or are they prose poems?—smoke of necessity: the pages are on fire.
| Author | : Thomas De Quincey |
| Publisher | : Cosimo Classics |
| Total Pages | : 284 |
| Release | : 1851 |
| Genre | : History |
| ISBN | : |
"Solitude, though it may be silent as light, is like light, the mightiest of agencies; for solitude is essential to man. All men come into this world alone and leave it alone." -Thomas de Quincey Miscellaneous Essays (1851) is a collection of essays by Thomas De Quincey, who has been called "...one of the greatest prose stylists of the English Romantic era." It has also been said of the author that he "was a pioneer in sensationalism," and it is that quality which characterizes this volume by expanding his writings on murder and death. The 8 titles it includes are, "On the Knocking at the Gate," "In Macbeth," "Joan of Arc," "The English Mail-Coach," "The Vision of Sudden Death," "Dinner, Real and Reputed," "Orthographic Mutineers," "Murder, Considered As One of the Fine Arts," and "Second Paper on Murder," of which the last two essays are also available as individual releases from Cosimo Classics.
| Author | : Frances Wilson |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 417 |
| Release | : 2016-04-07 |
| Genre | : Biography & Autobiography |
| ISBN | : 1408839768 |
**LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION 2016** **New York Times Book Review, Times Literary Supplement and Guardian Best Books of 2016** 'Life for De Quincey was either angels ascending on vaults of cloud or vagrants shivering on the city streets.' The last of the Romantics, Thomas De Quincey is a name synonymous with scandal. Modelling his character on Coleridge and his sensibility on Wordsworth, De Quincey took over the latter's former cottage and turned it into an opium den. Here, in the throes of his high, he nurtured his growing hatred of his former idols and wrote the notorious and fascinatingly strange essay 'On Murder Considered as one of the Fine Arts'. Despite never achieving the literary deification of his contemporaries, his narrative style – scripted and sculptured emotional memoir – was to inspire generations of writers: Dickens, Dostoevsky, Virginia Woolf. James Joyce knew whole pages of his work off by heart and he was arguably the father of what we now call psychogeography. Guilty Thing tells the riches-to-rags story of a dazzlingly complex and troubled figure, whose life was lived on the run, and affords De Quincey the literary biography he deserves.
| Author | : Thomas de Quincey |
| Publisher | : Gottfried & Fritz |
| Total Pages | : 110 |
| Release | : 2015-06-24 |
| Genre | : Literary Collections |
| ISBN | : |
A book about opium usage and the effects of addiction on the authors life.
| Author | : Thomas De Quincey |
| Publisher | : Penguin UK |
| Total Pages | : 49 |
| Release | : 2015-02-26 |
| Genre | : Literary Collections |
| ISBN | : 0141397896 |
'People begin to see that something more goes to the composition of a fine murder than two blockheads to kill and be killed - a knife - a purse - and a dark lane...' In this provocative and blackly funny essay, Thomas de Quincey considers murder in a purely aesthetic light and explains how practically every philosopher over the past two hundred years has been murdered - 'insomuch, that if a man calls himself a philosopher, and never had his life attempted, rest assured there is nothing in him'. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Thomas de Quincey (1785-1859). Thomas de Quincey's Confessions and an English Opium-Eater and Other Writings is available in Penguin Classics.
| Author | : David Morrell |
| Publisher | : Mulholland Books |
| Total Pages | : 414 |
| Release | : 2013-05-07 |
| Genre | : Fiction |
| ISBN | : 0316216771 |
A brilliant historical mystery series begins: in gaslit Victorian London, writer Thomas De Quincey must become a detective to clear his own name. Thomas De Quincey, infamous for his memoir Confessions of an English Opium-Eater, is the major suspect in a series of ferocious mass murders identical to ones that terrorized London forty-three years earlier. The blueprint for the killings seems to be De Quincey's essay On Murder Considered as One of the Fine Arts. Desperate to clear his name but crippled by opium addiction, De Quincey is aided by his devoted daughter Emily and a pair of determined Scotland Yard detectives. In Murder as a Fine Art, David Morrell plucks De Quincey, Victorian London, and the Ratcliffe Highway murders from history. Fogbound streets become a battleground between a literary star and a brilliant murderer, whose lives are linked by secrets long buried but never forgotten.
| Author | : Patrick Madden |
| Publisher | : U of Nebraska Press |
| Total Pages | : 223 |
| Release | : 2010-03-01 |
| Genre | : Literary Collections |
| ISBN | : 0803230052 |
Reflecting on Montaigne, Virginia Woolf remarked, "The most common actions-a walk, a talk, solitude in one's own orchard-can be enhanced and lit up by the association of the mind." In Quotidiana, Patrick Madden illuminates these common actions and seemingly commonplace moments, making connections that revise and reconfigure the overlooked and underappreciated.
| Author | : Robert Morrison |
| Publisher | : Routledge |
| Total Pages | : 264 |
| Release | : 2012-08-21 |
| Genre | : Literary Criticism |
| ISBN | : 1134148445 |
The ongoing critical fascination with Thomas De Quincey and the burgeoning recognition of the centrality of his writings to the Romantic age and beyond necessitates a critical examination of De Quincey. In this spirit, ten of the top De Quincey scholars in the world have come together in this volume to engage directly with the immense amount of new information to be published on De Quincey in the past two decades. The book features wide-ranging and incisive assessments of De Quincey as essayist, addict, economist, subversive, biographer, autobiographer, aesthete, innovator, hedonist, and much else.
| Author | : Thomas De Quincey |
| Publisher | : BoD - Books on Demand |
| Total Pages | : 222 |
| Release | : 2023-05-13 |
| Genre | : Fiction |
| ISBN | : |
The Suspiria is a collection of prose poems, or what De Quincey called “impassioned prose,” erratically written and published starting in 1854. Each Suspiria is a short essay written in reflection of the opium dreams De Quincey would experience over the course of his lifetime addiction, and they are considered by some critics to be some of the finest examples of prose poetry in all of English literature. De Quincey originally planned them as a sequel of sorts to his Confessions of an English Opium-Eater, but the first set was published separately in Blackwood’s Magazine in the spring and summer of that 1854. De Quincey then published a revised version of those first Suspiria, along with several new ones, in his collected works. During his life he kept a master list of titles of the Suspiria he planned on writing, and completed several more before his death; those that survived time and fire were published posthumously in 1891.
