Nature Of Roman Comedy
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Author | : George E. Duckworth |
Publisher | : Princeton University Press |
Total Pages | : 526 |
Release | : 2015-03-08 |
Genre | : Literary Criticism |
ISBN | : 1400872375 |
This book provides the most complete and definitive study of Roman comedy. Originally published in 1952. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author | : Timothy J. Moore |
Publisher | : Cambridge University Press |
Total Pages | : 469 |
Release | : 2012-04-19 |
Genre | : History |
ISBN | : 1107006481 |
This book offers a new explanation of how the plays of Plautus and Terence worked as musical theatre.
Author | : Martin T. Dinter |
Publisher | : Cambridge University Press |
Total Pages | : 449 |
Release | : 2019-04-04 |
Genre | : Drama |
ISBN | : 1107002109 |
Provides a comprehensive critical engagement with Roman comedy and its reception presented by leading international scholars in accessible and up-to-date chapters.
Author | : Michael Fontaine |
Publisher | : Oxford University Press |
Total Pages | : 913 |
Release | : 2014-04 |
Genre | : Drama |
ISBN | : 0199743541 |
The Oxford Handbook of Greek and Roman Comedy marks the first comprehensive introduction to and reference work for the unified study of ancient comedy. From its birth in Greece to its end in Rome, from its Hellenistic to its Imperial receptions, no topic is neglected. The 41 essays offer cutting-edge guides through comedy's immense terrain.
Author | : Dorota M. Dutsch |
Publisher | : OUP Oxford |
Total Pages | : 294 |
Release | : 2008-08-07 |
Genre | : Language Arts & Disciplines |
ISBN | : 0191559865 |
As literature written in Latin has almost no female authors, we are dependent on male writers for some understanding of the way women would have spoken. Plautus (3rd to 2nd century BCE) and Terence (2nd century BCE) consistently write particular linguistic features into the lines spoken by their female characters: endearments, soft speech, and incoherent focus on numerous small problems. Dorota M. Dutsch describes the construction of this feminine idiom and asks whether it should be considered as evidence of how Roman women actually spoke.
Author | : Michael Fontaine |
Publisher | : Oxford University Press, USA |
Total Pages | : 328 |
Release | : 2010 |
Genre | : Drama |
ISBN | : 0195341449 |
Combining textual and literary evidence, this book argues that many Plautine jokes, puns, and names of characters were misunderstood in antiquity. By examining the comedian's tendency to make up and misuse words, Fontaine elucidates many new jokes and argues for a sophisticated, Hellenistic Plautus who wrote for a sophisticated Roman audience.
Author | : Dorota Dutsch |
Publisher | : John Wiley & Sons |
Total Pages | : 551 |
Release | : 2020-02-25 |
Genre | : Literary Criticism |
ISBN | : 1118958004 |
An important addition to contemporary scholarship on Plautus and Plautine comedy, provides new essays and fresh insights from leading scholars A Companion to Plautus is a collection of original essays on the celebrated Old Latin period playwright. A brilliant comic poet, Plautus moved beyond writing Latin versions of Greek plays to create a uniquely Roman cultural experience worthy of contemporary scholarship. Contributions by a team of international scholars explore the theatrical background of Roman comedy, the theory and practice of Plautus’ dramatic composition, the relation of Plautus’ works to Roman social history, and his influence on later dramatists through the centuries. Responding to renewed modern interest in Plautine studies, the Companion reassesses Plautus’ works—plays that are meant to be viewed and experienced—to reveal new meaning and contemporary relevance. Chapters organized thematically offer multiple perspectives on individual plays and enable readers to gain a deeper understanding of Plautus’ reflection of, and influence on Roman society. Topics include metatheater and improvisation in Plautus, the textual tradition of Plautus, trends in Plautus Translation, and modern reception in theater and movies. Exploring the place of Plautus and Plautine comedy in the Western comic tradition, the Companion: Addresses the most recent trends in the study of Roman comedy Features discussions on religion, imperialism, slavery, war, class, gender, and sexuality in Plautus’ work Highlights recent scholarship on representation of socially vulnerable characters Discusses Plautus’ work in relation to Roman stages, actors, audience, and culture Examines the plot construction, characterization, and comic techniques in Plautus’ scripts Part of the acclaimed Blackwell Companions to the Ancient World series, A Companion to Plautus is an important resource for scholars, instructors, and students of both ancient and modern drama, comparative literature, classics, and history, particularly Roman history.
Author | : Cynthia Damon |
Publisher | : University of Michigan Press |
Total Pages | : 326 |
Release | : 1997 |
Genre | : History |
ISBN | : 9780472107605 |
A much-needed cultural study of parasitic people in Roman drama, politics, and society
Author | : Matthew Leigh |
Publisher | : Oxford University Press, USA |
Total Pages | : 254 |
Release | : 2004 |
Genre | : Drama |
ISBN | : 019926676X |
Comedy and the Rise of Rome invites the reader to consider Roman comedy in the light of history and Roman history in the light of comedy. Plautus and Terence base their dramas on the New Comedy of fourth- and third-century BC Greece. Yet many of the themes with which they engage are peculiarly alive in the Rome of the Hannibalic war, and the conquest of Macedon. This study takes issues as diverse as the legal status of the prisoner of war, the ethics of ambush, fatherhoodand command, and the clash of maritime and agrarian economies, and examines responses to them both on the comic stage and in the world at large. This is a substantially new departure in ways of thinking about Roman comedy and one that opens it up to a far wider public than has previously been thecase.
Author | : Gesine Manuwald |
Publisher | : Cambridge University Press |
Total Pages | : 403 |
Release | : 2011-06-09 |
Genre | : History |
ISBN | : 1139499742 |
Theatre flourished in the Roman Republic, from the tragedies of Ennius and Pacuvius to the comedies of Plautus and Terence and the mimes of Laberius. Yet apart from the surviving plays of Plautus and Terence the sources are fragmentary and difficult to interpret and contextualise. This book provides a comprehensive history of all aspects of the topic, incorporating recent findings and modern approaches. It discusses the origins of Roman drama and the historical, social and institutional backgrounds of all the dramatic genres to be found during the Republic (tragedy, praetexta, comedy, togata, Atellana, mime and pantomime). Possible general characteristics are identified, and attention is paid to the nature of and developments in the various genres. The clear structure and full bibliography also ensure that the book has value as a source of reference for all upper-level students and scholars of Latin literature and ancient drama.