New Bulgarian Cinema
Author | : Dina Iordanova |
Publisher | : Damaris Publishing |
Total Pages | : 124 |
Release | : 2008 |
Genre | : Motion pictures |
ISBN | : |
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Author | : Dina Iordanova |
Publisher | : Damaris Publishing |
Total Pages | : 124 |
Release | : 2008 |
Genre | : Motion pictures |
ISBN | : |
Author | : Daniel J. Goulding |
Publisher | : |
Total Pages | : 344 |
Release | : 1989 |
Genre | : Performing Arts |
ISBN | : |
Author | : Evgenija Garbolevsky |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 260 |
Release | : 2011-05-25 |
Genre | : Performing Arts |
ISBN | : 1443830194 |
"The complexities and paradoxes of the Bulgarian film industry during the era of Communist rule (1945-1989) are explored.... This influential industry was mobilized for the needs of the state. During its creation and development, cultural institutions and those involved in film production operated within a relatively closed system, based on rewards and punishments imposed by the Communist bureaucratic apparatus. Sub-textual content in films produced in Bulgaria during this period highlights the attitude of the elite towards the regime. Understanding this multifaceted relationship helps explain why so many intellectuals found the film industry to be an attractive field in which to work, and decided to remain loyal to the regime instead of leaving or openly rebelling against it. This work challenges the historiographical perception that the arts in the Eastern Bloc during the Cold War were largely unsuccessful vehicles of propaganda and dissent. By using a comparative methodological approach, the cinema arts in the East and West are shown following similar paths despite the Iron Curtain."--Provided by publisher.
Author | : Holly Willis |
Publisher | : Columbia University Press |
Total Pages | : 147 |
Release | : 2019-06-11 |
Genre | : Performing Arts |
ISBN | : 023150277X |
This introduction to contemporary digital cinema tracks its intersection with video art, music video, animation, print design and live club events to create an avant-garde for the new millennium. It begins by investigating digital cinema and its contribution to innovations in the feature-film format, examining animation and live-action hybrids, the gritty aesthetic of the Dogme 95 filmmakers, the explosions of frames within frames and the evolution of the ‘ambient narrative’ film. This study then looks at the creation of new genres and moving-image experiences as what we know as ‘cinema’ enters new venues and formats.
Author | : Richard Taylor |
Publisher | : Bloomsbury Publishing |
Total Pages | : 306 |
Release | : 2019-07-25 |
Genre | : Performing Arts |
ISBN | : 1838718508 |
This work maps the rich, varied cinema of Eastern Europe, Russia and the former USSR. Over 200 entries cover a variety of topics spanning a century of endeavour and turbulent history from Czech animation to Soviet montage, from the silent cinemas dating back to World War I through to the varied responses to the conflicts in the former Yugoslavia. It includes entries on actors and actresses, film festivals, studios, genres, directors, film movements, critics, producers and technicians, taking the coverage up to the late 1990s. In addition to the historical material of key figures like Eisenstein and Wadja, the editors provide separate accounts of the trajectory of the cinemas of Eastern Europe and of Russia in the wake of the collapse of communism.
Author | : Darcy Paquet |
Publisher | : Columbia University Press |
Total Pages | : 145 |
Release | : 2010-04-26 |
Genre | : Performing Arts |
ISBN | : 0231850123 |
New Korean Cinema charts the dramatic transformation of South Korea's film industry from the democratization movement of the late 1980s to the 2000s new generation of directors. The author considers such issues as government censorship, the market's embrace of Hollywood films, and the social changes which led to the diversification and surprising commercial strength of contemporary Korean films. Directors such as Hong Sang-soo, Kim Ki-duk, Park Chan-wook, and Bong Joon-ho are studied within their historical context together with a range of films including Sopyonje (1993), Peppermint Candy (1999), Oldboy (2003), and The Host (2006).
Author | : Ariel Rogers |
Publisher | : Columbia University Press |
Total Pages | : 353 |
Release | : 2013-11-19 |
Genre | : Performing Arts |
ISBN | : 0231535783 |
Cinematic Appeals follows the effect of technological innovation on the cinema experience, specifically the introduction of widescreen and stereoscopic 3D systems in the 1950s, the rise of digital cinema in the 1990s, and the transition to digital 3D since 2005. Widescreen cinema promised to draw the viewer into the world of the screen, enabling larger-than-life close-ups of already larger-than-life actors. This technology fostered the illusion of physically entering a film, enhancing the semblance of realism. Alternatively, the digital era was less concerned with the viewer's physical response and more with information flow, awe, and the reevaluation of spatiality and embodiment. This study ultimately shows how cinematic technology and the human experience shape and respond to each other over time.
Author | : Mette Hjort |
Publisher | : Edinburgh University Press |
Total Pages | : 256 |
Release | : 2007-11-21 |
Genre | : Performing Arts |
ISBN | : 0748630929 |
Within cinema studies there has emerged a significant body of scholarship on the idea of 'National Cinema' but there has been a tendency to focus on the major national cinemas. Less developed within this field is the analysis of what we might term minor or small national cinemas, despite the increasing significance of these small entities with the international domain of moving image production, distribution and consumption. The Cinema of Small Nations is the first major analysis of small national cinemas, comprising twelve case studies of small national--and sub national--cinemas from around the world, including Ireland, Denmark, Iceland, Scotland, Bulgaria, Tunisia, Burkina Faso, Cuba, Singapore, Taiwan, Hong Kong and New Zealand. Written by an array of distinguished and emerging scholars, each of the case studies provides a detailed analysis of the particular cinema in question, with an emphasis on the last decade, considering both institutional and textual issues relevant to the national dimension of each cinema. While each chapter contains an in-depth analysis of the particular cinema in question, the book as a whole provides the basis for a broader and more properly comparative understanding of small or minor national cinemas, particularly with regard to structural constraints and possibilities, the impact of globalization and internationalisation, and the role played by economic and cultural factors in small-nation contexts.
Author | : Ruxandra Trandafoiu |
Publisher | : Berghahn Books |
Total Pages | : 208 |
Release | : 2024-07-01 |
Genre | : Performing Arts |
ISBN | : 1805395955 |
Contemporary screen industries such as film and television have become primary sites for visualizing borders, migration, maps, and travel as processes of separation and dislocation, but also connection. Migration, Dislocation and Movement on Screen pulls case studies in film and television industries from throughout Europe, North Africa, and Asia to interrogate the nature of movement via moving images. By combining theoretical, interdisciplinary engagements with empirical research, this volume offers a new way to look at screen media's representations of our contemporary world's transnational and cosmopolitan imaginaries.
Author | : Daniela Treveri Gennari |
Publisher | : Springer Nature |
Total Pages | : 492 |
Release | : |
Genre | : |
ISBN | : 3031387899 |