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| Author | : Robert Owen Keohane |
| Publisher | : Columbia University Press |
| Total Pages | : 396 |
| Release | : 1986 |
| Genre | : History |
| ISBN | : 9780231063494 |
Neorealism is the school of international relations that emphasizes the role of inter-state power struggles in world affairs.This volume features essays by both its most prominent exponents and its principal critics.
| Author | : |
| Publisher | : Stanford University Press |
| Total Pages | : 432 |
| Release | : 1990-08 |
| Genre | : Literary Criticism |
| ISBN | : 0804766576 |
Italo Calvino's reputation as one of the great writers of our century rests chiefly on his allegorical fables and fantastic narratives, whose inventiveness, irreverence, and elegant style are universally admired. In this study, the author focuses on Calvino's first novel, The Path to the Nest of Spiders (1947), because in it she discerns a critical point of origin for Calvino's entire 'ethics' of writing. She shows how, in The Path, he challenges the poetics of objectivity of the Italian neorealists movement and offers a complex and ironic representation of the anti-Fascist armed resistance in Italy. Situating Calvino's early work in its historical and cultural context, the author reassesses Italian neorealism in terms of the theories and critical debates about realism of such critics as Lukacs, Sartre, Brecht, Adorno, and Barthes. She analyzes neorealism's narrative practices and cultural and political implications, while setting neorealism in the context of the resistance and the postwar Reconstruction in Italy and giving readings of major neorealist texts (novels by Pavese and Vittorini, films by Rossellini, Visconti, and others) as well as relatively obscure minor ones. The heart of the book consists of readings of The Path from four different but intersecting critical perspectives: formalist-narratological, sociohistorical, psychoanalytic, and Bakhtinian. The readings assess the importance of Calvino's beginnings for the body of his work and incorporate relevant references to his later fiction and critical essays. Out of these multiple readings, the ironic estrangement of the real through the act of writing itself emerges as his key narratological strategy.
| Author | : Laura E. Ruberto |
| Publisher | : Wayne State University Press |
| Total Pages | : 362 |
| Release | : 2007 |
| Genre | : Literary Criticism |
| ISBN | : 9780814333242 |
This volume addresses the influence of Italian neorealist films on world cinema well beyond the post-World War II period associated with the movement. Despite its lack of organization and relatively short life span, the Italian neorealist movement deeply influenced directors and film traditions around the world. This collection examines the impact of Italian neorealism beyond the period of 1945-52, the years conventionally connected to the movement, and beyond the postwar Italian film industry where the movement originated. Providing a refreshing aesthetic and ideological contrast to mainstream Hollywood films, neorealist filmmakers demonstrated not only how an engaging narrative technique could be brought to bear upon social issues but also how cinema could shape and redefine national identity. The fourteen essays in Italian Neorealism and Global Cinema consider films from Italy, India, Brazil, Africa, the Czech Republic, postwar Germany, Hong Kong, the United States, France, Belgium, Colombia, and Great Britain. Each essay explores neorealism's complex relationship to a different national film tradition, style, or historical period, illustrating the profound impact of neorealism and the ways it continues to complicate the relationship between ideas of nation, national cinema, and national identity. Many of the essays identify similar themes or motifs adapted from neorealism, and several essays address a politicized national film tradition that developed in opposition to a monolithic Western aesthetic. In all, Italian Neorealism and Global Cinema provides a novel critical understanding of the wide-ranging international impact of a short period in Italian cultural history. Film scholars and students of film history will appreciate this insightful text.
| Author | : Saverio Giovacchini |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 407 |
| Release | : 2011-10-11 |
| Genre | : Performing Arts |
| ISBN | : 1628468882 |
Contributions by Nathaniel Brennan, Luca Caminati, Silvia Carlorosi, Caroline Eades, Saverio Giovacchini, Paula Halperin, Neepa Majumdar, Mariano Mestman, Hamid Naficy, Sada Niang, Masha Salazkina, Sarah Sarzynski, Robert Sklar, and Vito Zagarrio Intellectual, cultural, and film historians have long considered neorealism the founding block of post-World War II Italian cinema. Neorealism, the traditional story goes, was an Italian film style born in the second postwar period and aimed at recovering the reality of Italy after the sugarcoated moving images of fascism. Lasting from 1945 to the early 1950s, neorealism produced world-renowned masterpieces such as Roberto Rossellini's Roma, città aperta (Rome, Open City, 1945) and Vittorio De Sica's Ladri di biciclette (Bicycle Thieves, 1947). These films won some of the most prestigious film awards of the immediate postwar period and influenced world cinema. This collection brings together distinguished film scholars and cultural historians to complicate this nation-based approach to the history of neorealism. The traditional story notwithstanding, the meaning and the origins of the term are problematic. What does neorealism really mean, and how Italian is it? Italian filmmakers were wary of using the term and Rossellini preferred "realism." Many filmmakers confessed to having greatly borrowed from other cinemas, including French, Soviet, and American. Divided into three sections, Global Neorealism examines the history of this film style from the 1930s to the 1970s using a global and international perspective. The first section examines the origins of neorealism in the international debate about realist esthetics in the 1930s. The second section discusses how this debate about realism was “Italianized” and coalesced into Italian “neorealism” and explores how critics and film distributors participated in coining the term. Finally, the third section looks at neorealism’s success outside of Italy and examines how film cultures in Latin America, Africa, Asia, and the United States adjusted the style to their national and regional situations.
| Author | : Ernest R. May |
| Publisher | : Cambridge University Press |
| Total Pages | : |
| Release | : 2010-09-09 |
| Genre | : Political Science |
| ISBN | : 1139490923 |
Neorealists argue that all states aim to acquire power and that state cooperation can therefore only be temporary, based on a common opposition to a third country. This view condemns the world to endless conflict for the indefinite future. Based upon careful attention to actual historical outcomes, this book contends that, while some countries and leaders have demonstrated excessive power drives, others have essentially underplayed their power and sought less position and influence than their comparative strength might have justified. Featuring case studies from across the globe, History and Neorealism examines how states have actually acted. The authors conclude that leadership, domestic politics, and the domain (of gain or loss) in which they reside play an important role along with international factors in raising the possibility of a world in which conflict does not remain constant and, though not eliminated, can be progressively reduced.
| Author | : David Allen Baldwin |
| Publisher | : Columbia University Press |
| Total Pages | : 396 |
| Release | : 1993 |
| Genre | : History |
| ISBN | : 9780231084413 |
Essays by prominent political theorists representing the two dominant schools of international relations, neoliberalism and neorealism.
| Author | : Christopher Wagstaff |
| Publisher | : University of Toronto Press |
| Total Pages | : 537 |
| Release | : 2007-01-01 |
| Genre | : Performing Arts |
| ISBN | : 0802095208 |
"The end of the Second World War saw the emergence in Italy of the neorealism movement, which produced a number of films characterized by stories set among the poor and working class, often shot on location using non-professional actors. In this study Christopher Wagstaff provides an in-depth analysis of neorealist film, focusing on three films that have had a major impact on filmmakers and audiences around the world: Roberto Rossellini's Roma città aperta and Paisà and Vittorio De Sica's Ladri di biciclette. Indeed, these films are still, more than half a century after they were made, among the most highly regarded works in the history of cinema. In this insightful and carefully researched work, Wagstaff suggests that the importance of these films is largely due to the aesthetic and rhetorical qualities of their assembled sounds and images rather than, as commonly thought, their particular representations of historical reality.The author begins by situating neorealist cinema in its historical, industrial, commercial, and cultural context. He goes on to provide a theoretical discussion of realism and the merits of neorealist films, individually and collectively, as aesthetic artefacts. He follows with a detailed analysis of the three films, focusing on technical and production aspects as well as on the significance of the films as cinematic works of art.While providing a wealth of information and analysis previously unavailable to an English-speaking audience, Italian Neorealist Cinema offers a radically new perspective on neorealist cinema and the Italian art cinema that followed it."
| Author | : Helen V. Milner |
| Publisher | : Princeton University Press |
| Total Pages | : 322 |
| Release | : 2020-06-30 |
| Genre | : Political Science |
| ISBN | : 0691214492 |
Increasingly scholars of international relations are rallying around the idea that "domestic politics matters." Few, however, have articulated precisely how or why it matters. In this significant book, Helen Milner lays out the first fully developed theory of domestic politics, showing exactly how domestic politics affects international outcomes. In developing this rational-choice theory, Milner argues that any explanation that treats states as unitary actors is ultimately misleading. She describes all states as polyarchic, where decision-making power is shared between two or more actors (such as a legislature and an executive). Milner constructs a new model based on two-level game theory, reflecting the political activity at both the domestic and international levels. She illustrates this model by taking up the critical question of cooperation among nations. Milner examines the central factors that influence the strategic game of domestic politics. She shows that it is the outcome of this internal game--not fears of other countries' relative gains or the likelihood of cheating--that ultimately shapes how the international game is played out and therefore the extent of cooperative endeavors. The interaction of the domestic actors' preferences, given their political institutions and levels of information, defines when international cooperation is possible and what its terms will be. Several test cases examine how this argument explains the phases of a cooperative attempt: the initiation, the negotiations at the international level, and the eventual domestic ratification. The book reaches the surprising conclusion that theorists--neo-Institutionalists and Realists alike--have overestimated the likelihood of cooperation among states.
| Author | : André Bazin |
| Publisher | : A&C Black |
| Total Pages | : 257 |
| Release | : 2011-09-15 |
| Genre | : Performing Arts |
| ISBN | : 1441170758 |
A new collection of posthumous writings by André Baz
| Author | : Kenneth Neal Waltz |
| Publisher | : |
| Total Pages | : 361 |
| Release | : 2008 |
| Genre | : Political Science |
| ISBN | : 9780415954785 |
Realism and International Politics brings together the collected essays of Kenneth N. Waltz, one of the most important and influential thinkers of international relations in the second half of the twentieth century. His books Man, the State and War and Theory of International Politics are classics of international relations theory and gave birth to the school of thought known as neo-realism or structural realism, out of which many of the current crop of realist scholars and thinkers has emerged. Waltz frames these seminal pieces in his theoretical development by explaining the context in which they were written and, building on the broader aims of these theories, explains the elusive nature of power balancing in today's international system. It is an essential volume for both students and scholars.
