Nella Larsen African American Artist Of The Harlem Renaissance
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Author | : Nella Larsen |
Publisher | : Wildside Press LLC |
Total Pages | : 207 |
Release | : 2022 |
Genre | : Fiction |
ISBN | : 1667622668 |
Harlem Renaissance author Nella Larsen (1891 –1964) published just two novels and three short stories in her lifetime, but achieved lasting literary acclaim. Her classic novel Quicksand first appeared in 1928.
Author | : Thadious M. Davis |
Publisher | : LSU Press |
Total Pages | : 524 |
Release | : 1996-05-01 |
Genre | : Literary Criticism |
ISBN | : 9780807120705 |
Nella Larsen (1891–1964) is recognized as one of the most influential, and certainly one of the most enigmatic, writers of the Harlem Renaissance. With the instant success of her two novels, Quicksand (1928) and Passing (1929), she became a bright light in New York’s literary firmament. But her meteoric rise was followed by a surprising fall: In 1930 she was accused of plagiarizing a short story, and after 1933 she disappeared from both the literary and African-American worlds of New York. She lived the rest of her life—more than three decades—out of the public eye, working primarily as a nurse. In a remarkable achievement, Thadious Davis has penetrated the fog of mystery that has surrounded Larsen to present a detailed and fascinating account of the life and work of this gifted, determined, yet vulnerable artist. In addition to unraveling the details of Larsen’s personal life, Davis deftly situates the writer within the broader politics and aesthetics of the Harlem Renaissance and analyzes her life and work in terms of the current literature on race and gender. This book, with the prodigious amount of new material and insights that Davis provides, is a landmark in African-American literary history and criticism.
Author | : Kathrin Haubold |
Publisher | : GRIN Verlag |
Total Pages | : 28 |
Release | : 2003-08-27 |
Genre | : Literary Collections |
ISBN | : 3638213625 |
Seminar paper from the year 2002 in the subject American Studies - Literature, grade: 1 (A), University of Frankfurt (Main) (Institute for England and American Studies), course: Harlem Renaissance, language: English, abstract: This seminar paper will sketch some of the elements of the cultural “Zeitgeist” that shaped and was reflected in Nella Larsen’s writings. But it will concentrate on the novels that she left behind: Quicksand and Passing. An important topic Larsen is dealing with is race-identity. Larsen assimilates these themes in her two novels, not by representing the lower-class problem, but more by focusing on the life and problems of middle-class females. It is more the psychological than the sociological side she portrays. This paper demonstrates that race identity and race dualism reflects Larsen’s own life story. First I will give an introduction on the Harlem Renaissance era. Then I will focus on Nella Larsen’s life. I will examine her two novels Quicksand and Passing to find out how race identity and race dualism is assimilated in her novels.
Author | : George Hutchinson |
Publisher | : Harvard University Press |
Total Pages | : 624 |
Release | : 2009-07-01 |
Genre | : Biography & Autobiography |
ISBN | : 0674038924 |
Born to a Danish seamstress and a black West Indian cook in one of the Western Hemisphere's most infamous vice districts, Nella Larsen (1891-1964) lived her life in the shadows of America's racial divide. She wrote about that life, was briefly celebrated in her time, then was lost to later generations--only to be rediscovered and hailed by many as the best black novelist of her generation. In his search for Nella Larsen, the "mystery woman of the Harlem Renaissance," George Hutchinson exposes the truths and half-truths surrounding this central figure of modern literary studies, as well as the complex reality they mask and mirror. His book is a cultural biography of the color line as it was lived by one person who truly embodied all of its ambiguities and complexities. Author of a landmark study of the Harlem Renaissance, Hutchinson here produces the definitive account of a life long obscured by misinterpretations, fabrications, and omissions. He brings Larsen to life as an often tormented modernist, from the trauma of her childhood to her emergence as a star of the Harlem Renaissance. Showing the links between her experiences and her writings, Hutchinson illuminates the singularity of her achievement and shatters previous notions of her position in the modernist landscape. Revealing the suppressions and misunderstandings that accompany the effort to separate black from white, his book addresses the vast consequences for all Americans of color-line culture's fundamental rule: race trumps family.
Author | : Nella Larsen |
Publisher | : Alien Ebooks |
Total Pages | : 159 |
Release | : 2022 |
Genre | : Fiction |
ISBN | : 166762265X |
Harlem Renaissance author Nella Larsen (1891 –1964) published just two novels and three short stories in her lifetime, but achieved lasting literary acclaim. Her classic novel Passing first appeared in 1926.
Author | : Kathrin Haubold |
Publisher | : GRIN Verlag |
Total Pages | : 61 |
Release | : 2011-03-10 |
Genre | : Biography & Autobiography |
ISBN | : 3640856333 |
Seminar paper from the year 2002 in the subject American Studies - Literature, grade: 1 (A), University of Frankfurt (Main) (Institute for England and American Studies), course: Harlem Renaissance, language: English, abstract: This seminar paper will sketch some of the elements of the cultural "Zeitgeist" that shaped and was reflected in Nella Larsen's writings. But it will concentrate on the novels that she left behind: Quicksand and Passing. An important topic Larsen is dealing with is race-identity. Larsen assimilates these themes in her two novels, not by representing the lower-class problem, but more by focusing on the life and problems of middle-class females. It is more the psychological than the sociological side she portrays. This paper demonstrates that race identity and race dualism reflects Larsen's own life story. First I will give an introduction on the Harlem Renaissance era. Then I will focus on Nella Larsen's life. I will examine her two novels Quicksand and Passing to find out how race identity and race dualism is assimilated in her novels.
Author | : Cherene Sherrard-Johnson |
Publisher | : Rutgers University Press |
Total Pages | : 235 |
Release | : 2007 |
Genre | : Art |
ISBN | : 0813539773 |
Of all the images to arise from the Harlem Renaissance, the most thought-provoking were those of the mulatta. For some writers, artists, and filmmakers, these images provided an alternative to the stereotypes of black womanhood and a challenge to the color line. For others, they represented key aspects of modernity and race coding central to the New Negro Movement. Due to the mulatta's frequent ability to pass for white, she represented a variety of contradictory meanings that often transcended racial, class, and gender boundaries. In this engaging narrative, Cherene Sherrard-Johnson uses the writings of Nella Larsen and Jessie Fauset as well as the work of artists like Archibald Motley and William H. Johnson to illuminate the centrality of the mulatta by examining a variety of competing arguments about race in the Harlem Renaissance and beyond.
Author | : Cheryl A. Wall |
Publisher | : Indiana University Press |
Total Pages | : 267 |
Release | : 1995-09-22 |
Genre | : Social Science |
ISBN | : 0253114985 |
"Wall's writing is lively and exuberant. She passes her enthusiasm for these writers' works on to the reader. She captures the mood of the times and follows through with the writers' evolution -- sometimes to success, other times to isolation.... Women of the Harlem Renaissance is a rare blend of thorough academic research with writing that anyone can appreciate." -- Jason Zappe, Copley News Service "By connecting the women to one another, to the cultural movement in which they worked, and to other early 20th-century women writers, Wall deftly defines their place in American literature. Her biographical and literary analysis surpasses others by following up on diverse careers that often ended far past the end of the movement. Highly recommended... "Â -- Library Journal "Wall offers a wealth of information and insight on their work, lives and interaction with other writers... strong critiques... " -- Publishers Weekly The lives and works of women artists in the Harlem Renaissance -- Jessie Redmon Fauset, Nella Larsen, Zora Neale Hurston, Bessie Smith, and others. Their achievements reflect the struggle of a generation of literary women to depict the lives of Black people, especially Black women, honestly and artfully.
Author | : Rachel Farebrother |
Publisher | : Cambridge University Press |
Total Pages | : 453 |
Release | : 2021-02-04 |
Genre | : Literary Criticism |
ISBN | : 1108640508 |
The Harlem Renaissance was the most influential single movement in African American literary history. The movement laid the groundwork for subsequent African American literature, and had an enormous impact on later black literature world-wide. In its attention to a wide range of genres and forms – from the roman à clef and the bildungsroman, to dance and book illustrations – this book seeks to encapsulate and analyze the eclecticism of Harlem Renaissance cultural expression. It aims to re-frame conventional ideas of the New Negro movement by presenting new readings of well-studied authors, such as Zora Neale Hurston and Langston Hughes, alongside analysis of topics, authors, and artists that deserve fuller treatment. An authoritative collection on the major writers and issues of the period, A History of the Harlem Renaissance takes stock of nearly a hundred years of scholarship and considers what the future augurs for the study of 'the New Negro'.
Author | : Charles R. Larson |
Publisher | : |
Total Pages | : 264 |
Release | : 1993 |
Genre | : Literary Criticism |
ISBN | : |
Invisible Darkness offers a striking interpretation of the tortured lives of the two major novelists of the Harlem Renaissance: Jean Toomer, author of Cane (1923), and Nella Larsen, author of Quicksand (1928) and Passing (1929). Charles R. Larson examines the common belief that both writers "disappeared" after the Harlem Renaissance and died in obscurity; he dispels the misconception that they vanished into the white world and lived unproductive and unrewarding lives. In clear, jargon-free language, Larson demonstrates the opposing views that both writers had about their work v.