Neoplatonism And The Arts
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Author | : Berthold Hub |
Publisher | : Routledge |
Total Pages | : 419 |
Release | : 2020-09-23 |
Genre | : Art |
ISBN | : 1000179117 |
The mid-twentieth century saw a change in paradigms of art history: iconology. The main claim of this novel trend in art history was that renowned Renaissance artists (such as Botticelli, Leonardo, or Michelangelo) created imaginative syntheses between their art and contemporary cosmology, philosophy, theology, and magic. The Neoplatonism in the books by Marsilio Ficino and Giovanni Pico della Mirandola became widely acknowledged for its lasting influence on art. It thus became common knowledge that Renaissance artists were not exclusively concerned with problems intrinsic to their work but that their artifacts encompassed a much larger intellectual and cultural horizon. This volume brings together historians concerned with the history of their own discipline – and also those whose research is on the art and culture of the Italian Renaissance itself – with historians from a wide variety of specialist fields, in order to engage with the contested field of iconology. The book will be of interest to scholars working in art history, Renaissance history, Renaissance studies, historiography, philosophy, theology, gender studies, and literature.
Author | : Liana Cheney |
Publisher | : |
Total Pages | : 354 |
Release | : 2002 |
Genre | : Art |
ISBN | : |
This collection of essays explores the scope of the important relationships between the philosophical system of Neoplatonism and the arts in Italy.
Author | : Nesca A. Robb |
Publisher | : Routledge |
Total Pages | : 250 |
Release | : 2021-04-13 |
Genre | : Philosophy |
ISBN | : 1000362884 |
Originally published in 1935, the aim of this title is first to give a clear outline of Florentine Neoplatonism, and then to consider its influence on art and literature during a period that extends roughly from the age of Lorenzo de’ Medici to the middle of the sixteenth century and the beginnings of the Counter-Reformation. No rigid divisions of time have been fixed, but with few exceptions the works discussed may be placed between these bounds. Even within these limits it would require a work of greater dimensions that the present to exhaust so large a subject in all its bearings. The leaven of Neoplatonism had penetrated the thought of the age in many directions; this study is confined to such of its manifestations as were, in a somewhat narrow sense, artistic and literary and to the use and abuse of philosophical ideas for aesthetic purposes.
Author | : James Wilberding |
Publisher | : |
Total Pages | : 276 |
Release | : 2012-04-05 |
Genre | : Philosophy |
ISBN | : |
This volume dispels the idea that Platonism was an otherworldly enterprise which neglected the study of the natural world. Leading scholars examine how the Platonists of late antiquity sought to understand and explain natural phenomena: their essays offer a new understanding of the metaphysics of Platonism, and its place in the history of science.
Author | : Ilsetraut Hadot |
Publisher | : BRILL |
Total Pages | : 198 |
Release | : 2015-01-08 |
Genre | : Philosophy |
ISBN | : 9004281592 |
Athenian and Alexandrian Neoplatonism and the Harmonization of Aristotle and Plato by I. Hadot deals with the Neoplatonist tendency to harmonize the philosophies of Plato and Aristotle. It shows that this harmonizing tendency, born in Middle Platonism, prevailed in Neoplatonism from Porphyry and Iamblichus, where it persisted until the end of this philosophy. Hadot aims to illustrate that it is not the different schools themselves, for instance those of Athens and Alexandria, that differ from one another by the intensity of the will to harmonization, but groups of philosophers within these schools.
Author | : Michael J. B. Allen |
Publisher | : BRILL |
Total Pages | : 536 |
Release | : 2002 |
Genre | : Philosophy |
ISBN | : 9789004118553 |
This volume consists of 21 essays on Marsilio Ficino (1433-99), the Florentine scholar-philosopher-magus-priest who was the architect of Renaissance Platonism. They cast fascinating new light on his theology, philosophy, and psychology as well as on his influence and sources.
Author | : Ursula Coope |
Publisher | : Oxford University Press |
Total Pages | : 288 |
Release | : 2020-04-16 |
Genre | : Philosophy |
ISBN | : 0192558285 |
The Neoplatonists have a perfectionist view of freedom: an entity is free to the extent that it succeeds in making itself good. Free entities are wholly in control of themselves—they are self-determining, self-constituting, and self-knowing. Neoplatonist philosophers argue that such freedom is only possible for non-bodily things. The human soul is free insofar as it rises above bodily things and engages in intellection, but when it turns its desires to bodily things, it is drawn under the sway of fate and becomes enslaved. Ursula Coope discusses this notion of freedom and its relation to questions about responsibility. She explains the important role of notions of self-reflexivity in Neoplatonist accounts of both freedom and responsibility. In Part I, Coope sets out the puzzles Neoplatonist philosophers face about freedom and responsibility and explains how these puzzles arise from earlier discussions. Part II explores the metaphysical underpinnings of the Neoplatonist notion of freedom (concentrating especially on the views of Plotinus and Proclus). In what sense, if any, is the ultimate first principle of everything (the One) free? If everything else is under this ultimate first principle, how can anything other than the One be free? What is the connection between freedom and nonbodiliness? Finally, Coope considers in Part III questions about responsibility, arising from this perfectionist view of freedom. Why are human beings responsible for their behaviour, in a way that other animals are not? If we are enslaved when we act viciously, how can we be to blame for our vicious actions and choices?
Author | : Liana Cheney |
Publisher | : Peter Lang Incorporated, International Academic Publishers |
Total Pages | : 310 |
Release | : 2004 |
Genre | : Art |
ISBN | : |
Neoplatonic Aesthetics: Music, Literature, and the Visual Arts explores the idea of a Neoplatonic aesthetic, a philosophy of the arts based on the writings of Plato and the Neoplatonists - principally Plotinus, Proclus, Pseudo-Dionysius, Nicolas Cusanus, and Marsilio Ficino - and more contemporary philosophers - Stephen MacKenna, Iris Murdoch, Denman Ross, Jacques Derrida, and Hans Georg Gadamer. This book examines the artistic production of figures such as Gioseffe Zarlino, Fra Angelico, Leon Battista Alberti, Sandro Botticelli, Michelangelo, and Giorgio Vasari, and it formulates theoretical approaches to contemporary production based in the Neoplatonic philosophies.
Author | : Danielle A. Layne |
Publisher | : University of Pennsylvania Press |
Total Pages | : 264 |
Release | : 2014-08-21 |
Genre | : Philosophy |
ISBN | : 0812246292 |
Today the name Socrates invokes a powerful idealization of wisdom and nobility that would surprise many of his contemporaries, who excoriated the philosopher for corrupting youth. The problem of who Socrates "really" was—the true history of his activities and beliefs—has long been thought insoluble, and most recent Socratic studies have instead focused on reconstructing his legacy and tracing his ideas through other philosophical traditions. But this scholarship has neglected to examine closely a period of philosophy that has much to reveal about what Socrates stood for and how he taught: the Neoplatonic tradition of the first six centuries C.E., which at times decried or denied his importance yet relied on his methods. In The Neoplatonic Socrates, leading scholars in classics and philosophy address this gap by examining Neoplatonic attitudes toward the Socratic method, Socratic love, Socrates's divine mission and moral example, and the much-debated issue of moral rectitude. Collectively, they demonstrate the importance of Socrates for the majority of Neoplatonists, a point that has often been questioned owing to the comparative neglect of surviving commentaries on the Alcibiades, Gorgias, Phaedo, and Phaedrus, in favor of dialogues dealing explicitly with metaphysical issues. Supplemented with a contextualizing introduction and a substantial appendix detailing where evidence for Socrates can be found in the extant literature, The Neoplatonic Socrates makes a clear case for the significant place Socrates held in the education and philosophy of late antiquity. Contributors: Crystal Addey, James M. Ambury, John F. Finamore, Michael Griffin, Marilynn Lawrence, Danielle A. Layne, Christina-Panagiota Manolea, François Renaud, Geert Roskam, Harold Tarrant.
Author | : Albert Camus |
Publisher | : University of Missouri Press |
Total Pages | : 161 |
Release | : 2007 |
Genre | : Biography & Autobiography |
ISBN | : 0826266223 |
Contemporary scholarship tends to view Albert Camus as a modern, but he himself was conscious of the past and called the transition from Hellenism to Christianity "the true and only turning point in history." For Camus, modernity was not fully comprehensible without an examination of the aspirations that were first articulated in antiquity and that later received their clearest expression in Christianity. These aspirations amounted to a fundamental reorientation of human life in politics, religion, science, and philosophy. Understanding the nature and achievement of that reorientation became the central task of Christian Metaphysics and Neoplatonism. Primarily known through its inclusion in a French omnibus edition, it has remained one of Camus' least-read works, yet it marks his first attempt to understand the relationship between Greek philosophy and Christianity as he charted the movement from the Gospels through Gnosticism and Plotinus to what he calls Augustine's "second revelation" of the Christian faith. Ronald Srigley's translation of this seminal document helps illuminate these aspects of Camus' work. His freestanding English edition exposes readers to an important part of Camus' thought that is often overlooked by those concerned primarily with the book's literary value and supersedes the extant McBride translation by retaining a greater degree of literalness. Srigley has fully annotated Christian Metaphysics to include nearly all of Camus' original citations and has tracked down many poorly identified sources. When Camus cites an ancient primary source, whether in French translation or in the original language, Srigley substitutes a standard English translation in the interest of making his edition accessible to a wider range of readers. His introduction places the text in the context of Camus' better-known later work, explicating its relationship to those mature writings and exploring how its themes were reworked in subsequent books. Arguing that Camus was one of the great critics of modernity through his attempt to disentangle the Greeks from the Christians, Srigley clearly demonstrates the place of Christian Metaphysics in Camus' oeuvre. As the only stand-alone English version of this important work-and a long-overdue critical edition-his fluent translation is an essential benchmark in our understanding of Camus and his place in modern thought.