The Neo-classic Movement in Spain During the XVIII Century
Author | : Robert Edouard Pellissier |
Publisher | : |
Total Pages | : 198 |
Release | : 1918 |
Genre | : Classicism |
ISBN | : |
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Author | : Robert Edouard Pellissier |
Publisher | : |
Total Pages | : 198 |
Release | : 1918 |
Genre | : Classicism |
ISBN | : |
Author | : John A. Cook |
Publisher | : |
Total Pages | : 604 |
Release | : 1959 |
Genre | : Neoclassicism (Literature) |
ISBN | : |
Author | : Ronald W. Vince |
Publisher | : Greenwood |
Total Pages | : 248 |
Release | : 1988 |
Genre | : Art |
ISBN | : |
Like Vince's two previous volumes in this series, Ancient and Medieval Theatre (1984), and Renaissance Theatre, Neoclassical Theatre provides a valuable resource for theoreticians and practioners. Choice This book provides an introduction to the information sources available to the neoclassical theatre historian and to some of the methods that have been used in the interpretation of those sources. Differences in the cultural context of the theatres in England, France, and Italy as well as in the historiography governing their interpretations are explored in depth. Unlike other books devoted to the history of eighteenth-century theatre, this work examines the materials and the processes of theatre history itself and is international in scope. Among the elements discussed are dramatic texts and promptbooks, public and legal records, playbills and account books, stage plans and scene designs, contemporary history and dramatic theory, biography and memoirs, and stage iconography and theatrical portraiture. The book also provides an evaluative sketch of some valuable reference works and, where possible, the reader is directed to a source where the original evidence is reproduced. The author concludes by examining some of the evidence for and implications of the internationalization of eighteenth-century theatre with suggestions for future study regarding the international geocultural dimension of the discipline.
Author | : Tracie Amend |
Publisher | : McFarland |
Total Pages | : 229 |
Release | : 2015-05-04 |
Genre | : Performing Arts |
ISBN | : 0786496924 |
As early as 1760 and as late as 1920, Romantic drama dominated Peninsular Spanish theater. This love affair with Romanticism influenced the formation of Spain's modern national identity, which depended heavily on defining women's place in 19th century society. Women who defied traditional gender roles became a source of anxiety in society and on stage. The adulteress embodied the fear of rebellious women, the growing pains of modernity and the political instability of war and invasion. This book examines the conflicted portrayal of women and the Spanish national identity. Studying the adulteress on stage, the author provides insight into the uneasy tension between progress and tradition in 19th century Spain.
Author | : Joan Lynne Pataky Kosove |
Publisher | : Tamesis |
Total Pages | : 162 |
Release | : 1977 |
Genre | : Literary Criticism |
ISBN | : 9780729300490 |
Author | : Philip B. Thomason |
Publisher | : Routledge |
Total Pages | : 228 |
Release | : 2013-10-18 |
Genre | : History |
ISBN | : 1317970047 |
Previously published as a special issue of The Bulletin of Spanish Studies, The Eighteenth-Century Theatre in Spain is the second in a series of research bibliographies on the Theatre in Spain. Representing ten years of searches and compilation by its specialist authors, this volume draws together data on more than 1,500 books, articles and documents concerned with Spanish eighteenth-century theatre. Studies of plays and playwrights are included as well as material dealing with theatres, actors and stagecraft. Wherever possible, items listed have been personally examined, and their library location in Britain, Spain or USA is provided. Scholars with interests in drama will find in this single-volume work of reference a wealth of reliable information concerning this specialist field.
Author | : Margaret Wilson |
Publisher | : Elsevier |
Total Pages | : 235 |
Release | : 2014-05-17 |
Genre | : Drama |
ISBN | : 1483181391 |
Spanish Drama of the Golden Age describes this little-known field of European drama. This book describes and analyzes Spanish plays and drama. It reviews the Spanish plays from the 1580s to the death of Pedro Calderon de la Barca in 1681. This text also discusses the controversy to which direction the Spanish theater would take: whether it is for entertainment or a representation of the intellect and emotions. This book describes Miguel de Cervantes, Lope de Vega, and the rise of the Spanish comedia. The text describes how Lope wrote his plays and how he sold them outright to the manager of an acting company, which became its property. The text also describes the life of Tirso de Molina who was often criticized for his cavalier treatment of a historical fact. This book also discusses the works of Ruiz de Alarcon, Guillen de Castro, Velez de Guevara, and Mira de Amescua. This book also assess this period of Spanish drama in terms of the influence of other countries in Europe such as Britain and France. This book can prove valuable for university students of Spanish, Spanish literature teachers to students of sixth forms, and Spanish historians.
Author | : Lope De Vega |
Publisher | : A&C Black |
Total Pages | : 342 |
Release | : 2014-07-17 |
Genre | : Drama |
ISBN | : 1408150417 |
Three classic Spanish plays, made famous by Shakespeare and Webster Two of the most famous and successful playwrights of Spain's Golden Age of playwriting were Lope de Vega (1562-1635) and Rojas Zorrilla (1607-48). From their prodigious output, the three plays in this volume, based on similar sources to Shakespeare's and Webster's versions, provide a fascinating comparison with their Jacobean counterparts. Lope's The Duchess of Amalfi's Steward, in contrast to Webster's play, focuses on the nobility of love, with characters who are complex and appealing. His Romeo-and-Juliet story, The Capulets and Montagues, is a fast-moving mixture of serious and comic, with an ending that will surprise and entertain. Rojas' treatment of Cleopatra, with its rich imagery, emphasises the love theme, held within a knot of jealous relationships. A full introduction by Gwynne Edwards sets the plays in context and provides a thorough study of the individual works.