Neo Impressionism And The Search For Solid Ground
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| Author | : John Gary Hutton |
| Publisher | : |
| Total Pages | : 312 |
| Release | : 1994 |
| Genre | : Art |
| ISBN | : |
Examines the theoretical bases and the social fabric that spawned French neo-impressionism, best represented by Seurat, Signac, Pissarro, Angrand, and Luce. Shows how they rejected the spontaneity of the impressionists to embrace scientific theories promulgated by anarchists Peter Kropotkin and Jean Grave, and how the movement broke up when their concern for social justice was supplanted by demands for more militant, didactic art. Annotation copyright by Book News, Inc., Portland, OR
| Author | : Cornelia Homburg |
| Publisher | : Yale University Press |
| Total Pages | : 209 |
| Release | : 2014-01-01 |
| Genre | : Art |
| ISBN | : 0300190832 |
A beautifully illustrated investigation of Neo-Impressionism in late 19th-century Paris and Brussels This stunning catalogue explores the creative exchange between Neo-Impressionist painters and Symbolist writers and composers in the late 1880s and early 1890s. Symbolism, with its emphasis on subjectivity, dream worlds, and spirituality, has often been considered at odds with Neo-Impressionism's approach to portraying color and light. This book repositions the relationship between these movements and looks at how Neo-Impressionist artists such as Maximilien Luce, Georges Seurat, Paul Signac, and Henry van de Velde created evocative landscape and figural scenes by depicting emptiness, contemplative moods, Arcadia, and other themes. Beautifully illustrated with 130 color images, this book reveals the vibrancy and depth of the Neo-Impressionist movement in Paris and Brussels in the late 19th century.
| Author | : Russell T. Clement |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 414 |
| Release | : 1999-09-30 |
| Genre | : Art |
| ISBN | : 0313032181 |
This reference provides biographical, historical, and critical information on Neo-Impressionist painting and its most significant painters. Neo-Impressionism, also called Divisionism and Pointillism, was one of the most innovative and startling late 19th-century French avant-garde styles. Over 2,000 books, articles, manuscripts, and audiovisual materials as well as chronologies, biographical sketches, and exhibition lists are cited. Also provided are both primary and secondary bibliographies for each artist. Secondary bibliographies capture details about each artist's life and career, relationships with other artists, work in various media, iconography, critical reception and interpretation, archival sources and more. Art scholars will appreciate the comprehensive bibliographic research contained in this one volume. Entries on Neo-Impressionism in general, on exhibitions, and the primary and secondary bibliographies of artists follow an introduction about Neo-Impressionism and a Neo-Impressionism chronology that spans the years 1881 to 1905. An index of art works and an index of personal names complete the volume.
| Author | : Robyn Roslak |
| Publisher | : Routledge |
| Total Pages | : 232 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 1351556541 |
In Neo-Impressionism and Anarchism in Fin-de-Si?e France, Robyn Roslak examines for the first time the close relationship between neo-impressionist landscapes and cityscapes and the anarchist sympathies of the movement's artists. She focuses in particular on paintings produced between 1886 and 1905 by Paul Signac and Maximilien Luce, the neo-impressionists whose fidelity to anarchism, to the art of landscape and to a belief in the social potential of art was strongest. Although the neo-impressionists are best known for their rational and scientific technique, they also heeded the era's call for art surpassing the mundane realities of everyday life. By tempering their modern subjects with a decorative style, they hoped to lead their viewers toward moral and social improvement. Roslak's ground-breaking analysis shows how the anarchist theories of Elis?Reclus, Pierre Kropotkin and Jean Grave both inspired and coincided with these ideals. Anarchism attracted the neo-impressionists because its standards for social justice were grounded, like neo-impressionism itself, in scientific exactitude and aesthetic idealism. Anarchists claimed humanity would reach its highest level of social and moral development only in the presence of a decorative variety of nature, and called upon progressive thinkers to help create and maintain such environments. The neo-impressionists, who primarily painted decorative landscapes, therefore discovered in anarchism a political theory consistent with their belief that decorative harmony should be the basis for socially responsible art.
| Author | : Jane Block |
| Publisher | : Yale University Press |
| Total Pages | : 257 |
| Release | : 2014-03-25 |
| Genre | : Art |
| ISBN | : 0300190840 |
"Published on the occasion of the exhibition Face to Face: Neo-Impressionist Portraits, 1886-1904. ING Cultural Centre, Brussels, February 19-May 18, 2014, Indianapolis Museum of Art, June 13-September 7, 2014."
| Author | : John I. Clancy |
| Publisher | : Nova Publishers |
| Total Pages | : 242 |
| Release | : 2003 |
| Genre | : Art |
| ISBN | : 9781590335451 |
Defining an artistic era or movement is often a difficult task, as one tries to group individualistic expressions and artwork under one broad brush. Such is the case with impressionism, which culls together the art of a multitude of painters in the mid-19th century, including Monet, Cézanne, Renoir, Degas, and van Gogh. Basically, impressionism involved the shedding of traditional painting methods. The subjects of art were taken from everyday life, as opposed to the pages of mythology and history. In addition, each artist painted to express feelings of the moment instead of hewing to time-honoured standards. This description of impressionism, obviously, is quite broad and can apply to a wide array of styles. Nonetheless, it remains a very important school in the annals of art. Any current or budding art aficionado should become familiar with the impressionist movement and its impact on the art world. This book presents a sweeping study of this artistic period, from its origins to its manifestations in the works of some of art history's most revered painters. Following this overview is a substantial and selective bibliography, featuring access through author, title, and subject indexes.
| Author | : Rosemary H. Lloyd |
| Publisher | : Cornell University Press |
| Total Pages | : 287 |
| Release | : 2018-08-06 |
| Genre | : Biography & Autobiography |
| ISBN | : 1501728210 |
Upon his death in 1898, the French Symbolist poet Stephane Mallarmé (b. 1842) left behind a body of published work which though modest in quantity was to have a seminal influence on subsequent poetry and aesthetic theory. He also enjoyed an unparalleled reputation for extending help and encouragement to those who sought him out. Rosemary Lloyd has produced a fascinating literary biography of the poet and his period, offering a subtle exploration of the mind and letters of one of the giants of modern European poetry.Every Tuesday, from the late 1870s on, Mallarmé hosted gatherings that became famous as the "Mardis" and that were attended by a cross section of significant writers, artists, thinkers, and musicians in fin-de-siecle France, England, and Belgium. Through these gatherings and especially through a voluminous correspondence—eventually collected in eleven volumes—Mallarmé developed and recorded his friendships with Paul Valery, Andre Gide, Berthe Morisot, and many others. Attractively written and scrupulously documented, Mallarme: The Poet and His Circle is unique in offering a biographical account of the poet's literary practice and aesthetics which centers on that correspondence.
| Author | : Geoffroy de Laforcade |
| Publisher | : University Press of Florida |
| Total Pages | : 359 |
| Release | : 2017-11-07 |
| Genre | : History |
| ISBN | : 0813063345 |
Choice Outstanding Academic Title "State-of-the-art yet accessible analyses that significantly expand understanding of the role of anarchism in Latin America. . . . Will long be a standard text that provides [an] important reference for scholars and students of labor and social movement history."--Choice "A vivid picture of the transnational nature of the anarcho-syndicalist/anarchist movement."--Anarcho-Syndicalist Review "A pioneering collection of essays on the world of anarchists, anarcho-syndicalists and libertarian thinkers in Latin America."--Barry Carr, coeditor of The New Latin American Left: Cracks in the Empire "An important contribution to a recent trend which sees anarchism not as derived from a European center but as a genuine Latin American phenomenon."--Bert Altena, coeditor of Reassessing the Transnational Turn: Scales of Analysis in Anarchist and Syndicalist Studies "Thoughtful, well-researched, and well-written. As a collection, this goes a long way to furthering our understanding not just of anarchism in Latin America, but of anarchism more generally."--Mark Leier, author of Bakunin: The Creative Passion. In this groundbreaking collection of essays, anarchism in Latin America becomes much more than a prelude to populist and socialist movements. The contributors illustrate a much more vast, differentiated, and active anarchist presence in the region that evolved on simultaneous--transnational, national, regional, and local--fronts. Representing a new wave of transnational scholarship, these essays examine urban and rural movements, indigenous resistance, race, gender, sexuality, and social and educational experimentation. They offer a variety of perspectives on anarchism’s role in shaping ideas about nationalism, identity, organized labor, and counterculture across a wide swath of Latin America.
| Author | : Andrea Meyertholen |
| Publisher | : Boydell & Brewer |
| Total Pages | : 311 |
| Release | : 2021 |
| Genre | : Art, Abstract, in literature |
| ISBN | : 1640141049 |
An alternative genealogy of abstract art, featuring the crucial role of 19th-century German literature in shaping it aesthetically, culturally, and socially.
| Author | : Margaret Werth |
| Publisher | : Univ of California Press |
| Total Pages | : 374 |
| Release | : 2002-11-05 |
| Genre | : Art |
| ISBN | : 9780520221826 |
"Werth weaves together complex analyses of these paintings and others by Manet, Gauguin, Seurat, Cezanne, and less well known artists with a consideration of their critical reception, literary parallels, and the social and cultural milieu. She moves from artistic concerns with tradition and avant-gardism, decoration and social art, composition and figuration to contemporary debates over human origins and social organization."--BOOK JACKET.
