Native American Studies 22 Book Collection
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| Author | : Lewis Spence |
| Publisher | : DigiCat |
| Total Pages | : 4338 |
| Release | : 2022-11-13 |
| Genre | : History |
| ISBN | : |
"Native Americans" is an interdisciplinary collection which examines the history, culture, religion and language of indigenous people in North America. This meticulously edited collection explores the life of the biggest Native American tribes; including: Cherokee, Iroquois, Sioux, Navajo, Zuñi, Apache, Seminole and Eskimo. Contents: History: The North American Indian The Cherokee Nation of Indians The Seminole Indians of Florida The Central Eskimo The Siouan Indians Calendar History of the Kiowa Indians Legends, Traditions and Laws of the Iroquois and History of the Tuscarora Indians History, Manners and Customs of the Indian Nations Who Once Inhabited Pennsylvania and the Neighboring States Military History: Chronicles of Border Warfare – Indian Wars in West Virginia Autobiography of the Sauk Leader Black Hawk and the History of the Black Hawk War of 1832 The Vanishing Race - The Last Great Indian Council Myths & Legends The Myths of the North American Indians Myths of the Cherokee Myths of the Iroquois A Study of Siouan Cults Outlines of Zuñi Creation Myths The Mountain Chant - A Navajo Ceremony Language: Indian Linguistic Families Of America Sign Language Among North American Indians Pictographs of the North American Indians Customs: Burial Mounds of the Northern Sections of the United States The Medicine-Men of the Apache
| Author | : Lewis Spence |
| Publisher | : Good Press |
| Total Pages | : 4342 |
| Release | : 2023-11-16 |
| Genre | : History |
| ISBN | : |
Native American Studies: History Books, Mythology, Culture & Linguistic Studies is an ambitious anthology that encapsulates the rich tapestry of Native American life, encapsulating its mythology, linguistic diversity, cultural practices, and historical narratives. This collection is characterized by its variety of literary styles, ranging from firsthand accounts and scholarly studies to comprehensive historical analyses and mythological explorations. The assortment of works within this anthology not only highlights the breadth and depth of Native American history and culture but also underscores the significance of these narratives in the broader context of American history. Significant for its diversity and scholarly merit, this anthology serves as a testament to the complex legacy of Native American communities and their enduring influence on the fabric of American society. The contributing authors and editors, including pivotal figures such as Lewis Spence, Cyrus Thomas, and Franz Boas, bring a wealth of knowledge and expertise to the exploration of these themes. Their collective backgrounds, spanning anthropology, linguistics, history, and ethnography, align with various cultural and literary movements that have sought to preserve and understand Native American heritage. The anthology provides a platform for these diverse voices, each contributing to a more nuanced and comprehensive understanding of Native American societies and their legacy. Their works collectively navigate the intersections of cultural identity, historical continuity, and the dynamic changes faced by Native American communities through time. This collection offers readers a unique opportunity to delve into the complexities of Native American history, mythology, culture, and linguistics through a curated selection of influential works. It is an invaluable resource for scholars, students, and anyone interested in understanding the multifaceted narrative of Native American communities. By engaging with these texts, readers are invited to explore a vast array of perspectives and themes, fostering a deeper appreciation for the richness of Native American traditions and the significance of their continued study. The anthology beckons readers to embark on a scholarly journey that bridges the past with the present, contributing to a greater appreciation and understanding of America's indigenous heritage.
| Author | : Clara Sue Kidwell |
| Publisher | : U of Nebraska Press |
| Total Pages | : 194 |
| Release | : 2005-01-01 |
| Genre | : Social Science |
| ISBN | : 9780803278295 |
Native American Studies covers key issues such as the intimate relationship of culture to land; the nature of cultural exchange and conflict in the period after European contact; the unique relationship of Native communities with the United States government; the significance of language; the vitality of contemporary cultures; and the variety of Native artistic styles, from literature and poetry to painting and sculpture to performance arts.
| Author | : Michael Leroy Oberg |
| Publisher | : John Wiley & Sons |
| Total Pages | : 408 |
| Release | : 2015-06-23 |
| Genre | : History |
| ISBN | : 1118714334 |
This history of Native Americans, from the period of first contactto the present day, offers an important variation to existingstudies by placing the lives and experiences of Native Americancommunities at the center of the narrative. Presents an innovative approach to Native American history byplacing individual native communities and their experiences at thecenter of the study Following a first chapter that deals with creation myths, theremainder of the narrative is structured chronologically, coveringover 600 years from the point of first contact to the presentday Illustrates the great diversity in American Indian culture andemphasizes the importance of Native Americans in the history ofNorth America Provides an excellent survey for courses in Native Americanhistory Includes maps, photographs, a timeline, questions fordiscussion, and “A Closer Focus” textboxes that providebiographies of individuals and that elaborate on the text, exposing students to issues of race, class, and gender
| Author | : Katrina Phillips |
| Publisher | : UNC Press Books |
| Total Pages | : 263 |
| Release | : 2021-01-29 |
| Genre | : Social Science |
| ISBN | : 1469662329 |
As tourists increasingly moved across the United States in the late nineteenth and early twentieth centuries, a surprising number of communities looked to capitalize on the histories of Native American people to create tourist attractions. From the Happy Canyon Indian Pageant and Wild West Show in Pendleton, Oregon, to outdoor dramas like Tecumseh! in Chillicothe, Ohio, and Unto These Hills in Cherokee, North Carolina, locals staged performances that claimed to honor an Indigenous past while depicting that past on white settlers' terms. Linking the origins of these performances to their present-day incarnations, this incisive book reveals how they constituted what Katrina Phillips calls "salvage tourism"—a set of practices paralleling so-called salvage ethnography, which documented the histories, languages, and cultures of Indigenous people while reinforcing a belief that Native American societies were inevitably disappearing. Across time, Phillips argues, tourism, nostalgia, and authenticity converge in the creation of salvage tourism, which blends tourism and history, contestations over citizenship, identity, belonging, and the continued use of Indians and Indianness as a means of escape, entertainment, and economic development.
| Author | : MariJo Moore |
| Publisher | : Bold Type Books |
| Total Pages | : 369 |
| Release | : 2009-07-21 |
| Genre | : Political Science |
| ISBN | : 0786750316 |
After five centuries of Eurocentrism, many people have little idea that Native American tribes still exist, or which traditions belong to what tribes. However over the past decade there has been a rising movement to accurately describe Native cultures and histories. In particular, people have begun to explore the experience of urban Indians -- individuals who live in two worlds struggling to preserve traditional Native values within the context of an ever-changing modern society. In Genocide of the Mind, the experience and determination of these people is recorded in a revealing and compelling collection of essays that brings the Native American experience into the twenty-first century. Contributors include: Paula Gunn Allen, Simon Ortiz, Sherman Alexie, Leslie Marmon Silko, and Maurice Kenny, as well as emerging writers from different Indian nations.
| Author | : Qwo-Li Driskill |
| Publisher | : University of Arizona Press |
| Total Pages | : 262 |
| Release | : 2011-03-15 |
| Genre | : Literary Criticism |
| ISBN | : 9780816529070 |
ÒThis book is an imagining.Ó So begins this collection examining critical, Indigenous-centered approaches to understanding gay, lesbian, bisexual, transgender, queer, and Two-Spirit (GLBTQ2) lives and communities and the creative implications of queer theory in Native studies. This book is not so much a manifesto as it is a dialogueÑa Òwriting in conversationÓÑamong a luminous group of scholar-activists revisiting the history of gay and lesbian studies in Indigenous communities while forging a path for Indigenouscentered theories and methodologies. The bold opening to Queer Indigenous Studies invites new dialogues in Native American and Indigenous studies about the directions and implications of queer Indigenous studies. The collection notably engages Indigenous GLBTQ2 movements as alliances that also call for allies beyond their bounds, which the co-editors and contributors model by crossing their varied identities, including Native, trans, straight, non-Native, feminist, Two-Spirit, mixed blood, and queer, to name just a few. Rooted in the Indigenous Americas and the Pacific, and drawing on disciplines ranging from literature to anthropology, contributors to Queer Indigenous Studies call Indigenous GLBTQ2 movements and allies to center an analysis that critiques the relationship between colonialism and heteropatriarchy. By answering critical turns in Indigenous scholarship that center Indigenous epistemologies and methodologies, contributors join in reshaping Native studies, queer studies, transgender studies, and Indigenous feminisms. Based on the reality that queer Indigenous people Òexperience multilayered oppression that profoundly impacts our safety, health, and survival,Ó this book is at once an imagining and an invitation to the reader to join in the discussion of decolonizing queer Indigenous research and theory and, by doing so, to partake in allied resistance working toward positive change.
| Author | : Michael Paul Jordan |
| Publisher | : University of Oklahoma Press |
| Total Pages | : 293 |
| Release | : 2017-09-05 |
| Genre | : Art |
| ISBN | : 080616073X |
The largest known collection of ledger art ever acquired by one individual is Mark Lansburgh’s diverse assemblage of more than 140 drawings, now held by the Hood Museum of Art at Dartmouth College and catalogued in this important book. The Cheyennes, Crows, Kiowas, Lakotas, and other Plains peoples created the genre known as ledger art in the mid-nineteenth century. Before that time, these Indians had chronicled the heroic achievements of their warriors and chiefs on rock, buffalo robes, and tipi covers. As they came into increasing contact with American traders, the artists recorded their experiences in pencil and crayon drawings on paper bound in ledger or account books. The drawings became known as ledger art. This volume presents in full color the Lansburgh collection in its entirety. The drawings are narratives depicting Plains lifeways through Plains eyes. They include landscapes and scenes of battle, hunting, courting, ceremony, incarceration, and travel by foot, horse, train, and boat. Ledger art also served to prompt memories of horse raids and heroic exploits in battle. In addition to showcasing the Lansburgh collection, Ledger Narratives augments the growing literature on this art form by providing seven new essays that suggest some of the many stories the drawings contain and that look at them from innovative perspectives. The authors—scholars of art history, anthropology, history, and Native American studies—touch on such themes as gender, social status, sovereignty, tribal and intertribal politics, economic exchange, and confinement and space in a changing world. The Lansburgh collection includes some of the most arresting examples of Plains Indian art, and the essays in this volume help us see and hear the multiple narratives these drawings relate.
| Author | : Kent Nerburn |
| Publisher | : New World Library |
| Total Pages | : 242 |
| Release | : 1999 |
| Genre | : History |
| ISBN | : 1577310799 |
This collections of writings by revered Native Americans offers timeless, meaningful lessons and thought-provoking teachings on living and learning.
| Author | : Garrick Mallery |
| Publisher | : DigiCat |
| Total Pages | : 1152 |
| Release | : 2022-06-02 |
| Genre | : Fiction |
| ISBN | : |
This work is essential for anyone doing research in rock art and petroglyphs. Col. Garrick Mallery's report on the picture-writing of the American Indians is one of the most significant of all the early reports of the Bureau of Ethnology of the Smithsonian Institution. Besides a special section on petroglyphs, most of the specimens are roughly contemporary with the report's writing and were collected by ethnologists, explorers, and expeditions to reservations. The focus is on the significance of the pictures and the dissimilarities between the styles of picture-writing of the various tribes. Col. Mallery's report is the fundamental study of North American Indian picture-writing for anthropologists, sociologists, historians, or artists. Since most of the samples were collected by peers while picturing was still a vital method of communication, the ethnologists were often helped by the Indians themselves in interpreting the pictographs and uncovering the wealth of information they conveyed. The report consists of almost 1,300 pictures and 54 plates illustrating the samples which Col. Mallery describes.
