Nature As Artifice
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Author | : Marisa Bass |
Publisher | : Princeton University Press |
Total Pages | : 313 |
Release | : 2019-04-09 |
Genre | : Art |
ISBN | : 0691177155 |
How the nature illustrations of a Renaissance polymath reflect his turbulent age This pathbreaking and stunningly illustrated book recovers the intersections between natural history, politics, art, and philosophy in the late sixteenth-century Low Countries. Insect Artifice explores the moment when the seismic forces of the Dutch Revolt wreaked havoc on the region’s creative and intellectual community, compelling its members to seek solace in intimate exchanges of art and knowledge. At its center is a neglected treasure of the late Renaissance: the Four Elements manuscripts of Joris Hoefnagel (1542–1600), a learned Netherlandish merchant, miniaturist, and itinerant draftsman who turned to the study of nature in this era of political and spiritual upheaval. Presented here for the first time are more than eighty pages in color facsimile of Hoefnagel’s encyclopedic masterwork, which showcase both the splendor and eccentricity of its meticulously painted animals, insects, and botanical specimens. Marisa Anne Bass unfolds the circumstances that drove the creation of the Four Elements by delving into Hoefnagel’s writings and larger oeuvre, the works of his friends, and the rich world of classical learning and empirical inquiry in which he participated. Bass reveals how Hoefnagel and his colleagues engaged with natural philosophy as a means to reflect on their experiences of war and exile, and found refuge from the threats of iconoclasm and inquisition in the manuscript medium itself. This is a book about how destruction and violence can lead to cultural renewal, and about the transformation of Netherlandish identity on the eve of the Dutch Golden Age.
Author | : Bernadette Bensaude-Vincent |
Publisher | : MIT Press |
Total Pages | : 341 |
Release | : 2007 |
Genre | : Philosophy |
ISBN | : 0262026201 |
These essays - written by specialists of different periods and various disciplines - reveal that the division between nature and art has been continually challenged and reassesed in Western thought. Nature and art, the essays suggest, are mutually constructed, defining and redifining themselves.
Author | : Maartje van den Heuvel |
Publisher | : Nai010 Publishers |
Total Pages | : 0 |
Release | : 2008 |
Genre | : Art |
ISBN | : 9789056620288 |
"In the eyes of the world, the image of the Dutch landscape has boon shape-id by the history of painting. Internationally acclaimed artists like Brueghel and Ruisdael, and later Van Gogh and the early Mondrian created an image of a picturesque rural idyll that look root in the popular imagination. This is still the image of the Netherlands in mass-media and tourism." "Nature as Artifice shows a new and different approach in photography and video art to the landscape of the Netherlands. The eighteen artists presented here in effect replace that painterly vision with an up-front and sometimes confronting image of the Netherlands as the most artificial country in the world. Under the now familiar pressures of urbanization, globalization and the restructuring of the economy, as well as the need to keep the water at bay, the Dutch have extended the human control from the landscape to nature as a whole. This industrialized, urbanized, man-controlled and artificial landscape is the point of departure for the photographers and video artists whose work is shown in this book. They do not judge, but rather observe, analyze and register, and search for new beauty in their changed surroundings."--BOOK JACKET.
Author | : James Prosek |
Publisher | : Yale University Press |
Total Pages | : 163 |
Release | : 2020-07-07 |
Genre | : Art |
ISBN | : 0300250797 |
Works by Prosek and others are juxtaposed with natural objects in an illuminating interrogation of the artificial boundaries we create between art and nature Award-winning artist, writer, and naturalist James Prosek (b. 1975) has gained a worldwide following for his deep connection with the natural world, which serves as the basis for his art and numerous popular books. In this cross-disciplinary catalogue, Prosek poses the question, What is art and what is artifact—and to what extent do these distinctions matter? Drawing on the collections of the Yale University Art Gallery and the Yale Peabody Museum of Natural History, Prosek places man- and nature-made objects on equal footing aesthetically, suggesting that the distinction between them is not as vast as we may believe. In more than 150 full-color plates, objects such as a bird’s nest, dinosaur head, and cuneiform tablet are juxtaposed with Asian handscrolls, an African headdress, modern masterpieces, and more. Artists featured include Albrecht Dürer, Helen Frankenthaler, Vincent van Gogh, Barbara Hepworth, Pablo Picasso, and Jackson Pollack, as well as Prosek himself, whose works depict fish, birds, and endangered wildlife. Also included are an incisive essay by Edith Devaney and texts by Prosek that explore the magnificent productions of our wondrous interconnected world.
Author | : J.F. Martel |
Publisher | : North Atlantic Books |
Total Pages | : 209 |
Release | : 2015-02-10 |
Genre | : Philosophy |
ISBN | : 1583945784 |
Part treatise, part critique, part call to action, Reclaiming Art in the Age of Artifice is a journey into the uncanny realities revealed to us in the great works of art of the past and present. Received opinion holds that art is culturally-determined and relative. We are told that whether a picture, a movement, a text, or sound qualifies as a "work of art" largely depends on social attitudes and convention. Drawing on examples ranging from Paleolithic cave paintings to modern pop music and building on the ideas of James Joyce, Oscar Wilde, Gilles Deleuze, Carl Jung, and others, J.F. Martel argues that art is an inborn human phenomenon that precedes the formation of culture and even society. Art is free of politics and ideology. Paradoxically, that is what makes it a force of liberation wherever it breaks through the trance of humdrum existence. Like the act of dreaming, artistic creation is fundamentally mysterious. It is a gift from beyond the field of the human, and it connects us with realities that, though normally unseen, are crucial components of a living world. While holding this to be true of authentic art, the author acknowledges the presence—overwhelming in our media-saturated age—of a false art that seeks not to liberate but to manipulate and control. Against this anti-artistic aesthetic force, which finds some of its most virulent manifestations in modern advertising, propaganda, and pornography, true art represents an effective line of defense. Martel argues that preserving artistic expression in the face of our contemporary hyper-aestheticism is essential to our own survival. Art is more than mere ornament or entertainment; it is a way, one leading to what is most profound in us. Reclaiming Art in the Age of Artifice places art alongside languages and the biosphere as a thing endangered by the onslaught of predatory capitalism, spectacle culture, and myopic technological progress. The book is essential reading for visual artists, musicians, writers, actors, dancers, filmmakers, and poets. It will also interest anyone who has ever been deeply moved by a work of art, and for all who seek a way out of the web of deception and vampiric diversion that the current world order has woven around us.
Author | : Augustin Berque |
Publisher | : |
Total Pages | : 231 |
Release | : 1997 |
Genre | : Cities and towns |
ISBN | : 9781899044153 |
Author | : Jonathan M. Hall |
Publisher | : University of Chicago Press |
Total Pages | : 277 |
Release | : 2014-01-10 |
Genre | : Literary Criticism |
ISBN | : 022608096X |
Is it possible to trace the footprints of the historical Sokrates in Athens? Was there really an individual named Romulus, and if so, when did he found Rome? Is the tomb beneath the high altar of St. Peter’s Basilica home to the apostle Peter? To answer these questions, we need both dirt and words—that is, archaeology and history. Bringing the two fields into conversation, Artifact and Artifice offers an exciting excursion into the relationship between ancient history and archaeology and reveals the possibilities and limitations of using archaeological evidence in writing about the past. Jonathan M. Hall employs a series of well-known cases to investigate how historians may ignore or minimize material evidence that contributes to our knowledge of antiquity unless it correlates with information gleaned from texts. Dismantling the myth that archaeological evidence cannot impart information on its own, he illuminates the methodological and political principles at stake in using such evidence and describes how the disciplines of history and classical archaeology may be enlisted to work together. He also provides a brief sketch of how the discipline of classical archaeology evolved and considers its present and future role in historical approaches to antiquity. Written in clear prose and packed with maps, photos, and drawings, Artifact and Artifice will be an essential book for undergraduates in the humanities.
Author | : George Plumptre |
Publisher | : Thames & Hudson |
Total Pages | : 256 |
Release | : 1998 |
Genre | : Gardening |
ISBN | : 9780500280799 |
This text traces the use of ornamental features throughout the history of the Western garden, and explores the variety that are still being sold in salerooms. It presents some tried and tested principles of design that can still be applied to the typical modern garden.
Author | : Alan Levinovitz |
Publisher | : Beacon Press |
Total Pages | : 266 |
Release | : 2020-04-07 |
Genre | : Nature |
ISBN | : 080701088X |
Illuminates the far-reaching harms of believing that natural means “good,” from misinformation about health choices to justifications for sexism, racism, and flawed economic policies. People love what’s natural: it’s the best way to eat, the best way to parent, even the best way to act—naturally, just as nature intended. Appeals to the wisdom of nature are among the most powerful arguments in the history of human thought. Yet Nature (with a capital N) and natural goodness are not objective or scientific. In this groundbreaking book, scholar of religion Alan Levinovitz demonstrates that these beliefs are actually religious and highlights the many dangers of substituting simple myths for complicated realities. It may not seem like a problem when it comes to paying a premium for organic food. But what about condemnations of “unnatural” sexual activity? The guilt that attends not having a “natural” birth? Economic deregulation justified by the inherent goodness of “natural” markets? In Natural, readers embark on an epic journey, from Peruvian rainforests to the backcountry in Yellowstone Park, from a “natural” bodybuilding competition to a “natural” cancer-curing clinic. The result is an essential new perspective that shatters faith in Nature’s goodness and points to a better alternative. We can love nature without worshipping it, and we can work toward a better world with humility and dialogue rather than taboos and zealotry.
Author | : Scott Knickerbocker |
Publisher | : |
Total Pages | : 0 |
Release | : 2012 |
Genre | : American poetry |
ISBN | : 9781558499546 |
Ecocritics and other literary scholars interested in the environment have tended to examine writings that pertain directly to nature and to focus on subject matter more than expression. In this book, Scott Knickerbocker argues that it is time for the next step in ecocriticism: scholars need to explore the figurative and aural capacity of language to evoke the natural world in powerful ways.