Netherlands Yearbook For History Of Art Nederlands Kunsthistorisch Jaarboek
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Author | : Eric Jorink |
Publisher | : Netherlands Yearbook for Histo |
Total Pages | : 0 |
Release | : 2021 |
Genre | : Art |
ISBN | : 9789004504752 |
The title of this volume of the NKJ takes cognisance of the cross-disciplinary field of animal studies, which challenges taxonomies that set human beings apart from, and often above or at the centre of, all other living creatures and the broader environment.
Author | : Thijs Weststeijn |
Publisher | : Netherlands Yearbook for Histo |
Total Pages | : 295 |
Release | : 2016 |
Genre | : Art |
ISBN | : 9789004334977 |
This NKJ volume breaks new ground in applying the aims and approaches of global art history to the Low Countries. From Greenland to South Africa and Mexico to Sri Lanka, it explores how Netherlandish art testifies to the interconnectedness of the Early Modern world.
Author | : Ethan Matt Kavaler |
Publisher | : Netherlands Yearbook for Histo |
Total Pages | : 404 |
Release | : 2017-12-05 |
Genre | : Art |
ISBN | : 9789004360730 |
The eleven essays in this volume offer the most complete and accurate overview of Netherlandish 16th-century sculpture to date.
Author | : H. Perry Chapman |
Publisher | : Netherlands Yearbook for Histo |
Total Pages | : 371 |
Release | : 2015 |
Genre | : Art |
ISBN | : 9789004295582 |
The recent wave of renovations of Netherlandish museums inspired this volume of the "Nederlands Kunsthistorisch Jaarboek," which focuses on display as a key approach to the visual culture of the Netherlands from the early modern period to the present. The volume opens with a critical discussion of the newly reinstalled Rijksmuseum. It includes analyses of the depiction of aggressive interactions with artworks, the ways in which meaning is mobilised by changing displays of paintings by Rubens, and the politics of display in a seventeenth-century palace and in Fascist and De Stijl exhibitions. Display in domestic spaces, including Rembrandt s house and a museum of Asiatic art, is considered, as are the implications of plinths and curtains.
Author | : Laura Cleaver |
Publisher | : Boydell & Brewer |
Total Pages | : 250 |
Release | : 2016 |
Genre | : Art |
ISBN | : 1783270853 |
A study of the representation of education in material culture, at a period of considerable change and growth.
Author | : |
Publisher | : |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Art, Dutch |
ISBN | : |
Founded in 1947 the NKJ is a peer-reviewed journal, which has established an international reputation for publishing outstanding articles that reflect the variety and diversity of approaches to the study of Netherlandish art and culture. The NKJ aims to foster traditional art historical scholarship and to open up the field to innovative cross disciplinary developments. The NKJ is ranked in the European Reference Index for the Humanities (ERIH) as an International 1 (INT1) journal and is listed in the Arts & Humanities Citation Index (Thomson Reuters).
Author | : Hendrik Petrus Berlage |
Publisher | : Getty Publications |
Total Pages | : 350 |
Release | : 1996-01-01 |
Genre | : Architecture |
ISBN | : 0892363339 |
Hendrik Petrus Berlage, the Dutch architect and architectural philosopher, created a series of buildings and a body of writings from 1886 to 1909 that were among the first efforts to probe the problems and possibilities of modernism. Although his Amsterdam Stock Exchange, with its rational mastery of materials and space, has long been celebrated for its seminal influence on the architecture of the 20th century, Berlage's writings are highlighted here. Bringing together Berlage's most important texts, among them "Thoughts on Style in Architecture", "Architecture's Place in Modern Aesthetics", and "Art and Society", this volume presents a chapter in the history of European modernism. In his introduction, Iain Boyd Whyte demonstrates that the substantial contribution of Berlage's designs to modern architecture cannot be fully appreciated without an understanding of the aesthetic principles first laid out in his writings.
Author | : Sandra van Ginhoven |
Publisher | : BRILL |
Total Pages | : 298 |
Release | : 2016-11-14 |
Genre | : Art |
ISBN | : 9004334831 |
Based on Guilliam Forchondt’s surviving business documentation in Antwerp and applying an aggregate and data-driven approach, Connecting Art Markets focuses on the role of art dealers in mediating the supply and demand for art, behaving in particular ways as to influence the markets for artworks in which they were strategically invested. Van Ginhoven presents her findings on Guilliam Forchondt’s workshop production volumes and transatlantic art trade flows, and evaluates the relationship between the production of paintings in the Southern Netherlands, their local, regional and overseas distribution channels, and the markets for these works in Europe and the Americas during the seventeenth century.
Author | : Andrew T. Coates |
Publisher | : BRILL |
Total Pages | : 147 |
Release | : 2018-06-12 |
Genre | : Art |
ISBN | : 9004375392 |
What is Protestant Art? presents an introduction to Protestant visual culture from the Reformation to the present. Examining historical images as evidence of changing practices and attitudes, Andrew T. Coates explores three major themes in the history of Protestant visual culture: 1) the religious work of images, 2) the relationship between word and image, 3) the power of the Bible and its visual representation. The book analyses images such as prints, paintings, maps of the ‘Holy Land,’ and Bible illustrations to demonstrate the broad range of images that could be classified as Protestant ‘art.’ This work argues that the variety of images and visual practices throughout Protestant history might better be described by the term ‘visual culture’ than ‘art.’
Author | : Lynn Catterson |
Publisher | : BRILL |
Total Pages | : 338 |
Release | : 2017-07-31 |
Genre | : Art |
ISBN | : 9004342982 |
Dealing Art on Both Sides of the Atlantic, 1860-1940 aims to bring the marketplace dynamic into sharper focus with its essays which examine the many functionaries who participate in the art market network, among them, agents, scouts, intermediaries, restorers, fakers, decorators, advisers and experts. All of the essays are rooted in case studies which give voice to the various aspects of supply−from branding to marketing, from inventory to display, from restoration to pastiche to fabrication. Each is incredibly rich in their marshalling of primary sources and archival materials; in sum, they present an impressive array of new research. Contributors are: Fae Brauer, Denise M. Budd, Patrizia Cappellini, Lynn Catterson, Sebastien Chaffour, Laura D. Corey, Flaminia Gennari-Santori, Jacqueline Marie Musacchio, Joanna Smalcerz, Alexandra Provo, AnnaLea Tunesi, and Leanne Zalewski.