Naturalism’s Imaginary Museum, French Art, and the Eclectic Nineteenth Century
Author | : Sara Pappas |
Publisher | : University of Toronto Press |
Total Pages | : 260 |
Release | : |
Genre | : |
ISBN | : 1487549024 |
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Author | : Sara Pappas |
Publisher | : University of Toronto Press |
Total Pages | : 260 |
Release | : |
Genre | : |
ISBN | : 1487549024 |
Author | : Sara Pappas |
Publisher | : University of Toronto Romance |
Total Pages | : 0 |
Release | : 2024-10-15 |
Genre | : Art |
ISBN | : 9781487549008 |
Analysing the works of literary naturalists writing about art, this book argues for the importance of disorder in the French art world in the nineteenth century.
Author | : William Vaughan |
Publisher | : ABRAMS |
Total Pages | : 634 |
Release | : 1998 |
Genre | : Art |
ISBN | : |
Revolution and profusion -- these are the hallmarks of Western art from 1780 to 1850. The astonishingly rapid changes wrought by the industrial -- and American and French -- revolutions led to a wealth of artistic production. This profusely illustrated guide to the arts of the early 19th century on both sides of the Atlantic is the most comprehensive volume available on the subject. Through both famous and obscure works, William Vaughan explores a stunning variety of artistic achievement, including landscape, still life, and figure painting by Gericault, Ingres, Delacroix, Turner, Blake, Constable, Goya, and Friedrich. Vaughan also treats sculpture, architecture, town planning, and photography, and offers an in-depth survey of the decorative arts: furniture, ceramics, glass, metalwork, and more. Drawing on the most up-to-date research, the author brings this exciting period and its inexhaustible artistic production to life.
Author | : Jean-Loup Champion |
Publisher | : |
Total Pages | : 84 |
Release | : 2003 |
Genre | : Sculpture, French |
ISBN | : |
Author | : Anne E. Linton |
Publisher | : Cambridge University Press |
Total Pages | : 265 |
Release | : 2022-03-24 |
Genre | : Literary Criticism |
ISBN | : 1316511820 |
A landmark study in the history of sexuality which redefines thinking about sex and gender in nineteenth-century France and beyond.
Author | : Kari Weil |
Publisher | : University of Chicago Press |
Total Pages | : 236 |
Release | : 2020-03-23 |
Genre | : History |
ISBN | : 022668637X |
From the recent spate of equine deaths on racetracks to protests demanding the removal of mounted Confederate soldier statues to the success and appeal of War Horse, there is no question that horses still play a role in our lives—though fewer and fewer of us actually interact with them. In Precarious Partners, Kari Weil takes readers back to a time in France when horses were an inescapable part of daily life. This was a time when horse ownership became an attainable dream not just for soldiers but also for middle-class children; when natural historians argued about animal intelligence; when the prevalence of horse beatings led to the first animal protection laws; and when the combined magnificence and abuse of these animals inspired artists, writers, and riders alike. Weil traces the evolving partnerships established between French citizens and their horses through this era. She considers the newly designed “races” of workhorses who carried men from the battlefield to the hippodrome, lugged heavy loads through the boulevards, or paraded women riders, amazones, in the parks or circus halls—as well as those unfortunate horses who found their fate on a dinner plate. Moving between literature, painting, natural philosophy, popular cartoons, sports manuals, and tracts of public hygiene, Precarious Partners traces the changing social, political, and emotional relations with these charismatic creatures who straddled conceptions of pet and livestock in nineteenth-century France.
Author | : Arie Wallert |
Publisher | : Getty Publications |
Total Pages | : 241 |
Release | : 1995-08-24 |
Genre | : Art |
ISBN | : 0892363223 |
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.