Native Music And Regular Gigs
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| Author | : Beverley Diamond |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 212 |
| Release | : 2008 |
| Genre | : Music |
| ISBN | : 9780195301045 |
Native American Music in Eastern North America is one of many case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present. Visit www.oup.com/us/globalmusic for a list of case studies in the Global Music Series. The website also includes instructional materials to accompany each study. Native American Music in Eastern North America is one of the first books to explore the contemporary musical landscape of indigenous North Americans in the north and east. It shows how performance traditions of Native North Americans have been influenced by traditional social values and cultural histories, as well as by encounters and exchanges with other indigenous groups and with newcomers from Europe and Africa. Drawing on her extensive fieldwork and on case studies from several communities--including the Iroquois, the Algonquian-speaking nations of the Atlantic seaboard, and the Inuit of the far north--author Beverley Diamond discusses intertribal celebrations, popular music projects, dance, art, and film. She also considers how technology has mediated present-day cultural communication and how traditional ideas about social roles and gender identities have been negotiated through music. Enhanced by accounts of local performances, interviews with tribal elders and First Nations performers, vivid illustrations, and hands-on listening activities, Native American Music in Eastern North America provides a captivating introduction to this under-examined topic. It is packaged with an 80-minute audio CD containing twenty-six examples of the music discussed in the book, including several rare recordings. The author has also provided a list of eighteen songs representing a wide variety of styles--from traditional Native American chants to an Inuit collaboration with Björk--that are referenced in the book and available as an iMix at www.oup.com/us/globalmusic.
| Author | : Jeff Berglund |
| Publisher | : University of Arizona Press |
| Total Pages | : 261 |
| Release | : 2016-03-10 |
| Genre | : Music |
| ISBN | : 0816509441 |
"This book is an interdisciplinary discussion of popular music performed and created by American Indian musicians, providing an important window into history, politics, and tribal communities as it simultaneously complements literary, historiographic, anthropological, and sociological discussions of Native culture"--Provided by publisher.
| Author | : Wise Publications |
| Publisher | : Wise Publications |
| Total Pages | : 192 |
| Release | : 2009-10-05 |
| Genre | : Music |
| ISBN | : 1783232064 |
The Gig Book returns again with the chords an lyrics to over one hundred traditional songs; songs of hard travellin’, booze, the wild country and broken hearts. Presented with melody line arrangements in standard notation, with guitar chord boxes and complete lyrics, this is the perfect reference for guitarists, keyboard players and all other musicians, allowing you to quickly understand and learn every one of these historical pieces – how to sing it and what chords to play. The setlist includes: - Abide With Me - Amazing Grace - Barbara Allen - Battle Hymn Of The Republic - Cotton Fields - Dixie - Down By The Riverside - Down In The Valley - Four Drunken Nights - House Of The Rising Sun - John Brown's Body - John Henry - Midnight Special - Scarborough Fair - Shortnin' Bread - Streets Of London - The Blue Bells Of Scotland - The Camptown Races - Where Have All The Flowers Gone? - Auld Lang Syne - The Bells Of Rhymney - Black Is The Colour Of My True Love's Hair - Nobody Knows The Trouble I've Seen - Frankie And Johnny And many, many more!
| Author | : Jim Mayhew |
| Publisher | : Mel Bay Publications |
| Total Pages | : 105 |
| Release | : 2016-06-15 |
| Genre | : Music |
| ISBN | : 1619113325 |
This book with accompanying audio is a detailed guide to learning how to play these songs on the Native American flute. Delve into a deeper understanding of the Native American flute with this unique collection of songs specifically tailored for this beautiful instrument. American Indian music from several Nations (Cheyenne, Lakota, Papago, Ojibwa and many more) has been adapted to the Nakai TAB system and presented for your enjoyment and musical development. These songs of the hunt and home, songs of love and war will increase your appreciation for the richness and diversity of American Indian culture. The music in this collection ranges from easy to very challenging and will improve your skills on this fascinating instrument. Access to online audio
| Author | : Vincent Schilling |
| Publisher | : Native Voices Books |
| Total Pages | : 185 |
| Release | : 2012-03-06 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 1570679363 |
From the melodic sounds of a classical guitar or the wailing of an electric guitar to country music and punk rock, these musicians deliver. They offer a wide selection of musical styles as diverse as the music industry itself. Read about the lives of these outstanding performers who represent the fresh new sounds from Native American today. The music of these talented artists transcends borders and cultures to speak directly to the hearts and minds of listeners. But it was not always easy for them to reach their goals. Shane Yellowbird (Cree) - Canadian country recording artist Mary Youngblood (Seminole/Aleut) - Flutist Blackfire (Navajo) - Punk rock and traditional Dine' (Navajo) music Jamie Coon (Creek/Seminole) - Singer/songwriter Gabriel Ayala (Pascua Yaqui) - Classical guitarist Mato Nanji (Nakota Sioux) - Lead guitarist and singer for Indigenous Four Rivers Drum - Vibrant drum group
| Author | : Pieter Frank Kossen |
| Publisher | : |
| Total Pages | : 195 |
| Release | : 2018 |
| Genre | : Music |
| ISBN | : |
| Author | : Richard Keeling |
| Publisher | : Routledge |
| Total Pages | : 476 |
| Release | : 2013-10-15 |
| Genre | : Music |
| ISBN | : 1135503095 |
First Published in 1997. The present volume contains references and descriptive annotations for 1,497 sources on North American Indian and Eskimo music. As conceived here, the subject encompasses works on dance, ritual, and other aspects of religion or culture related to music, and selected "classic" recordings have also been included. The coverage is equally broad in other respects, including writings in several different languages and spanning a chronological period from 1535 to 1995. The book is intended as a reference tool for researchers, teachers, and college students. With their needs in mind, the sources are arranged in ten sections by culture area, and the introduction includes a general history of research. Finally, there are also indices by author, tribe, and subject.
| Author | : Paul De Barros |
| Publisher | : |
| Total Pages | : 318 |
| Release | : 1993 |
| Genre | : Music |
| ISBN | : |
"Vintage photographs and 24 contemporary portraits capture the style and flavor of Jackson Street and its jazz legacy. Based on extensive interviews with jazz musicians, this significant new volume documents the smokey rooms, Prohibition antics, wartime parties, and unforgettable riffs that characterized great moments in Pacific Northwest jazz." -- Amazon.com viewed July 8, 2020.
| Author | : Helen Winter |
| Publisher | : Helen Winter |
| Total Pages | : 44 |
| Release | : 2021-05-25 |
| Genre | : Music |
| ISBN | : |
Music is an integral part in the life of the Native Americans, playing a key role in ceremonies, recreational activities, self expression, and healing. Many different instruments are used in Native American music, including drums, flutes, and other percussion instruments. These songs were adapted here for Tongue Drum and Handpan and they are possible to play on most drum models. The steel tongue drum (aka tong drum, tank drum, gluck-o-phone, hapi, or steeldrum) and the handpan (aka hank drum, UFO drum, zen drum, meditation, healing, yoga or chakra drum) are percussion musical instruments designed to help you focus on your feelings, sensations, and body. In musical science, a unique Native American style of singing can be distinguished. It is characterized by rhythmic breathing, a tense voice, and syllabic sounds being more important than lyrics. These technical features helped the shaman achieve a trance state. Although the tongue drum is a modern musical instrument, is perfectly suitable for any tribal songs. Attention: Songs have been transposed for a DIATONIC range. Some melodies might be changed and simplified. If your drum has flat keys, it is recommended that you use classic sheet music for piano. We write the note numbers above the notes because our sheet music is aimed at absolute beginners. Just follow numbers and enjoy. Here you can find traditional songs, handed down from generation to generation: ceremonial (such as corn grinding or moccasin game songs) or healing songs. Also, we add a QR code to most songs. Follow the link and find this song on YouTube, so that you can listen to the rhythm before beginning to play. For which tongue drum are these songs suitable? Each tongue drum is very different and it is impossible to accommodate songs for all kinds of tongue drums in one book. The songs which have been collected in this book can be played on most drum models. If you have less than 1 octave of keys on your drum, you may need to skip some songs. However, if your drum has many sharp notes, you will need a book that contains chromatic songs. Here, we have collected only simplified diatonic melodies. Contents Ani Couni. Arapaho Song. (Version 1) Ani Couni. Arapaho Song. (Version 2) Ani Couni. Arapaho Song. (Version 3) Medicine Song. Apache Song Bebi Notsa. Creek folk song Buffalo Dance. Kiowa folk song Chippewa Lullaby. Chippewa folk song Corn Grinding Song. Zuni folk song Dust of the Red Wagon. Ute folk song Eagle Dance Song. Algonquin folk song Epanay. Sioux folk song Eskimo Ice Cream. Inuit folk song Hiya Hiya. Pawnee folk song Happy Song. Navajo folk song Ho Ho Watanay. Iroquois Lullaby. (2 versions) Hosisipa. Sioux folk song Hwi Ne Ya He. Presumably an Apache song Happiness Song. Navajo folk song Inuit Lullaby. Inuit folk song Moccasin Game Song. Navajo folk song Nessa, Nessa. Ojebwe Lullaby Mos Mos. Hopi folk song My Paddle. Folk song O Hal'lwe. Nanticoke folk song Okki Tokki Unga. Eskimo fishing song Pleasure Dance. Choctaw folk song Sioux Lullaby. Sioux folk song Song of the Deer Dancing. Chippewa folk song Song to the Sun. Zuni folk song Uhe' Ba Sho. Omaha folk song Wanagi Wacipi Olowan. Dakota folk song Wioste Olowan. Dakota folk song We N’ De Ya Ho Cherokee Morning song Ya Ya We. Wichita song Zuni Sunset Song. Zuni folk song
| Author | : Falina Enriquez |
| Publisher | : University of Illinois Press |
| Total Pages | : 206 |
| Release | : 2022-09-13 |
| Genre | : Music |
| ISBN | : 0252053621 |
Institutions in Recife, Brazil, have restructured subsidies in favor of encouraging musicians to become more entrepreneurial. Falina Enriquez explores how contemporary and traditional musicians in the fabled musical city have negotiated these intensified neoliberal cultural policies and economic uncertainties. Drawing on years of fieldwork, Enriquez shows how forcing artists to adopt “neutral” market solutions reinforces, and generates, overlapping racial and class-based inequalities. Lacking the social and financial resources of their middle-class peers, working-class musicians find it difficult to uphold institutional goals of connecting the city’s cultural roots to global markets and consumers. Enriquez also links the artists’ situation to that of cultural and creative workers around the world. As she shows, musical sponsorship in Recife and the contemporary gig economy elsewhere employ processes that, far from being neutral, uphold governmental and corporate ideologies that produce social stratification. Rich and vibrant, The Costs of the Gig Economy offers a rare English-language portrait of the changing musical culture in Recife.
