New Directions and Perspectives in Contemporary Solo Clarinet Music
Author | : Johnson Joanesburg Anchieta Machado |
Publisher | : |
Total Pages | : 216 |
Release | : 2009 |
Genre | : |
ISBN | : |
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Author | : Johnson Joanesburg Anchieta Machado |
Publisher | : |
Total Pages | : 216 |
Release | : 2009 |
Genre | : |
ISBN | : |
Author | : Phillip Rehfeldt |
Publisher | : Scarecrow Press |
Total Pages | : 212 |
Release | : 1994-01-01 |
Genre | : Music |
ISBN | : 1461664225 |
Phillip Rehfeldt has assembled here techniques of dealing with clarinet performances as they have evolved since 1950. He catalogs contemporary practices that differ from those formerly standardized, provides perspective on performance capabilities and limitations, and includes suggestions for performance based on his own experience. The new edition has been completely rewritten, corrected where necessary, and updated. Rehfeldt has added the complete list of William O. Smith's clarinet compositions and recordings to the previous listing of his early multiphonic fingerings. The new edition also includes an appendix containing Eric Mandat's quarter-tone fingerings; a second, extensive music bibliography, the "International Update"; and an updated and annotated bibliography of music literature.
Author | : Rose Dodd |
Publisher | : Routledge |
Total Pages | : 193 |
Release | : 2016-07-15 |
Genre | : Art |
ISBN | : 1317081676 |
Christopher Fox (1955) has emerged as one of the most fascinating composers of the post-war generation. His spirit of experimentalism pervades an oeuvre in which he has blithely created his own version of a range of contemporary musical practices. In his work many of the major expressions of European cultural activity - Darmstadt, Fluxus, spectralism, postminimalism and more - are assimilated to produce a voice which is uniquely resonant and multifaceted. In this, the first major study of his work, musicologists, composers, thinkers and practitioners scrutinize aspects of Christopher Fox's music, each exploring elements that relate to their own distinct areas of practice, tracing Fox's compositional trajectory and situating it within post-war contemporary European music practice. Above all this book addresses the question: How can one person dip his fingers into so many paint pots and yet retain a coherent compositional vision? The range of Fox's musical concerns make his work of interest to anyone who wants to study the development of so-called new music spanning the latter twentieth century into the twenty first century.
Author | : Ruth K. Inglefield |
Publisher | : |
Total Pages | : 100 |
Release | : 2006 |
Genre | : Composition (Music) |
ISBN | : |
Author | : Frederick William Sternfeld |
Publisher | : Weidenfeld & Nicolson |
Total Pages | : 524 |
Release | : 1973 |
Genre | : Music |
ISBN | : |
Author | : Sarah K. Watts |
Publisher | : |
Total Pages | : 233 |
Release | : 2015 |
Genre | : Bass clarinet |
ISBN | : |